Results
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£89.95Visions of Gerontius (Brass Band -Score and Parts)
Visions of Gerontius is a set of variations on a hymn tune which is invariably associated with Cardinal John Henry Newman 's words taken from his visionary poem "The Dream of Gerontius", which deals with the journey of the soul from this world to the next. The stanzas of the hymn are taken from the poem which Elgar set to music in his great masterpiece of the same name, for soloists, chorus and orchestra, first performed in Birmingham in 1900. The dramatic setting of those words provides some of the most memorable moments in the music.
Estimated dispatch 7-14 working days
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£24.95Shine Down (Brass Band - Score and Parts)
This up-tempo song has been featured by the contemporary Christian artist Sandi Patti. It speaks of the real hope that Jesus can provide in the world today.
Estimated dispatch 7-14 working days
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£39.95When Thunder Calls (Brass Band - Score and Parts)
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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£34.95Tribute Music (Brass Band - Score and Parts)
The composer writes: Having received delightful reports about Neil Ferguson from his colleagues in Granite City Brass, I thought it might be a good idea to incorporate the musical initials from his name, EFEG, in the opening idea of the music. I used this short idea as a motif during the piece. A recurring comment in the tributes referred to his dry sense of humour, and particularly his ability to deliver a one-liner when least expected. The music does therefore contain a few surprises and sudden changes of direction. I also thought that it might be in character for me to include a little "joke" of my own, which is there to be heard by the very careful listener! Such listeners would do well to remember that the Granite City Brass, the commissioning band, is based in Aberdeen. The idea of commemorating such a faithful member of the band with a piece of music led me to try and write a noble, upright theme, which might be remembered as a melody in the future. I hope that it is a fitting tribute.
Estimated dispatch 7-14 working days
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£39.95Swing into Christmas (Brass Band - Score and Parts)
Written during Colonel Robert Redhead's tenure as Bandmaster of The International Staff Band, this bright and good-humoured selection - originally titled Sounds of the forties - was composed for the UK Territory's annual Christmas event at the Westminster Central Hall in 1993. It features lively treatments of Good King Wenceslas, Carol of the drum, Silent Night! and Deck the hall and brings fresh sparkle to these familiar carols. With the permission of the Redhead family, the work has been readied for publication. Colonel Redhead lives in retirement in Canada, and this release stands as a welcome addition to the journals.The secret to a successful presentation of this piece (and any swing number) is for the band to have a clear grasp of basic swing principles. Players should aim for a relaxed, buoyant feel built on back'beat emphasis (2 and 4), light articulation, and a sense of forward motion without rushing. Note that, apart from the intentionally straight quavers on the drum kit in sections D and E, quavers elsewhere should be swung.A drum kit will be essential as it provides the stylistic anchor throughout, setting up the tempo, supporting the back'beat, and giving the band confidence to embrace the swing style.The Glenn Miller-inspired opening cornet feature sets the tone for the whole piece and should be played with strength, clarity, and stylistic assurance. The outer movements share this brighter, punchier swing character, with crisp rhythmic definition and confident ensemble playing.In contrast, the central setting of Silent Night! adopts a slow 'shuffle' feel. This section should feel spacious and unhurried, with warm phrasing, gentle back'beat, and a laid'back rhythmic pulse. In the melody line, think breadth, and in the accompaniment, think subtlety rather than weight.
Estimated dispatch 7-14 working days
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£29.95The Strong Tower (Brass Band - Score and Parts)
Following the popularity of Turris Fortissima, I decided, albeit many years later, to revisit some of the material it contains and create a shorter piece, expanding on some of the ideas and motifs, allowing myself to follow those in different directions altogether. The result is this piece which I hope will also excite players and listeners alike.The music is marked at a quick tempo from the start, but despite several changes in meter, the tempo doesn't change until the small accelerando leads us into the presto section. In order to maintain the excitement and drama, it's important to set the pace and keep it consistent throughout.Section A introduces a few of the motifs that will be developed during the piece, including the main Turris Fortissima theme from bar 13 to 18.At section B, ensure the quavers are tight across the whole band with a strong attack, making an obvious difference in dynamic when fff is marked, in bars 23, 25 and 27. A more lyrical approach will be effective from the Horns in section C, with vigorous interruptions from the rest of the band breaking up their melody.Section D features long notes from muted 1st and 2nd Cornets and Trombones, with crescendos each time. These should be significant and sound as though they emerge from nowhere, completely cutting through the overall texture.Section D features long notes from muted 1st and 2nd Cornets and Trombones, with crescendos each time. These should be significant and sound as though they emerge from nowhere, completely cutting through the overall texture.Sections E and F are both passages of building intensity. Various contrasting motifs are layered, including a subtle reference to the hymn tune Ein' feste Burg (A mighty fortress is our God) from the Euphonium. The music becomes more busy and muddled, before reaching its climax at section G where the lyrical melody is heard again, this time from the Solo Cornets and Euphonium.In bars 141 to 145, there is a reference to Dean Goffin's My strength, my tower in the Basses, as used in Turris Fortissima. Allow this motif to dominate, keeping the notes full and grand-sounding. In bars 149 to 151 there is further use of the line from Ein' feste Burg in the Baritones, Trombones, Euphoniums and Basses leading into the final section.- Steven Ponsford
