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  • £36.92

    The Vow (Brass Band) Andrew Wainwright

    VIEW SCORE PDF A majestic processional in the spirit of Elsa's Procession to the Cathedral, this powerful work blends the heartfelt beauty of William Himes' worship song All That I Am with an original theme by Andrew Wainwright. The piece was originally written for the composer's wedding. The piece features expressive interplay between solo lines and rich accompaniment, offering performers a dynamic canvas to shape and build the music. Gradually expanding in depth and intensity, it culminates in a stirring and triumphant conclusion - ideal for sacred ceremonies, concert halls, or moments of solemn celebration. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com To view a video of the Southern Territorial Band performing the work please visit: www.youtube.com/watch?v=h2VUSKHMbho Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

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  • £44.31

    Illuminate - Brass Band (Andrew Wainwright)

    Written for the Chicago Staff Band's tour of England in 2015, this exhilaratingwork was premiered at The Salvation Army's Boundless International Congress at London's O2 Arena to an audience of 20,000 people. The piece is structured as a through-composed triptych, weaving together the popularcontemporary worship songs Shine on Us (Michael W. Smith) and Speak, O Lord (Keith and Kristin Getty) with the historic Salvationist anthem The World for God (Evangeline Booth) to explore themes of light, guidance, and mission. The work opens with energy and rhythmic drive, centering on Shine on Us. A stark contrast follows in the meditative middle section. Here, the music explores the contemplative depths of Speak, O Lord, featuring the solo horn. The final section introduces a nostalgic and stirring reference to General Evangeline Booth's classic hymn, The World for God. The finale juxtaposes all three themes. As the disparate melodies intertwine and layer upon one another, the music builds to a triumphant climax - a representation of 'illumination' that celebrates a shared faith across generations. To view The International Staff Band performing the piece, please visit: www.youtube.com/watch?v=T5gVsBrdvio Duration: approx. 7 minutes Includes score and full set of parts. Sheet music available exclusively from World of Brass - www.worldofbrass.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

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  • £36.92

    Enduring Faith (Brass Band) Andrew Wainwright

    Enduring Faith was commissioned by Christopher Ward and the Five Lakes Silver Band and is a lyrical work for brass band that explores the intersection of hope, resilience, and conviction. Designed with a focus on melodic clarity and expressive phrasing, the composition moves through a series of nuanced emotional shifts - ranging from quiet, reflective passages to moments of expansive lyricism and affirmation. The harmonic structure travels through several keys, serving as a musical metaphor for the changing seasons of life. Throughout the piece, the texture is enriched by featured soloists from across the ensemble, including flugel horn, cornet, euphonium, baritone, and trombone. This work is dedicated to Doug and Stephanie Bayne, long-standing members of the Five Lakes Silver Band, in recognition of their commitment to their community and their steadfast support of the ensemble. It was recorded by the Five Lakes Silver Band on their 2025 album, Legacy. To view a video of the Five Lakes Silver Band performing the work please visit https://youtu.be/84NU_OXMs3Y Duration: Approx. 5.30 minutes Difficulty Level: 3rd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

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  • £40.61

    At the Going Down of the Sun (Brass Band) Mike Fitzpatrick

    At The Going Down Of The Sun is a deeply moving musical tribute dedicated to the courage, resilience, and ultimate sacrifice of those who have defended the nation of Australia. Inspired by the heroic legacy of the 2/25th Battalion and their storied defense of the Kokoda Track during World War II, this composition serves as a solemn reminder of the immense gratitude owed to its fallen heroes. This piece is born from a legacy of service. It was composed in honor of Keith Fitzpatrick, who enlisted in the AIF on November 28, 1941. Keith served two tours in New Guinea, spending 359 days on the treacherous Kokoda Track. Keith Fitzpatrick lived to celebrate his 100th birthday in 2023, leaving behind a profound legacy through his wife of 67 years, Valda, and three generations of descendants. At The Going Down Of The Sun captures this spirit of endurance and devotion. It is an ideal addition to any program focused on: Anzac Day & Remembrance Day services Military Commemorations Historical Tributes To view a rolling score video of the work please visit www.youtube.com/watch?v=ydO9PKOKTpk Duration: 7.00 minutes Difficulty Level: 3rd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion Tubular Bells

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  • £33.23

    Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell

    Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3 Duration: Approx. 3.10 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

