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  • £33.26

    Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell

    Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3 Duration: Approx. 3.10 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

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  • £33.26

    Swinging all the way (Brass Band) Dave Collins

    Swinging all the way is a jazzy take on the most well known of Christmas tunes, Jingle Bells. We begin in a dark underground jazz club with the rich, luscious harmonies supporting the tune that we all know. But the melody is perhaps secondary to the timbres and dissonances of this darkly elegant ballad punctuated by the solo cornet, a contrast of styles between the joyous melody and sober accompaniment. As the work progresses it becomes more uplifting, with solo features from the trombone, before emerging into the bright lights of a big band set, with stride bass, crunchy punctuating rhythms and screaming trumpets. The arrangement ends where we began, after our exciting sleigh ride comes to an end. To view a rolling score video please visit www.youtube.com/watch?v=UbUMVuWFrNI PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 4.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani/Sus. Cymbal Drum Kit Vibraphone/Xylophone

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  • £33.26

    Pachelbel Rock (Brass Band) Johan Pachebel arr. Steven Ponsford

    Johann Pachelbel's Canon in D is a cornerstone of the Baroque period, a work widely known and frequently heard at concerts and events globally. This brass band arrangement by Steven Ponsford offers a new perspective on this classical piece. The arrangement begins with the familiar ground bass theme, followed by a series of four-bar motifs. Ponsford has developed these motifs, distributing them across the band to give interest to every section of the band. A short fugue is included in the middle of the piece, referencing a style Pachelbel contributed to. The majority of the music is accompanied by a rock beat, aiming to create a fresh and lighthearted interpretation of the original work. This will be an ideal item for both concert and entertainment contest programmes. To view a performance video of the work please visit www.youtube.com/watch?v=M-yrBCM4xzQ Duration: approx. 4.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Bass Drum Timpani Percussion 1-3

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  • £33.26

    One Voice (Brass Band) Barry Manilow arr. Mark Ford

    Originally released in 1979 as the title track of Barry Manilow's sixth studio album, One Voice has become an enduring anthem for unity and social courage. It is a stirring ballad that reminds us how a single, brave voice can ignite a chorus of solidarity and lead the way toward positive change. Expertly crafted for brass band by Mark Ford, this setting captures the intimate, soaring spirit of the original while leveraging the unique textures of the brass band. The piece begins with a delicate, lyrical flugel horn solo, representing the 'single voice' of the title. As the arrangement progresses, the rest of the ensemble joins in, building from a gentle accompaniment into a magnificent, wall-of-sound finale that is sure to leave your audience inspired. To view a rolling score video of the work please visit https://youtu.be/RcQ5xbnyNjs Duration: Approx. 3.15 minutes Difficulty Level: 4th Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Percussion

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  • £33.26

    Alleluia (Brass Band) Ralph Manuel arr. Mark Ford

    In composing Alleluia, Ralph Manuel created a masterwork for a capella choir. Through its melodic simplicity and warm harmonic textures, it beautifully expresses the sentiments of "Alleluia," its only word of text. The numerous timbral possibilities of brass and percussion provides an exciting palette of sound for this arrangement. This arrangement for brass band is from the pen of Mark Ford in a delightful setting sure to be popular with audiences. To view a rolling score video of the work please visit www.youtube.com/watch?v=Cg4MDGVBpns Duration: 5.00 minutes Difficulty Level: 3rd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2 Tuned Percussion

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  • £29.56

    Dance from the Othello Suite (Brass Band) Coleridge-Taylor arr. Bushnell

    Samuel Coleridge-Taylor is a British composer, who, from a young age, showed talent on the violin and entered the Royal College of Music, studying with Charles Villers Standford. His music become so popular that his Hiawatha trilogy was the second most performed choral piece (joint with Mendelssohn's Elijah, and only beaten by Handel's Messiah) with choral societies up and down the British Isles. In fact, Hiawatha was arranged by Charles Godfrey as a test-piece for the 1902 National Brass Band Championship of Great Britain, held at Crystal Palace.Commissioned by the theatre impresario Herbert Beerbohm, Coleridge-Taylor composed incidental music for His Majesty's Theatre London production of the Shakespeare play, Othello, in the West End, in 1909. In 1912, the play opened to the public, with a suite of five movements put together soon afterwards. The Dance, arranged here by Rob Bushnell, makes a great concert opener.This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found at www.youtube.com/watch?v=OQeO_Ij9CV8 Duration: approx. 2.30 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

