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  • £19.50

    Mexican Hat Dance - Trad - David Hollins

    One of the most famous tunes to ever come out of South American has now been arranged as a brilliant comedy item for a cornet trio. This arrangement, titled, as "La Danza Del Sombrero Mexicana", is a wonderful showpiece for your band and 3 cornet players. After the main theme, cadenzas from the 3 soloists lead us into a Habanera before returning to the well-known melody. This item works in just about any concert, from bandstand to opera house. Lending itself perfectly to choreography, this comic item is the perfect audience pleaser.

    In stock: Estimated delivery 1-2 days

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  • £84.95

    Cornet Concerto (Gregson) (Brass Band - Score and Parts) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival’s Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument’s capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled ‘Of More Distant Memories’) and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word ‘Sonata’ is used in its original meaning of ‘sounding together’.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation – a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, ‘Of Distant Memories’.The final Rondo, the shortest of the three movements, is a lively and ‘fleet-of foot’ Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction

    Estimated delivery 12-14 days
  • £39.95

    Cornet Concerto (Gregson) (Brass Band - Score only) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival’s Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument’s capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled ‘Of More Distant Memories’) and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word ‘Sonata’ is used in its original meaning of ‘sounding together’.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation – a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, ‘Of Distant Memories’.The final Rondo, the shortest of the three movements, is a lively and ‘fleet-of foot’ Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.

    Estimated delivery 12-14 days
  • £69.95

    HORN CONCERTO (Gregson) (Horn Solo with Brass Band) - Gregson, Edward

    Horn in F/E flat with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson’s music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, B?la Bart?k; an admirable economy of means; and the clarity of his scoring.Each of the Concerto’s three movements displays a different facet of the French Horn’s character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a lighthearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson’s early influences – William Walton, and in particular that composer’s Partita for orchestra.

    Estimated delivery 12-14 days
  • £35.00

    PRELUDE, TOCCATA & FUGUE (Graduation Day) (Brass Band Parts only) - Sparke, Philip

    Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends ina virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close. Duration: 13:32 Recorded on Polyphonic QPRL232D Sea Pictures

    Estimated delivery 12-14 days
  • £35.00

    PRELUDE, TOCCATA & FUGUE (Graduation Day) (Brass Band Score only) - Sparke, Philip

    Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends ina virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close. Duration: 13:32 Recorded on Polyphonic QPRL232D Sea Pictures

    Estimated delivery 12-14 days
  • £50.00

    Concerto for Euphonium - Philip Wilby

    Completed on New Year's Eve 1995, Philip Wilby's concerto has already established itself as one of, if not the, greatest concerto for the instrument written so far. Its extended length seeks to explore that fine combination of sustained lyricism and explosive virtuosity which typifies the modern euphonium in the most expert hands. There are two parts which divide into four movements. Part One opens with a sonata structure movement which alternates between a melodic style and some rapid passage work. The intention of the music is a firm and cerebral development of the opening fourth-based motifs. At the tranquil conclusion of this music the second movement bursts in - Zeibekikos - a rapid and extrovert Greek Island dance complete with plate smashing! Part Two re-examines some of the opening material surrounded by cadenzas, and centred upon a short and sustained adagio. The final movement opens with a rapid fugal section which moves inexorably towards a climactic return of the music and tonality of the open

    Estimated delivery 5-7 days
  • £60.00

    Concerto for Euphonium (Parts only) - Philip Wilby

    Completed on New Year's Eve 1995, Philip Wilby's concerto has already established itself as one of, if not the, greatest concerto for the instrument written so far. Its extended length seeks to explore that fine combination of sustained lyricism and explosive virtuosity which typifies the modern euphonium in the most expert hands. There are two parts which divide into four movements. Part One opens with a sonata structure movement which alternates between a melodic style and some rapid passage work. The intention of the music is a firm and cerebral development of the opening fourth-based motifs. At the tranquil conclusion of this music the second movement bursts in - Zeibekikos - a rapid and extrovert Greek Island dance complete with plate smashing! Part Two re-examines some of the opening material surrounded by cadenzas, and centred upon a short and sustained adagio. The final movement opens with a rapid fugal section which moves inexorably towards a climactic return of the music and tonality of the open

    Estimated delivery 5-7 days
  • £45.00

    East Meets West - Harper, P

    A real crossover—the brass band plays Indian ragas and talas in this superbly innovative new concert finisher. Performance requires some note-bending, and features flugel and baritone cadenzas. There is a message of peace towards fellow human beings!Championship sectionDuration 5 minsListen to Cory Band on BIC 2017Courtesy of World of Brass

    In stock: Estimated delivery 1-2 days

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  • £69.95

    Harmony Music - Philip Sparke

    Harmony Music was written for the Championship Section Finals of the National Brass Band Championships of Great Britain held at the Royal Albert Hall, London, in October 1987.It opens quietly with a long unison crescendo, interrupted by the basses, which in turn introduces a cornet fanfare, leading to a chorale-like episode, building from the lower half of the band to a huge tutti. There is a brief hint of faster music to come which fails to dispel a high, haunting euphonium solo before the main molto vivace arrives. This is a fast and furious gallop with a certain French flavour. This reaches a climax and subsides gradually into the slower central section (a homage to Maurice Ravel) which incorporates accompanied cadenzas for cornet and horn. The opening of the piece returns and leads back to an abbreviated recapitulation of the vivace. When it appears to be hurtling to a close, the trombones and sopranos introduce a brief moment of chaos before a presto coda asserts itself.

    Estimated delivery 12-14 days