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  • £104.99

    Manhattan (Cornet Solo with Brass Band - Score and Parts)

    Cornet or Trumpet Solo with Brass BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be played individually when a shorter solo is required.Duration: 9:30

    Estimated dispatch 7-14 working days
  • £77.00

    General Series Brass Band Journal, Numbers 2250 - 2253, December 2024

    2250: Prelude on 'Rhosymedre' (Ralph Vaughan Williams trs. Douglas Engle)The English composer Ralph Vaughan Williams' work Three Preludes (founded on Welsh Hymn Tunes) was published for the organ in 1920. This is a transcription of the second movement of that work. The words associated with the hymn tune are by Samuel Crossman, My song is love unknown (S.A.S.B. 149), and vividly depict the events of Holy Week. The music is gentle and solemn and would be appropriate for a Good Friday service or as a moment of repose in a concert. 2251: Hosanna Shuffle (Sam Creamer)The half-time shuffle groove is a popular feel developed by alternative rock/pop bands of the 1980s. It marries elements of rock and swing styles together to form a new and infectious feel - Hosannah Shuffle being written as a tribute to this fusion of musical styles. Contrary to a swing style, shuffle brings the pulse back onto the beat while maintaining the swung quaver rhythms to create a rock-type rhythmic drive. 2252: Everlasting Love (Keith Manners)This piece was written for the London North East Music School in 2004. The theme of the week was 'Making a stand for Christ', reminding the school that it only takes one person to make such a stand before others follow. The music starts with a lone Solo Cornet playing the melody of Graham Kendrick's song Such Love (S.A.S.B. 199). One by one, other parts join in with the theme.2253: Festival March (Michael Cooper)This piece represents the first published brass composition of Bandmaster Michael Cooper, who is the Bandmaster at Brisbane City Temple Corps. This imposing festival march features the tunes I want to be a soldier (T.B. 683), Lift up the banner (T.B. 90) and My Jesus, I love thee (T.B. 506). These tunes depict the idea that spiritual warfare is an essential component of one's faith, success of which is articulated in the final verse of My Jesus, I love thee (S.A.S.B. 878).

    Estimated dispatch 7-14 working days
  • £34.95

    Boundless Spirit (Brass Band - Score and Parts)

    This medley contains highlights from music the composer wrote for the opening event of Boundless, The Salvation Army's International Congress held at London's O2 Arena in 2015. The work features original melodies but also recognisable tunes with a global flavour; Moscow (T.B. 198), Europe (T.B. 367), Calabar (T.B. 362), They shall come from the east (T.B. 887), The world for God (T.B. 876) and Happy Song (T.B. 644) which calls to mind the words 'There's salvation for the world'. The objective of the piece is to celebrate the diversity of The Salvation Army around the world through a variety of music styles.

    Estimated dispatch 7-14 working days
  • £44.95

    Love-Lifted-Me (Brass Band - Score and Parts)

    The composer describes this piece as a waltz fantasy - it embodies many characteristics of the dance, and has a few flights of fancy as well! The source of inspiration for the work is the much loved hymn Love lifted me with words by James Rowe (S.A.S.B. 583) and music by Howard E. Smith (T.B. 744).This high-spirited celebration in music will make a wonderful addition to your library.

    Estimated dispatch 7-14 working days
  • £29.95

    A Lyric of Hope (Cornet Solo with Brass Band - Score and Parts)

    A Lyric of Hope in not based on a set of song words, but directly from scripture. The composer wrote this original work especially for Philip Cobb.Duration: 4.30

    Estimated dispatch 7-14 working days
  • £29.95

    All the Ways God has Shown (Cornet Solo with Brass Band - Score and Parts)

    Howard Davies has become synonymous with beautiful melodic writing. He has over 100 pieces publishing, and All the Ways God has Shown is one of the composer's lesser known works, but it still shows the gift of melodic charm.Duration: 2.45

    Estimated dispatch 7-14 working days
  • £29.95

    I Need Thee (Cornet Solo with Brass Band - Score and Parts)

    In the late 1980s, Scottish composer Alastair Taylor bought a new setting to words by Annie S. Hawkes entitled I Need Thee. The impact of Taylor's setting was instant, and has since become a popular and much-loved song.Duration: 5.30

    Estimated dispatch 7-14 working days
  • £29.95

    Ochills (Cornet Solo with Brass Band - Score and Parts)

    Ochills was inspired by the composer during a stay in Alloa, Scotland. His room looked out on the Ochills and one morning, taking a sheet of manuscript paper, he traced the shape of the hills across the stave, and then added the notes in a rhythmic pattern.Duration: 2.45

    Estimated dispatch 7-14 working days
  • £29.95

    The Wonder of His Grace (Cornet Solo with Brass Band - Score and Parts)

    The Wonder of His Grace was originally written when the composer was inspired by the incredible views of the stars in the night skies.Duration: 3.15

    Estimated dispatch 7-14 working days
  • £104.99

    Friendly Takeover (Brass Band - Score and Parts)

    Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Duration: 9.30

    Estimated dispatch 7-14 working days