Results
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£19.95
BOYS OF THE OLD BRIGADE (Brass Band Set) - F. Wright
Estimated dispatch 7-14 working days
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£28.95La Chica sin Nombre (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
A vibrant, rhythmic solo for trombone and bandLa Chica sin Nombre was written in March 2020 at the request of Brett Baker. He wanted something in Latin style so I chose to go for a Mambo-type dance piece. In obtaining the right percussion sound I would always ask for Conga drums and Mambo Bell/Timbales rather than drum kit. The piece needs to be played with an appropriate feel for Latin music. It should sound light and easy to play but has a few tricky moments- especially the cadenza-like sections from F to H. The virtuosic section at letter G can be cut if required.- Rob WiffinDuration: 4.15
Estimated dispatch 7-14 working days
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£29.95Shine (Brass Band - Score and Parts) - Gott, Barrie
This is another work in a series of swing pieces which began in 1986 with Light-walk (F.S. 462). Shine was written to commemorate 30 years since Light-walk's conception at Star Lake Music Camp. As such, there are brief references to it within the piece. A good understanding of swing style is essential and the articulations should be observed as much as possible. The martellatos should be short and accented. This music should be played with a sense of fun and audience participation is encouraged.
Estimated dispatch 7-14 working days
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£14.95
Shine (Brass Band - Score only) - Gott, Barrie
This is another work in a series of swing pieces which began in 1986 with Light-walk (F.S. 462). Shine was written to commemorate 30 years since Light-walk's conception at Star Lake Music Camp. As such, there are brief references to it within the piece. A good understanding of swing style is essential and the articulations should be observed as much as possible. The martellatos should be short and accented. This music should be played with a sense of fun and audience participation is encouraged.
Estimated dispatch 7-14 working days
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£74.95Beyond the Falls - The Smoke That Thunders (Brass Band - Score and Parts) - Wainwright, Andrew
David Livingstone was a renowned Scottish missionary and explorer whose legendary expeditions from 1841 until his death in 1873 took him deep into the interior of central and southern Africa. While his initial aim was to spread Christianity and commerce, his legacy became defined by his relentless spirit of discovery.This work captures the harrowing and ultimately triumphant journey that led to his discovery of Victoria Falls. Originally composed for the GUS Band's performance at the 2012 Brass in Concert Championships, the work was expanded in 2026 for the Black Dyke Band's recording, Gothique Fantasy - The Music of Andrew Wainwright.The music opens with an air of trepidation, reflecting the weight of the mission ahead. This tension soon gives way to a more optimistic section featuring the Scottish folk song A Man's a Man for a' That. Livingstone reportedly hummed this Rabbie Burns tune to bolster his spirits while travelling. The score then depicts the immense hardships of the expedition (letters F to L), illustrating skirmishes with suspicious local tribes, wild animal attacks, and bouts of African fever.Following these trials, a more reflective, emotive movement (Letters L to R) explores Livingstone's internal struggle and his doubts about continuing. This emotional core is built upon the hymn Lord, Send Me Anywhere, a melody composed by Livingstone himself. Emerging from this prayer with renewed purpose, the final section (Letter R to the end) follows his path along the Zambezi River. The music builds to a triumphant climax, capturing his elation at seeing the magnificent Victoria Falls - known locally as 'Mosi-oa-Tunya' (The Smoke that Thunders).Duration: 13.30
Estimated dispatch 7-14 working days
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£29.95Beyond the Falls - The Smoke That Thunders (Brass Band - Score only) - Wainwright, Andrew
David Livingstone was a renowned Scottish missionary and explorer whose legendary expeditions from 1841 until his death in 1873 took him deep into the interior of central and southern Africa. While his initial aim was to spread Christianity and commerce, his legacy became defined by his relentless spirit of discovery.This work captures the harrowing and ultimately triumphant journey that led to his discovery of Victoria Falls. Originally composed for the GUS Band's performance at the 2012 Brass in Concert Championships, the work was expanded in 2026 for the Black Dyke Band's recording, Gothique Fantasy - The Music of Andrew Wainwright.The music opens with an air of trepidation, reflecting the weight of the mission ahead. This tension soon gives way to a more optimistic section featuring the Scottish folk song A Man's a Man for a' That. Livingstone reportedly hummed this Rabbie Burns tune to bolster his spirits while travelling. The score then depicts the immense hardships of the expedition (letters F to L), illustrating skirmishes with suspicious local tribes, wild animal attacks, and bouts of African fever.Following these trials, a more reflective, emotive movement (Letters L to R) explores Livingstone's internal struggle and his doubts about continuing. This emotional core is built upon the hymn Lord, Send Me Anywhere, a melody composed by Livingstone himself. Emerging from this prayer with renewed purpose, the final section (Letter R to the end) follows his path along the Zambezi River. The music builds to a triumphant climax, capturing his elation at seeing the magnificent Victoria Falls - known locally as 'Mosi-oa-Tunya' (The Smoke that Thunders).Duration: 13.30
Estimated dispatch 7-14 working days
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£19.95Beyond the Falls - The Smoke That Thunders (Brass Band - Study Score) - Wainwright, Andrew
David Livingstone was a renowned Scottish missionary and explorer whose legendary expeditions from 1841 until his death in 1873 took him deep into the interior of central and southern Africa. While his initial aim was to spread Christianity and commerce, his legacy became defined by his relentless spirit of discovery.This work captures the harrowing and ultimately triumphant journey that led to his discovery of Victoria Falls. Originally composed for the GUS Band's performance at the 2012 Brass in Concert Championships, the work was expanded in 2026 for the Black Dyke Band's recording, Gothique Fantasy - The Music of Andrew Wainwright.The music opens with an air of trepidation, reflecting the weight of the mission ahead. This tension soon gives way to a more optimistic section featuring the Scottish folk song A Man's a Man for a' That. Livingstone reportedly hummed this Rabbie Burns tune to bolster his spirits while travelling. The score then depicts the immense hardships of the expedition (letters F to L), illustrating skirmishes with suspicious local tribes, wild animal attacks, and bouts of African fever.Following these trials, a more reflective, emotive movement (Letters L to R) explores Livingstone's internal struggle and his doubts about continuing. This emotional core is built upon the hymn Lord, Send Me Anywhere, a melody composed by Livingstone himself. Emerging from this prayer with renewed purpose, the final section (Letter R to the end) follows his path along the Zambezi River. The music builds to a triumphant climax, capturing his elation at seeing the magnificent Victoria Falls - known locally as 'Mosi-oa-Tunya' (The Smoke that Thunders).Duration: 13.30
Estimated dispatch 7-14 working days
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£24.95
The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£12.50
The Pilgrim's Prayer (Brass Band - Score only) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£34.95
Tucker (Cornet Solo with Brass Band - Score and Parts) - Leidzen, Erik
Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.
Estimated dispatch 7-14 working days
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