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  • £34.95

    Elixir of Youth - Christopher Bond

    Written for Brass for Heroes 2013Elixir of Youth (2013) was written for the 2013 Brass for Heroes charity event where it was premiered on 19th October 2013 at St Paul's Hall in Huddersfield under the baton of Philip Harper. The title of the work reflects the nature of the band that was put together for that premiere performance; an all-star youth band comprising a selection of the country's young brass banding talent, with the term Elixir referring here to the everlasting talent seen in young brass players throughout the United Kingdom's brass bands and bands' and teachers abilities to keep producing such high quality musicians for the banding movement.The work, structured in three sections, is a showcase for band with a heroic opening where fanfare-like gestures in the cornets and trombones juxtapose rapid euphonium and baritone runs, alongside sweeping horns and percussion effects. As the piece progresses, a grove is introduced - just in the tubas at first, accompanied by a hi-hat - before spreading through the band, definitely stuff to tap your toes to! The middle, slower section of the work sees both flugel and cornet solos, with additional inputs from the euphonium and solo horn before a climax and return to the tempo and music of the opening section. A rousing close concludes the work where all of the work's themes are interweaved to create a sense of power, unity and grandeur; an Elixir of Youth.

    Estimated delivery 5-7 days
  • £74.95

    Eden - John Pickard

    This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton’s epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:“…The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way.”My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:“…Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold.”So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, fl?gel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here – in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry – a huge man-made wound in the earth – immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work’s conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005

    Estimated delivery 12-14 days
  • £74.95

    Eden - Score & Parts - John Pickard

    This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton’s epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:“…The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way.”My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:“…Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold.”So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, fl?gel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here – in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry – a huge man-made wound in the earth – immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work’s conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005

    Estimated delivery 12-14 days
  • £34.95

    Elixir of Youth - Christopher Bond

    Elixir of Youth (2013) was written for the 2013 Brass for Heroes charity event where it was premiered on 19th October 2013 at St Paul’s Hall in Huddersfield under the baton of Philip Harper. The title of the work reflects the nature of the band that was put together for that premiere performance; an all-star youth band comprising a selection of the country’s young brass banding talent, with the term Elixir referring here to the everlasting talent seen in young brass players throughout the United Kingdom’s brass bands and bands’ and teachers abilities to keep producing such high quality musicians for the banding movement.The work, structured in three sections, is a showcase for band with a heroic opening where fanfare-like gestures in the cornets and trombones juxtapose rapid euphonium and baritone runs, alongside sweeping horns and percussion effects. As the piece progresses, a grove is introduced – just in the tubas at first, accompanied by a hi-hat - before spreading through the band, definitely stuff to tap your toes to! The middle, slower section of the work sees both flugel and cornet solos, with additional inputs from the euphonium and solo horn before a climax and return to the tempo and music of the opening section. A rousing close concludes the work where all of the work’s themes are interweaved to create a sense of power, unity and grandeur; an Elixir of Youth.

    Estimated delivery 12-14 days
  • £34.95

    Storyteller - Christopher Bond

    Written for & Commissioned by Brighouse & Rastrick Band for Brass in Concert 20162016 marked one hundred years since the birth of iconic children's author, Roald Dahl. Storyteller, inspired by the imagination of Roald Dahl, is an ideal opener, with fizzing rhythmic motifs, forward-momentum, and a feeling of excitement through to the close. As with Dahl's magical imagination, ideas are presented boldly and developed throughout the work, with solo contributions from euphonium and baritone, and optional standing moments for soloists and sections.The work was commissioned by and written for Brighouse & Rastrick Band as the opening item to its podium-placed 2016 Brass in Concert programme, premiered at The Sage, Gateshead, on 20th November 2016.

    Estimated delivery 5-7 days
  • £70.00

    ...Your own Tale? - Lode Violet

    ...Your own Tale? - Lode Violet - 4'30'' - BVT070 After winning the 1st prize at the Conservatory in Brussels with his arrangement of ‘Die Post’, Lode decided to write an original work for Brass Band Willebroek and dedicated this to the band and his father Frans Violet. The work begins with a soft, dreamy cornet introduction that develops into a lyrical melody. After a short spell with the baritone a second theme comes to life. Dialogues between several instruments brings the composition to it’s climax, and the euphonium and flugel bring rest again. The title '... Your own Tale?' refers to the imagination of the listener, as everyone creates their own story.

