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£37.50COSSACK SHASKA DANCE (score & parts) - McKenzie, Jock
Oldham Music Centre Brass Band play this on the you tube link starting 7 minutes 11 seconds from the beginning.
In Stock: Estimated dispatch 1-3 working days
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£33.91Countdown - Kevin Ackford
Score & Parts The first piece of Kevin's space trilogy which was originally written for the Poynton Youth Band. This piece is a great opener with its strong drum rhythm at the beginning and its flowing melody throughout.
Estimated dispatch 5-7 working days
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£33.91Nearer My God to Thee - Kevin Ackford
Score & Parts Arranged to commemorate those who lost their lives in the sinking of the Titanic this is a very subtle and emotional arrangement beginning and ending with simulated ship's bell and lone cornet.
Estimated dispatch 5-7 working days
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£61.11Heligan - Kevin Ackford
Score & Parts A descriptive piece of around 13 minutes telling the story of and taking you on a journey around the Lost Gardens of Heligan. Following the introduction, we begin our journey at the Grand House with the staff scurrying around carrying out their work. Next comes the outbreak of World War 1 when all of the male staff of the house signed up with the Duke of Cornwall's Light Infantry. Following the war only 6 of the gardens 22 staff survived and returned to Heligan. After the war the gardens "Go to Sleep" and become overgrown. Then comes the modern-day workers rediscovering the gardens and beginning to put them back to their former glory. Then the sun rises over the gardens and the birds begin to sing and we find ourselves in the serene lost valley. We then pass through the Jungle before turning the corner and once again see the House and lawns in all their glory.
Estimated dispatch 5-7 working days
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£75.00On Fire - Michael Geisler
The energy-charged work "On Fire" is the perfect beginning or end of a modern concert part. A fanfare-like introduction is followed by the first chorus, in which the catchy melody is introduced; as it progresses, it is played more and more - but always underpinned by a funky rhythm. Solos for trumpet and drums give it a special touch. This great number won't fail to deliver an impact on the audience!
Estimated dispatch 10-14 working days
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£56.00A Hairy, Scary Spider - Thomas Geerts
A Hairy Scary Spider is the second part of the musical theatre piece Welcome to Halloween. This piece can be ordered separately or as part of the complete set. The piece describes a day in the life of a hairy, scary spider. In the beginning you aren't really sure what you are looking at. Is it a ball of wool or a big shadow? It turns out to be a spider sitting happily in his web. At a certain point while the whole band is watching him carefully, he jumps which leads to an inevitable scream.
Estimated dispatch 10-14 working days
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£50.00Four Meets Seven - Patrick Millstone
The young Dutch composer Patrick Millstone is a new name in our catalogue. In this fine composition he describes the meeting of two friends with quite different personalities, the one being introvert (4/4 meter), the other extrovert (7/8 meter). The lyrical introduction suggests the quiet beginning of the conversion. By means of an almost constant alteration of both meters, the Allegro part suggests a sudden quarrel. Finally both friends are parting ... A most fine acquisition for the original concert repertoire.
Estimated dispatch 10-14 working days
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£32.00The Cistercians
DescriptionThe Cistercianswas written during December 2003 and January 2004 as an entry for Morecambe Band's Centenary New Music Competition, which it went on to win. The first two performances were at the final of this competition, part of the band's 100th Anniversary Concert at The Dome in Morecambe on 9 July 2004.The music was inspired by visits to three of Britain's great Cistercian Abbeys; Valle Crucis, Fountains and Rievaulx. The Cistercian Order was founded at Citeaux in France in the 11th Century and was based on the principles of austerity, humility and piety. Cistercian Abbeys were deliberately sited in remote, difficult areas. Despite this many of them, especially Rievaulx, became immense centres of commerce and power, with ever more complex administration and hierarchies.In a way the music reflects this; all the material in the piece is derived from two simple motifs played by flugel and solo horn in the opening bars and becomes more complex and further removed from the original material as the piece develops. After a tranquil opening section a fugal chorale develops over a medieval-style "tenor" - a stretched out version of one of the original motifs. A burst of semiquavers leads into a faster, folk-dance type section - our medieval abbey has become a bustling trade centre - before rhythmic quaver pulses in the horns and cornets accompany powerful chords in the low brass; this is another "tenor" derived from the opening motifs. A short development section, including the folk dance "hocketing" round the band and a slightly disjointed 10/8 section leads to a restatement of the fugal chorale from the beginning before a frenetic coda brings the work to a triumphant conclusion.Performance Notes:Percussion instruments required are Bass Drum, Suspended Crash Cymbal, Glockenspiel, 2 x Tom-toms, Snare Drum, Tambourine, Tam-Tam, 2 x Timpani (G-C, C-F), Triangle, Wood Block. All cornets will require metal stratight mutes and all except soprano require cup mutes. All trombones require cup and metal straight mutes.You can follow a preview of the score in the video below.
Estimated dispatch 7-14 working days
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£10.00The Once and Future King
DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!
Estimated dispatch 7-14 working days
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£72.00
Easy Peasy - Suite in Five Movements - Hilde Hoyvik Dahl
This suite is written for beginning band at grade level 1. It consists of five short movements of various style. You may perform the movements as single pieces. The composition consist basically of three voices to make it playable also for smaller ensembles.However, it's preferable that trumpet/cornets play part no. 1 and clarinets play part no. 2 when necessary.
Estimated dispatch 7-14 working days
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