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Butlins 2020

Championship Section

  • £76.4575

    Songs of Ascent (Jonathan Bates)

    'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material.

First Section

  • £72.25

    Symphonic Episodes (Brian Balmages - Mike Kilmartin)

    Symphonic Episodes - Brian Balmages- arr. Mike Kilmartin - 13'15'' - BVT101 This three-movement work by Brian Balmages is transcribed from his earlier work for brass, entitled Symphony No. 1 for Brass. Mike Kilmartin made a superb transcription for brass band. The short opening movement establishes one of the main themes in the work before coming to a soft conclusion. The second movement can easily be performed on its own with its beautiful lyrical melodies and powerful emotional impact. The third movement makes use of themes heard throughout the other movements before coming to a grand conclusion. This is a particularly effective choice for contest and festival use.

Second Section

  • £58.31

    Galdhoppigen (Kerwin Simon)

    Through composed in three movements, the work was previously set as the Swiss Band Association 2nd section Test Piece. Duration 12 mins.

Third Section

  • £45.22

    Gothic Dances (Alan Fernie)

    Previously used as the Second Section Testpiece for the 2006 National Finals, the work is set in three movements.

Fourth Section

  • £70.55

    A Bournemouth Suite (Benjamin Tubb)

    Bournemouth Suite was written by Benjamin Tubb in 2005, when the composer was just 17 years of age. After spending many school holiday weeks with his grandparents in the coastal town of Bournmouth, it was obvious that these experiences would make a great basis for a composition. This testpiece is split into three separate movements: Balloon Ride, The Pier at Night and The BIC. Each movement has its own unique character, although there are ideas shared by all three throughout, one of which is the opening syncopation.