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£30.00Highland Cathedral - Brass Band - Karl Alexander
ARRANGER: Karl AlexanderThe number one Scottish hymn has been set for brass band by Karl Alexander. Highland Cathedral with quite opening and regal fanfares will have your band on their feet wanting more. And for the true Scottish spirit this arrangement comes with optional bagpipe parts for a true Scottish feeling.CLICK HERE TO HEAR THIS PIECE - Highland Cathedral Arr: Karl Alexander
In Stock: Estimated dispatch 3-5 working days
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£30.00Livin' On A Prayer - Brass Band Sheet Music Full Score & Parts - LMAM019 - Richie Sambora, Jon Bon Jovi & Desmond Child - David Beal
COMPOSER: Richie Sambora, Jon Bon Jovi & Desmond ChildARRANGER: David Beal"Livin' on a Prayer" is a song by the American rock band Bon Jovi from their third studio album, Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora and Desmond Child, the single, released in late 1986, performed strongly on both rock and pop radio and its music video was given heavy rotation at MTV, giving the band their first song to reach No. 1 on the Billboard Mainstream Rock chart and their second consecutive No. 1 Billboard Hot 100 hit.Regarded as the band's signature song, "Livin' on a Prayer" has topped fan-voted lists and re-charted around the world decades after its release. In 2013, the song was certified triple platinum for over 3 million digital downloads and has since sold over 13 million worldwide, making it one of the best selling singles of all time.Scored here for British Brass Band.Any purchases from this site cannot be made please click on the link above
In Stock: Estimated dispatch 3-5 working days
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£30.00Mary of Argyll - Bb Cornet & Brass Band - Frank Culross
COMPOSER: Frank CulrossFrom the pen of Frank Culross comes this beautiful setting for solo cornet and brass band of the tranditional Scottish tune Mary of Argyle. Originally arranged for the 11 year old (now professional Cornet player) Ian Culross, it has been expanded and developed into a lyrical masterpiece for Brass Band.CLICK HERE TO HEAR THIS PIECE - Mary Of Argyll (Solo Cornet & Brass Band) arr: Frank Culross
In Stock: Estimated dispatch 3-5 working days
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£30.00New York 2:37AM - Bb Cornet & Brass Band - Peter Ratnik
COMPOSER: Peter RatnikFor Cornet Solo and Brass BandWritten in the style of jazz great, Miles Davis, New York 2:37am by Peter Ratnik will transport your audience to the dark streets of New York for a ride of their lives. This a great programmatic work and is ideal for any concert or entertainment contest.CLICK HERE TO HEAR THIS PIECE - New York 2:37am for Cornet Solo & Brass Band by Peter Ratnik
In Stock: Estimated dispatch 3-5 working days
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£25.99Since You've Been Gone - Brass Band Sheet Music Full Score & Parts - LMAM021
COMPOSER: Russell BallardARRANGER: David Beal"Since You Been Gone" is a song written by former Argent guitarist Russ Ballard and first released on his 1976 album Winning. It was covered by Rainbow in 1979 and released as a single from their album Down to Earth.In 1979, "Since You Been Gone" was covered by Rainbow, who released it as the first single from their 1979 album Down to Earth with Graham Bonnet on lead vocals. It was a top-10 single in the United Kingdom, where it reached number six. In the US, the song reached number 57. It was named the 82nd-best "Hard Rock Song of All Time" by VH1. The song was later included on the second trailer and on the soundtrack to Guardians of the Galaxy Vol. 3, which first aired on February 12, 2023, during Super Bowl LVII.Scored for British Brass BandAny purchases of this Item cannot be made from this listing please click on the link above - Any purchase using this site will be refunded
In Stock: Estimated dispatch 3-5 working days
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£30.00Slane (Hymn Tune) - Brass Band - Frank Culross
COMPOSER:ARRANGER: Frank CulrossCLICK HERE TO HEAR THIS PIECE - Slane arr: Frank Culross
In Stock: Estimated dispatch 3-5 working days
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£30.00Smooth Operator - Brass Band Sheet Music Full Score & Parts - LMAM032
COMPOSER: Ray St. John & Helen AduARRANGER: David Beal"Smooth Operator" is a song by English band Sade from their debut studio album, Diamond Life (1984), and was co-written by Sade Adu and Ray St. John. It was released as the album's third single in the United Kingdom as a 7-inch single with "Spirit" as its B-side, and as a 12-inch maxi single with "Smooth Operator" and "Red Eye" on side A and "Spirit" on side B. Released on 28 August 1984, it reached number 19 on the UK Singles Chart.In the United States, "Smooth Operator" was released in February 1985, serving as the album's second US single. The song became Sade's first top-10 entry in the US, peaking at number five on the Billboard Hot 100 for two weeks in May 1985. It spent 13 weeks in the top 40, and also topped the Billboard Adult Contemporary chart for two weeks.Although "Your Love Is King" remains Sade's highest-peaking single in the UK to date, "Smooth Operator" is the band's breakthrough single on the US charts, and their most successful single internationally.Scored here for British Brass Band.Any purchases from this site cannot be made please click on the link above
In Stock: Estimated dispatch 3-5 working days
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£30.00St Anthony's Chorale - Brass Band - Handel
COMPOSER: HandelARRANGER: Peter RatnikCLICK HERE TO HEAR THIS PIECE - St Anthony's Chorale (Handel) Arr: Peter Ratnik
In Stock: Estimated dispatch 3-5 working days
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£25.00...and the winter moon rises
Description...and the winter moon riseswas inspired by a winter's evening car journey across the Pennines from Manchester to Huddersfield, through the brass band heartland of Saddleworth. There was recent snow on the ground, and the sun had just set. A bright clear moon was rising into a sky coloured with orange from the setting sun, and the moonlight made all the snow and ice sparkle.The work is the fourth movement of a larger 5 movement suite entitled "North!", but can be (and has been) performed in isolation. This work was a finalist in the 2012 Ohio Brass Arts Festival composition competition.Performance NotesThe percussion parts should be playable by three players; the "arco" parts of the vibraphone parts should be played by drawing a cello or double bass bow up the side of the bar. Motors should be left off throughout.Three of the brass players are asked to double on triangles for the first part of the piece; ideally these should be of different sizes giving clearly different sounds. The easiest solution is to tie a triangle to the music stand, rather than try to hold it and then swap instruments later in the piece.Click below to watch a playback preview of the score!
Estimated dispatch 7-14 working days
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£22.50Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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