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  • £34.95

    The Fire and the Phoenix (Trombone Solo)

    Trombone Solo with Brass BandThe Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers.Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody.Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again.A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.

    Estimated dispatch 7-14 working days
  • £37.65

    Life in the Sun (Brass Band) Rob Wiffin

    This bright and attractive concert overture was written while I was living in Spain and enjoying life in the sun - a rare experience for an Englishman! It is intended to be an effervescent and cheerful piece, enjoyable both to play and to listen to. There are no great technical challenges in the music but it is essential that the performers play with a firm grasp of the rhythmic nature of the piece.It opens with a bold fanfare, giving the first statement of a theme that is to be used throughout. Once the broad opening is over the music has a feeling of energy and joy that drives all the way through the piece. The style is light and jazz-inflected and owes much to the compositional idiom of Goff Richards, the 'guru' of entertaining band music.Duration: Approx. 5.05 minutesDifficulty Level: MediumThis PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)

    In Stock: Estimated dispatch 1-3 working days
  • £48.95

    Peace in Our Time (Brass Band) Andrew Wainwright

    Commissioned by Armonico Consort to mark the 85th anniversary of the Coventry Blitz, Peace in Our Time is a profoundly moving reflection on humanity's enduring quest for reconciliation amidst turmoil. Originally scored for choir, orchestra, and organ, this masterful brass band transcription beautifully captures the emotional weight of John Oxenham's evocative poetry and the timeless plea of Psalm 122.The work opens in hushed reverence, where distant muted cornets, a dark bass pedal, and a fragile, militaristic snare drum set a shadowed, contemplative scene. Out of this delicate landscape emerges a poignant cornet solo that yields to the expressive voice of the solo flugel horn, carrying the opening text with quiet conviction before introducing the solemn reminder: "O pray for peace, peace in Jerusalem."As the piece progresses, the setting turns darker and more restless. Harmonic tension builds through rich brass textures to reflect the fears, divisions, and heavy costs of historical and modern conflict.From this emotional turbulence rises a bold, ceremonial fanfare that marks a dramatic turning point, ushering in a glorious, expansive setting of the poem's final verse. Yet rather than ending in simple triumph, the music gently recedes into a serene and tender stillness. The final bars leave performers and audiences alike with a quiet, lingering echo - a persistent hope for peace that resonates just as deeply today as it did 85 years ago.This substantial work is an extraordinary addition to any brass band library, serving as an ideal centerpiece for Remembrance Sunday, historical commemorations, church services or serious concert programming.To view a multimedia presentation of the piece with audio please visit www.youtube.com/watch?v=Y2BKI_GCegwThe multimedia presentation is available on request withe purchase of this work - please email [email protected] to receive a link to download it.To view a video performance of the original work for choir, orchestra and organ please visit www.youtube.com/watch?v=m6o6PJJVKCoDuration: approx. 8.45 minutesDifficulty Level: 2nd Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £30.12

    March - His Royal Banner (Brass Band) Jonathan Mead

    This upbeat, foot-tapping march by Welsh composer Jonathan Mead features the two well known Welsh tunes of Aberystwyth and God Bless The Prince of Wales.Aberystwyth is set as a big bold bass solo and careful attention will need to be paid to make sure that it sounds clean and together. God Bless The Prince of Wales first appears as a traditional hymn tune, before returning in a more vibrant, lively style, with florid scalic passages for the solo cornets and euphoniums.The march was written with St David's Day in mind, although will be an appropriate addition to concert programme throughout the year as either an opener or finisher.Difficulty Level: 3rd Section +Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussionClash CymbalsGlockenspiel

    In Stock: Estimated dispatch 1-3 working days

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  • £34.95

    Fire & the Phoenix, The - Christopher Bond

    The Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers. Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody. Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again. A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.

    Estimated dispatch 10-14 working days
  • £39.99

    Who Wants to Live Forever

    ABOUT THIS PIECE: A stunning arrangement of Who Wants to Live Forever, originally performed by Freddie Mercury and Queen. Composed by Brian May for the iconic 1986 film Highlander, the song is renowned for its haunting melody and powerful lyrics, exploring themes of love, loss, and immortality. Mercury's emotive vocals and the song's orchestral grandeur have made it a timeless classic. This arrangement captures the depth and drama of the original while building to a bold and triumphant finale, making it an ideal choice as a closing piece for a half or full concert. Its dynamic range and emotional intensity provide a fantastic opportunity to showcase the band's expressive abilities. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 5-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £39.99

    Facade

    ABOUT THIS PIECE: Experience the gripping energy of Jekyll & Hyde with Adam Taylor's stunning brass band arrangement of "Facade." This dramatic piece captures the tension and complexity of Frank Wildhorn's iconic composition, perfectly suited for bands seeking a bold and dynamic item - perhaps as part of a screen and show concert. With its driving rhythms, this arrangement maintains the intensity to the original score, making it an ideal addition to any band library. Add drama and excitement to your next performance--get your copy today! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 3 LISTEN: Click here (note that the ending of this recording differs to the published version) DURATION: 3-minutes, 30 secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £55.00

    Don't Rain on my Parade

    ABOUT THIS PIECE: Add a touch of Broadway magic to your programme with this stunning arrangement of Don't Rain on My Parade. Originally performed by Barbra Streisand in the classic musical Funny Girl, this song has become synonymous with bold, confident performances and a spirit of resilience. Perfect for energising any concert programme, this arrangement maintains the song's signature flair and dynamic intensity, capturing the essence that has made it a favourite for generations. This piece is sure to captivate audiences and bring a sense of theatrical excitement to your performance. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 3 LISTEN: Click here DURATION: 3-minsEXAMPLE SCORE Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £35.00

    A Suffolk Prelude. Andrew Duncan

    Recommended - Championship to 2nd Section Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional folk tunes from Suffolk in England. Nutting Time, Blackberry Fold, Cupid's Garden, A Seaman's Life and The Bold Richard. A Suffolk prelude is ideal as an opening item in a concert. Includes score & Parts

  • £69.95

    Ceremony - Jonathan Bates

    DIFFICULTY: 2nd+. DURATION: 10'00". 'Ceremony' was commisioned by Musica da Domat, Switzerland and their Musical Director Gian Stecher in 2019. The concept of the work revolves around a number of religious processions which take place around the mountainous region of Graubunden in the south of the country and in more musical terms, a specific setting of the 'Stabat Mater' (heard in fragments throughout the piece, but only at the finale is it heard in it's entirety) which is traditionally the ceremonies around this area. Through-composed yet in 4 clear sections, 'Ceremony' opens with 3 fanafare trumpets/cornets positioned antiphonally across the back of the stage, each paired with a different pitched tenor drum, and in a different key - inspired by the idea of being able to hear the different ceremonies from all regions of Graubunden echoing up the valley in equal strength. Following this opening fanfare section, the procession around the hills begins with a tongue-in-cheek quasi-march in a far more upbeat and jovial mood. The centrepiece of the work is simply entitled 'Echoes', and once again returns to the idea of music breaking the almost eerie-silence as it reverberates around the vast valleys, before the culmination of the piece returns to material from the opening 'Ceremony' section in a more grandioso and bold style. . .

    In Stock: Estimated dispatch 1-3 working days