    Estimated delivery 10-14 days

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  • £89.95

    WINDOWS OF THE WORLD - Peter Graham

    Additional Score: 32.95A six movement sequel to the popular Cry of the Celts, reflecting world music styles from Latin American to Irish Folk. Each movement 1) Amazonia 2) Rainforest 3) The Rising Sun 4) Drums of Thunder 5) Celtic Dream 6) Earth Walk can be individually programmed. Featured soloists include Soprano Cornet, Trumpet/Cornet, Flugel Horn, Tenor Horn, Baritone, Trombone, Euphonium and Percussion. Windows of the World was premiered by the YBS Band at the Millenium European Championships Gala Concert, held in Symphony Hall Birmingham.

    In stock: Estimated delivery 1-2 days

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  • £65.80

    Blackbird Special - Davis - Reid Gilje

    "Blackbird Special" is a song by American band Dirty Dozen Brass Band.The song is an entertainment piece, a good concert opener or encore.When used as a concert opener one may let the different sections of the band enter the stage one by one playing in order of appearance.Percussion section may play their parts ad lib. The most important is the groove of the piece.Please pay attention to strict articulation from bar 17. Be aware of the marcatos at 33. The last note of the slurs at 41 must be not be too short.It's important to hold the note values, especially in bars 49, 51, 53 and 55.From 57 and throughout the piece, the percussion may invite the audience to join for handclaps.As an extra effect, the Bass Tubas may stand at 57, the Horns at 59, backrow Cornets and Trombones at 61 and Euphonium/Baritone/Solo Cornets at 63.

    Estimated delivery 10-12 days

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  • £49.99 £49.99
    Buy from Marcato Brass

    North of England Folk Song Suite | trad. arr. Alwyn Green

    An excellent concert piece of three traditional but contrasting songs, a love poem, a song of longing and loss, and a quick jaunty celebration of traditional life.The Sweet Lass of Richmond Hill from Yorkshire is a love ballad. The lass is Frances l'Anson, whose parents disapproved of her chosen love, and the couple eloped. The piece popularised the poetic phrase - A Rose without a Thorn.The Oak and the Ash from Lancashire is a traditional song comparing town and country life - a very popular theme in the 17th century. A girl from the North of England has moved to London to find a husband, but she is lonely in the city and wishes she could be home again - 'O the Oak and the Ash and the bonny Elum tree, they're all growing green in the North Country'The Keel Row from Northumberland is a traditional folk song evoking the life and work of the Keelmen of Newcastle-upon-Tyne, and with it's quick light beat it is used as the trot march for the Life Guards and the Royal Horse Artillery.InstrumentationSoprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneEuphoniumEb and Bb BassesPercussion parts (2):1: Timpani, Glockenspiel, Cymbal, Sleigh Bells, Maracas2: Drum Kit, Gong, Side DrumISMN: 979-0-708127-02-4

  • £34.99 £34.99
    Buy from Marcato Brass

    Silhouette | Flugelhorn Solo | Kevin Bell

    This flugelhorn feature for Brass Band highlights the warm and gentle qualities of the instrument.The melody is lyrical, but not too demanding and focuses on tone and feel - using a repeating motif as its theme with an almost fanfare, ascending opening melody line.Silhouette has a short introduction with muted cornets which sets up the back drop for the solo to play over. The background accompaniment changes as the melody continues, creating a kind of musical silhouette for the soloist to play over.The piece develops as the band takes over with layered themes, eventually returning to the soloist who brings the piece to a gentle close. An ideal solo item and concert filler.InstrumentationSoprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneEuphoniumEb and Bb BassesPercussion parts (4):1: Timpani2: Drum kit3: Vibraphone, Glockenspiel4: Tubular Bells, TriangleISMN: 979-0-708127-06-2