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  • £24.95

    15 Progressive Concert Solos (E Flat Version) - Lucy Pankhurst

    This collection of 15 new pieces for solo brass and piano is intended to offer players new music and new challenges at different points in their musical journey.Covering a range of styles, the compilation of pieces spans a wide technical spectrum for the soloist, with music ranging from grade 1-2 standard right up to grade 8+. This offers advancing brass musicians new pieces to learn and perform as their playing progresses.Whether being used for recitals, exams or just to play at home for fun, I hope you enjoy these solos and return to the book again and again!Lucy Pankhurst

    Estimated delivery 3-5 days
  • £24.95

    15 Progressive Concert Solos (B Flat Version) - Lucy Pankhurst

    This collection of 15 new pieces for solo brass and piano is intended to offer players new music and new challenges at different points in their musical journey.Covering a range of styles, the compilation of pieces spans a wide technical spectrum for the soloist, with music ranging from grade 1-2 standard right up to grade 8+. This offers advancing brass musicians new pieces to learn and perform as their playing progresses.Whether being used for recitals, exams or just to play at home for fun, I hope you enjoy these solos and return to the book again and again!Lucy Pankhurst

    Estimated delivery 3-5 days
  • £84.95

    Cornet Concerto (Gregson) (Brass Band - Score and Parts) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival’s Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument’s capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled ‘Of More Distant Memories’) and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word ‘Sonata’ is used in its original meaning of ‘sounding together’.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation – a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, ‘Of Distant Memories’.The final Rondo, the shortest of the three movements, is a lively and ‘fleet-of foot’ Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction

    Estimated delivery 12-14 days
  • £39.95

    Cornet Concerto (Gregson) (Brass Band - Score only) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival’s Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument’s capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled ‘Of More Distant Memories’) and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word ‘Sonata’ is used in its original meaning of ‘sounding together’.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation – a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, ‘Of Distant Memories’.The final Rondo, the shortest of the three movements, is a lively and ‘fleet-of foot’ Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.

    Estimated delivery 12-14 days
  • £34.95

    HAPPY DAY, A (Cornet Solo with Brass Band Set) - Erik Leidzen

    This composition was awarded first prize in the Theme and Variations Section of the 1926 Salvation Army Band Music Competition and has remained popular with cornet soloists and audiences ever since. This was the first in a trilogy of cornet solos with the word 'day' in the title written by Erik Leidzen, the others being 'Happy all the Day' and 'Wondrous Day'.

    Estimated delivery 12-14 days
  • £34.95

    A Happy Day (Cornet Solo with Brass Band - Score and Parts) - Leidzen, Erik

    This composition was awarded first prize in the Theme and Variations Section of the 1926 Salvation Army Band Music Competition and has remained popular with cornet soloists and audiences ever since. This was the first in a trilogy of cornet solos with the word 'day' in the title written by Erik Leidzen, the others being 'Happy all the Day' and 'Wondrous Day'.

    Estimated delivery 12-14 days
  • £17.50

    A Happy Day (Cornet Solo with Brass Band - Score only) - Leidzen, Erik

    This composition was awarded first prize in the Theme and Variations Section of the 1926 Salvation Army Band Music Competition and has remained popular with cornet soloists and audiences ever since. This was the first in a trilogy of cornet solos with the word 'day' in the title written by Erik Leidzen, the others being 'Happy all the Day' and 'Wondrous Day'.

    Estimated delivery 12-14 days
  • £55.50

    Autumn Dreams (Valse Brillante) (Trombone Solo with Brass Band - Score and Parts) - Zimmerman, Leopold A. - Wilkinson, Keith M.

    Leopold A Zimmerman (1866 - 1935) succeeded the legendary Arthur Pryor as trombone soloist in the Sousa Band and, following his predecessor's example as well as that of other soloists in the band, composed several solos to demonstrate his considerable talents. This arrangement was been requested by Brett Baker for a recording with Black Dyke Band.

    Estimated delivery 12-14 days

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  • £40.00

    DIAMONDS ARE FOREVER (Brass Band) - Barry, John - Wormald, Christopher

    From the 1971 film featuring Sean Connery, this was the second Bond theme recorded by Shirley Bassey (afterGoldfinger). Starting with solos for trombone and horn, this arrangement is designed for all levels of bands and is faithful to the original.. Grade: 4th section +. Duration: 2:40

    Estimated delivery 12-14 days

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  • £20.00

    FAIRY GARDEN, The (from Mother Goose Suite) (Brass Band) - Ravel, Maurice - Littlemore, Phillip

    Ravel wrote his five short piano pieces entitledMa Mere l'Oye(Mother Goose) for two young children, Mimie and Jean Godeski in 1910. The suite invites us to the enchanted world of childhood through these five atmospheric tales. The final part of Ravel's suite is a grand finale, although where Ravel got his inspiration for the fairy garden is unknown. Whatever its origin, it certainly is a delightful piece of music - slow in tempo, quiet to start, with rich harmonies and delicate solos, all leading to a tumultuous climax.Duration: 3:00

    Estimated delivery 12-14 days

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