Results
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£37.95Red Sky at Night (Brass Band - Score and Parts) - Lear, W. Hogarth
In 1973 the James Shepherd Versatile Brass was formed and Elgar Howarth was asked to write a piece for them to perform at a Royal Albert Hall Gala Concert, following the National Brass Band Championships. Connecting Jim's surname with the well-known saying, 'red sky at night, shepherd's delight', he found his title "Red Sky at Night". Duration: 4:00
Estimated dispatch 7-14 working days
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£29.95RHAPSODY IN BRASS (Brass Band Extra Score) - Goffin, Dean
Extra Score only. National Brass Band Championships of Great Britain Area Test Piece 2017 - Second Section. The Movements are as follows :01. Allegro giocoso02. Andante con moto03. Allegro assai e giocosoDuration: 9:30
Estimated dispatch 7-14 working days
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£159.99RUSH HOUR (Brass Band) - Crausaz, Etienne
Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division. Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter and more peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry. Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour. Duration: 13:45
Estimated dispatch 7-14 working days
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£74.95The Year of the Dragon (Brass Band - Score and Parts) - Sparke, Philip
Butlins 2018 Champsionship Section.Recorded on Polyphonic QPRL051D EUROPEAN BRASS BAND CHAMPIONSHIPS 1992.Movement 2 Recorded on Polyphonic QPRL227D SHOUT! (Brett Baker - Trombone & the PolySteel Band)
Estimated dispatch 7-14 working days
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£37.95
The Year of the Dragon (Brass Band - Score only) - Sparke, Philip
Butlins 2018 Champsionship Section.Recorded on Polyphonic QPRL051D EUROPEAN BRASS BAND CHAMPIONSHIPS 1992.Movement 2 Recorded on Polyphonic QPRL227D SHOUT! (Brett Baker - Trombone & the PolySteel Band)
Estimated dispatch 7-14 working days
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£59.95Un Vie de Matelot (Brass Band - Score and Parts) - Farnon, Robert
A Sailor's Life. Theme and Variations for Brass BandThis work was specially composed as the test piece for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 11th October, 1975Duration: 10.00
Estimated dispatch 7-14 working days
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£29.95
Un Vie de Matelot (Brass Band - Score only) - Farnon, Robert
A Sailor's Life. Theme and Variations for Brass BandThis work was specially composed as the test piece for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 11th October, 1975Duration: 10.00
Estimated dispatch 7-14 working days
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£44.95Patterns (Brass Band - Score and Parts) - Gregson, Edward
Building musical paragraphs using short, irregular rhythmical patterns became a favourite Gregson formula in the early 1970s. Patterns is the clearest and most disciplined example. By limiting himself to a single musical motif, heard at the outset on trombones, Gregson offers a true test of technique and musicianship in a concise three part structure. The opening is another Gregson prelude with alternating patterns of 3s, 4s, 5s and 7s that are bonded by a constant quaver pulse. The music here possesses a neo-classical, pristine quality. In the central episode, the same triadic figure is transformed into a lilting barcarolle-like dialogue beginning on solo cornet and horn. When the whole band becomes involved, the trombones add a moment of bi-tonal ambiguity, which sets in motion an exuberant Latin dance and final flourish.Patterns was commissioned by the Butlins Youth Brass Band Championships for the 1974 competition at the Royal Albert Hall.Duration: 5.00
Estimated dispatch 7-14 working days
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£64.95Partita (Brass Band - Score and Parts) - Gregson, Edward
Selected as the Section 4 test piece for the National Brass Band Championships of Great Britain 2025Partita dates from 1971, when it was commissioned by the Redbridge Youth Band. The musical thread that runs through the work is the 13th century plainsong Dies Irae from the Requiem Mass. This gives the work a rather sombre tone which is audible right from the start of its first movement Intrada. The initial hammer-like chords of the opening and conclusion are only interrupted momentarily by a more lyrical modal tune. Even here, on its repetition, it is surrounded by more insistent textural patterns.The second movement, Chorale and Variations, uses the Dies Irae as the basis for an extended melody in the manner of a baroque sarabande. The five variations that follow are varied in texture, tempi, and dynamics. The final March is more optimistic in mood and presents as its main idea a rather jaunty theme which gets developed throughout the movement. However, the ominous presence of the Dies Irae has the last say with a final statement to round off the work.Duration: 11.00
Estimated dispatch 7-14 working days
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£32.50
Partita (Brass Band - Score only) - Gregson, Edward
Selected as the Section 4 test piece for the National Brass Band Championships of Great Britain 2025Partita dates from 1971, when it was commissioned by the Redbridge Youth Band. The musical thread that runs through the work is the 13th century plainsong Dies Irae from the Requiem Mass. This gives the work a rather sombre tone which is audible right from the start of its first movement Intrada. The initial hammer-like chords of the opening and conclusion are only interrupted momentarily by a more lyrical modal tune. Even here, on its repetition, it is surrounded by more insistent textural patterns.The second movement, Chorale and Variations, uses the Dies Irae as the basis for an extended melody in the manner of a baroque sarabande. The five variations that follow are varied in texture, tempi, and dynamics. The final March is more optimistic in mood and presents as its main idea a rather jaunty theme which gets developed throughout the movement. However, the ominous presence of the Dies Irae has the last say with a final statement to round off the work.Duration: 11.00
Estimated dispatch 7-14 working days
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