Results
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£57.00Conspirators Overture
Composer: Andrew Duncan Conspirators Overture was written for Katrina Marzella-Wheeler and the Cooperation Band for their winning programme played at the 2025 Brass in Concert competition at the Glass House in Gateshead England. The piece describes a meeting in a cafe in Paris in 1912 between three very influential Russians. The composer Igor Stravinsky, the dancer Vaslav Nijinsky and the impresario Sergei Diaghilev. Together they conspired about how Stravinsky's new Ballet, Le Sacre du Printemps (The rite of Spring) was going to disrupt what was then a very conservative, classical music scene in Paris. Stravinsky's music would forever change the way harmonies and rhythms are used in classical and jazz music. Starvinsky's full name is Igor Fyodorovich Stravinsky. The piece uses the morse code rhythm for IFS, which is Stravinsky's initials as a pulsating 11/8 rhythm which is the foundation of the overture. The opening notes from the Rite of Spring, played by a solo bassoon, are also quoted in the piece in a jazz waltz setting and in a short fugue towards the end of the piece. Suitable for Championship or First Section Bands.
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£20.00atrium phase
Descriptionatrium phase was inspired by listening to works performed at the 2013 Huddersfield Contemporary Music Festival in the atrium of the Huddersfield University Creative Arts Building. The atrium, despite being a functional area incorporating meeting areas and a cafe, has almost coincidentally evolved into a fantastic (if somewhat resonant) performance space. Performers can be positioned on three different sides and three different levels, making the atrium ideally suited to spatially separated performances of a variety of music from Gabrieli to Christian Wolff.In atrium phase the band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.atrium phase won the inaugural Foden's Band Composition Competition in 2014 and the first performance was given on 24 January 2015 at the RNCM Festival of Brass by Foden's Band.Performance Notes:The band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.Instruments in group A require cup mutes (soprano, 2 x cornets, horn, baritone, trombone, euph), group B harmon mutes (4 x cornets, baritone and trombone - the baritone should use a trombone mute) and group C require fibre straight mutes (3 x cornets, flugel, 2 x horns, euph., bass trom - NOT metal mutes if possible).Percussion instruments required are claves, wood block and 2 x temple blocks. The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.Approximate duration 6'17"
Estimated dispatch 7-14 working days
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£74.95Radio City (Trombone Solo with Brass Band - Score and Parts) - Graham, Peter
As youngsters growing up on the west coast of Scotland, my brother and I fell heir to an old valved radiogram which provided us with our first experiences of radio broadcasts. On the short wave signal, and through the static, we could pick up a whole range of programmes from across the Atlantic. I particularly recall the baseball games, the American accents of the announcers providing a window to a evocative world far removed from our small Ayrshire town. These memories form the basis of Radio City.The work is set in three movements, each introduced by a pastiche radio announcer narrative written by Philip Coutts. The first, City Noir, is a nod towards Raymond Chandler's eponymous private eye Philip Marlow and the dark cityscape of 1940s California.Movement two, Cafe Rouge, takes its title from the main restaurant in New York's famous Hotel Pennsylvania. Two of the most famous band leaders of the 1940s, trombonists Glenn Miller and Tommy Dorsey, broadcast live from the cafe on numerous occasions and the movement echoes with a collage of imagined sounds from the period.The finale, Two-Minute Mile, derives from an event dubbed in the USA as "the most exciting two minutes in sport", namely the Kentucky Derby. The virtuoso soloist figurations have their roots in Kentucky bluegrass fiddle music, with the galloping bluegrass clog-dancing rhythms providing the backdrop.- Peter Graham, Cheshire, January 2013
Estimated dispatch 7-14 working days
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£64.00Milonga del Angel (Soprano Cornet, Cornet and Trombone Trio with Brass Band - Score and Parts) - Piazzolla, Astor - Olsrud, Sverre Stakston
This arrangement was made after hearing Astor Piazzolla s 1986 recording of his own work written in 1965. The original instrumentation of bandoneon, violin and string bass is here arranged for three wind soloists with Concert Band. The Soprano Sax is the main soloist (filling the bandoneon role), while the trombone and clarinet shares the violin part as a kind of flirting undertone to the soprano saxophone. It s not possible to make a 100% correct notation of the solo parts, so it s recommended to listen to the record album Zero Hour from 1986 to get the best impression of the work. Enjoy Milonga Del Angel and imagine a small, dark cafe in Buenos Aires!
Estimated dispatch 7-14 working days
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£60.99Walking on Sunshine (Brass Band - Score and Parts) - Rew, Kimberley - Schwalgin, Stefan
Walking on Sunshine has earned its place among the all-time favourite summer classics. Kimberley Rew, lead guitarist for the pop group Katrina and the Waves, wrote the song in 1985 and never looked back. Whether at a club or a cafe, everybody seems to smile when this song is heard. Bring sunshine to your next concert with Sefan Schwalgin's arrangement of this unforgettable classic!Duration: 3:40
Estimated dispatch 7-14 working days
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