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  • £33.23

    Both Sides, Now (Brass Band) Joni Mitchell arr. Andrew Wainwright

    Joni Mitchell's Both Sides, Now is a timeless reflection on the shifting landscapes of life, love, and self-understanding. First released in 1969, this iconic song has become a signature of Mitchell's extraordinary songwriting, capturing the delicate interplay between youthful innocence and hard-earned wisdom. With its poignant lyrics and haunting melody, Both Sides, Now continues to resonate across generations. This evocative brass band arrangement by Andrew Wainwright was commissioned by the Fountain City Brass Band for its 2023 tour of England, including a performance at the prestigious Brass in Concert Championships. Featuring prominent solos for baritone and flugel horn, the arrangement makes full use of their lyrical warmth and tonal richness. BrookWright is delighted to be able to now make this arrangement available to brass bands. To view an excerpt of Fountain City Brass Band performing the work please visit www.youtube.com/watch?v=OYaoF_b9wHo Duration: approx. 3.30 minutes Difficulty Level: 4th Section + This PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

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  • £29.54

    Dance from the Othello Suite (Brass Band) Coleridge-Taylor arr. Bushnell

    Samuel Coleridge-Taylor is a British composer, who, from a young age, showed talent on the violin and entered the Royal College of Music, studying with Charles Villers Standford. His music become so popular that his Hiawatha trilogy was the second most performed choral piece (joint with Mendelssohn's Elijah, and only beaten by Handel's Messiah) with choral societies up and down the British Isles. In fact, Hiawatha was arranged by Charles Godfrey as a test-piece for the 1902 National Brass Band Championship of Great Britain, held at Crystal Palace.Commissioned by the theatre impresario Herbert Beerbohm, Coleridge-Taylor composed incidental music for His Majesty's Theatre London production of the Shakespeare play, Othello, in the West End, in 1909. In 1912, the play opened to the public, with a suite of five movements put together soon afterwards. The Dance, arranged here by Rob Bushnell, makes a great concert opener.This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found at www.youtube.com/watch?v=OQeO_Ij9CV8 Duration: approx. 2.30 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

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  • £66.46

    Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield

    This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day. The composer writes: 'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story. The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties. The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war. After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close. Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.' To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgk Duration: Approx. 15.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

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  • £14.77

    Jingle Boogie-Woogie Bells (Brass Band - Ukraine Charity Release) Ovcharenko

    This piece was arranged by Halyna Ovcharenko, a Ukrainian composer who was born in Lugansk, a Ukrainian city that is currently under occupation by the Russian Federation. All the proceeds from this sale will go towards the 'A family for every orphan' appeal, which is providing emergency relief services to thousands of children and families in Ukraine. For more information about the charity please visit https://afamilyforeveryorphan.org/ukraine/ Halyna Ovcharenko has been composing music since she was 11. Many of her compositions of various genres have received international awards, but she discovered the world of brass band music with its specific timbre and huge range of musical colors only recently, in 2022, while composing her Vyshyvanka for Grimethorpe Colliery Band. Halyna comments: "I enjoyed my experience. Since then I have had an appetite to write more for brass bands, and here we are - an arrangement of a traditional English Christmas song which I have done especially to raise money for Ukrainian orphans. Their heroic parents stood for my Lugansk, for our Ukraine and for the whole World. I hope that the World will make these children feel that they are not left alone, giving them love, care and joy." The picture on the front cover was drawn by Victoria Lebed, a Ukrainian girl. This PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2

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  • £33.23

    A Century of Art (Brass Band) Robbert Vos

    A Century of Art was composed for Brass Band Kunst naar Kracht from the town of De Goorn (The Netherlands) for its 100th anniversary in 2022. A version for Fanfare Orchestra was commissioned by the Fanfare Project Orchestra in 2023. The title of the work refers to Brass Band Kunst naar Kracht's 100-year existence and the array of art that has been created in that time. A Century of is a flashy and virtuosic opening work where melodic lines are combined with other surprising compositional elements. You can hear, among some references to some famous brass band test pieces, a quote from Lohengrin by Richard Strauss. A transcription of Lohengrin was used at the 1922 British Open in England, one of the most famous brass band competitions in the world, the same year as Brass Band Kunst naar Kracht was founded. To view a performance by Fanfare 'Project Orkest' of the work please visit www.youtube.com/watch?v=D6zuoaxf_kg (please note this is the Fanfare Band version, although it is essentially the same). Duration: 4.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-4

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