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  • £36.96

    Polonaise from 'Scenes de Ballet' (Brass Band) Glazunov arr. Rob Bushnell

    Alexander Glazunov was a Russian composer who was a gifted musician from childhood. He was seen as the natural heir to the nationalist revolution that had started with the Mighty Handful. Despite quickly turning from this to absolute forms of music, taking a keen interest in ballet music, his compositions still alludes to Russian folk tunes. He wrote four dance compositions, of which Scenes de Ballet was the first in 1894. The suite Scenes de Ballet, opus 52 has eight movements and was dedicated to the orchestra of the Russian Opera, St Petersburg. First performed in 1895 at a concert of the Imperial Music Society with Glazunov conducting. This arrangement of the final movement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: https://www.youtube.com/watch?v=BS-Yx-bmxPg Duration: approx. 5.20 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1 - Snare Percussion 2 - Triangle, Cymbal & Bass Drum

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  • £29.56

    Fanfare from La Peri(Brass Band) Dukas arr. Rob Bushnell

    La Peri is a one-act ballet by the French composer Paul Dukas, best known for The Sorcerer's Apprentice (L'apprenti sorcier) as in the 1940 Disney film Fantasia. Dukas was commissioned to write La Peri by the Ballets Russes, producing a Poeme danse en un tableau ('dance poem in one scene') in 1911; this become his last published work. With Natalia Trouhanova due to play the Peri and Vaslav Nijinsky to play Iskender (the name of Alexander the Great in Persian, who is scouting around Iran in search of the Flower of Immortality), the production was ultimately cancelled because Serge Diaghilev feel Trouhanova was not a skilled enough dancer to be partnered to Nijinsky. Trouhanova later hired Ivan Clustine to choreograph the music, with the ballet premiering at the Theatre du Chatelet in Paris on 22 April 1912.The brilliant fanfare that precedes the ballet is often performed separately and is the arrangement available here. Arranged for British-style brass band, it has optional percussion parts as well as alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here: www.youtube.com/watch?v=7EDekMos1ok. Duration: Approx. 2 minutes Difficulty Level: 2nd Section + Duration: 4 or 5 minutes (depending on tempo and without any cuts) PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1 - Snare Drum Percussion 2 - Bass Drum & Cymbal

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  • £33.26

    Je te veux (Brass Band) Satie arr. Rob Bushnell

    Je te veux, or I Want You, is a valse chantee (sung waltz) by the French composer Erik Satie, with lyrics by Henry Pacory. It was written for Paulette Darty, who first sang it in 1903 at La Scala, Paris, with Satie accompanying. There are various versions that Satie produced, the original for piano and voice, a version for brass 'orchestra', for full orchestra (where a trio section was added), and a version for solo piano (but including the new trio section). This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass, and is of the longer version (with the trio section). As a result, it lends itself to being performed in a various of ways, with the ensemble has the option of selecting the part of it compound ternary form to play: (A-B-A)(C-D-C)(A-B-A). A recording of the original composition can be found here: www.youtube.com/watch?v=FA3JJdmwJU8 Difficulty Level: 4th Section + Duration: 4 or 5 minutes (depending on tempo and without any cuts) PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Auxiliary Percussion (Glockenspiel, Cymbal & Triangle)

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  • £33.26

    Prelude in C-sharp Minor (Brass Band) Rachmaninoff arr. Rob Bushnell

    One of Sergei Rachmaninoff's most famous compositions, Prelude in C-sharp minor (Op. 3, No. 2) is part of a set of five pieces entitled Morceaux de fantaisie. It was written when Rachmaninoff was only 19 years old and was first performance by the composer on 26 September 1892 at a festival called the Moscow Electrical Exhibition. This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been transposed from the original (for piano) of C-sharp minor to A minor, which better suits a brass band. There is another arrangement of this piece by Sandy Smith (published by Obrasso) which is designed for more advanced ensembles. A recording of the original composition can be found here: www.youtube.com/watch?v=mXGSfJn3nKQ Duration: Approx. 3.40 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Also includes alternative parts for horns in F and lower brass in bass clef. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

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