Estimated dispatch 7-14 working days
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£44.95Triumphant (Brass Band - Score and Parts)
Triumphant was written as the opening work for the 2024 Future All-Stars final concert. Based on the well-known hymn Victory in Jesus (S.A.S.B. 464), the piece reimagines the familiar melody and words with energetic drumline-inspired rhythms and driving Bass groove.O victory in Jesus, my Saviour, for ever!He sought me and bought me with his redeeming blood;He loved me ere I knew him, and all my love is due him -He plunged me to victory beneath the cleansing flood.Musically speaking, the rhythmic pulse should remain confident and consistent throughout, with the percussion establishing the groove and the band locking in with precision. Take time to find a tempo that allows the Bass and Percussion parts to remain clear and accurate. A slightly steadier pace will produce a stronger, more convincing groove. However, a slower tempo can result in the band's playing becoming too heavy. Melodic lines should be played on the longer side, allowing phrases to sing over the rhythmic accompaniment that can be more defined and articulated. As the work builds, be patient and disciplined with dynamics, saving the band's fullest sound for the climactic moments, maximising their impact.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1383 - 1386, March 2026
1383: Festival March - Lead On! (Andrew Wainwright)A dynamic march, commissioned by Majors Paul and Dawn McFarland during their appointment as Area Commanders of The Salvation Army's Dallas-Fort Worth Area, premiered at the 2023 Thanksgiving service at the Dallas Adult Rehabilitation Centre. Featuring the classic hymns Storm the forts of darkness (S.A.S.B. 980) and Lead on, O King eternal (S.A.S.B. 964), the piece captures the drive, hope, and mission at the heart of The Salvation Army's work in North Texas.1384: Confession (Kenneth Downie)This arrangement is based on the tune Lord of all (T.B. 440), one of the welcome additions to the 2015 Salvation Army tune book. Introduced to the arranger by Andrew Blyth, whose appreciation for the melody highlighted its gentle charm, the piece is dedicated to Andrew and the Peterborough Citadel Band, where he served as Bandmaster and continues to play.The music pairs the tune with the reflective words of We have not known thee as we ought (S.A.S.B. 630), a hymn often used in worship as a moment of confession and heart-searching before God. Its inclusion encourages both performers and listeners to approach worship with humility and sincerity.Although labelled simply as "German traditional," the tune's graceful simplicity is immediately evident. This arrangement preserves that character while introducing subtle harmonic colour and developing the tune's rising fourth motif as a unifying musical thread. The gentle nature of the melody remains central throughout, with a slightly heightened energy in the fifth phrase carefully drawn out without disrupting the overall serenity. The sharing of thematic material between Cornets and Horns calls for smooth, unobtrusive ensemble playing, allowing the tune's beauty to speak naturally.1385: God in good (Stephen Hull) This arrangement brings together two much'loved melodies: Goodness of God, a favourite from the final years of the arranger's service as Divisional Music Director in the Wisconsin/Upper Michigan Division, and the simple, enduring chorus God is so good. Heard often at summer camps, the song's message stayed with him, eventually inspiring this thoughtful musical pairing that highlights God's unwavering goodness throughout our lives.1386: A march in time (Martin Cordner)Written to celebrate the 130th anniversary of Thetford Corps (UKI Territory), this lively march pays tribute to a legacy of faithful witness, joyful service, and a community moving forward in God's light. Premiered by Cambridge Citadel Band during the anniversary weekend, the piece weaves together three cherished songs: Marching on in the light of God (S.A.S.B. 968), Jesus, precious Saviour (S.A.S.B. 501), and Light up the sunshine in your heart.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2246 - 2249, August 2024
2246: Christmas Prelude - David's City (Noel Jones)In 2 Samuel 5, we read of David's anointing as King of Israel at the age of thirty, a reign that lasted for forty years. Bethlehem was known as 'David's city' because he was born there and worked as a shepherd on the nearby hills. Verses 1, 2 and 5 of Once in Royal David's City (C.C. 68) are featured in this Christmas Prelude. There are also brief references to the carols O come, all ye faithful and O little town of Bethlehem between verses.2247: Cornet and Euphonium Duet - This Kingdom (Stephen Bulla)Geoff Bullock's song, This Kingdom, has been made well known by the American gospel singer Ron Kenoly. Stephen Bulla wrote this duet for a Brass Spectacular concert held in Basel, Switzerland, in May 2019.2248: Wonder (Stephen Gibson)When we stop to consider the mystery of God's love for each one of us, its enormity can only cause us to wonder. The opening bars of this music create an atmosphere, using a rolling accompaniment underneath sustained, music and chromatic Cornets, setting the style for the entire piece. Occasional references to Albert E. Webber's chorus Can you wonder? are heard throughout.2249: O to love thee! (Michael Davis)This piece takes its title from the first verse of Francis Bottome's words, Precious Jesus, O to love thee! The introduction establishes the baroque form of a prelude which leads into the tune Glory to the lamb (T.B. 327). Following a brief interlude, the melody is passed through several sections of the band, with delicate countermelodies in the Flugel and Horns. The majestic ending eventually comes to rest on the final tonic chord.
Estimated dispatch 7-14 working days
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£44.95Deus Solus (Brass Band - Score and Parts)
Deus Solus (meaning God Alone) was composed for the Melbourne Staff Band's 130th anniversary at the request of Bandmaster Ken Waterworth. It is based on three Christian tunes - the 18th century hymn O God, our help in ages past (S.A.S.B. 47), and the more contemporary songs God and God alone (Phill McHugh) and Chris Bowater's Faithful God (S.A.S.B. 360). The work begins quietly and with a sense of the unknown, with references to O God, our help in ages past, alluding to the formation and early days of the band.
Estimated dispatch 7-14 working days