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£30.00A Very Welsh Christmas - Brass Band Sheet Music Score & Parts - LM949
ARRANGER: Alex McGeeA Very Welsh ChristmasDiweddglo NadoligaiddA grand collection of Christmas carols carefully selectedand arranged by Alex McGeeCan you spot all of the carols below...Contains :Deck the Halls - originally Nos GalenCoventry CarolTua Bethlem Dref - we are going to Bethlehem townY gorau o'r boreua - ancient Welsh Plygian tune - translation The Best Of MorningsAngles from the Realms of GloryGood King WenceslasJoy to the worldO Come all Ye FaithfulSuitable for Most Bands - Duration 6 mins (Approx.)LM949 - ISMN : 9790570009497
In Stock: Estimated dispatch 3-5 working days
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£24.95An Untold Story - Brass Band Sheet Music Score & Parts
COMPOSER : Paul Lovatt-Cooper
In Stock: Estimated dispatch 3-5 working days
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£46.20Bach On Fire - Brass Band Sheet Music Score & Parts
COMPOSER : J. S. BachARRANGER Sandy Smith
In Stock: Estimated dispatch 3-5 working days
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£28.95Light As Air - Brass Band Sheet Music Score & Parts - Philip Sparke
COMPOSER : John MilesARRANGER: Philip Sparke
In Stock: Estimated dispatch 3-5 working days
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£30.00Murder On The Dancefloor (Sophie Ellis-Bextor & Gregg Alexander arr. by David Beal) - Brass Band Music Full Score & Parts - LMAM085
Any purchases from this site cannot be made please click on the link belowAny purchases from this site cannot be made please click on the link aboveCOMPOSER: Gregg Alexander & Sophie Ellis-BextorARRANGER: David Beal"Murder on the Dancefloor" is a song written by Sophie Ellis-Bextor and Gregg Alexander, produced by Alexander and Matt Rowe for Ellis-Bextor's debut studio album, Read My Lips (2001). Released on 3 December 2001, the song peaked at number two on the UK Singles Chart and became a top-10 hit worldwide, charting within the top three in Australia, New Zealand, and four European countries. In the United States, the single reached number nine on the Billboard Maxi-Singles Sales chart. "Murder on the Dancefloor" is reported to have been the most played song in Europe in 2002. In January 2024, following its use in the film Saltburn and its subsequent popularity on TikTok, "Murder on the Dancefloor" again reached number two on the UK Singles Chart, becoming Ellis-Bextor's first top-10 appearance since 2007. It entered the US Billboard Hot 100 the same month, making it Ellis-Bextor's first appearance on that chart. It also peaked at number 10 on the Billboard Global 200, her first top-ten and overall first entry on the chart.Scored For :Any purchases from this site cannot be made please click on the link above
In Stock: Estimated dispatch 3-5 working days
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£37.95Pastorale - Brass Band Sheet Music Score & Parts
COMPOSER : Goff Richards
In Stock: Estimated dispatch 3-5 working days
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£34.95Life in the Sun (Brass Band - Score and Parts) - Wiffin, Rob
This bright and attractive concert overture was written while the comp0ser was living in Spain and enjoying life in the sun - a rare experience for an Englishman! It is intended to be an effervescent and cheerful piece, enjoyable both to play and to listen to. There are no great technical challenges in the music but it is essential that the performers play with a firm grasp of the rhythmic nature of the piece.It opens with a bold fanfare, giving the first statement of a theme that is to be used throughout. Once the broad opening is over the music has a feeling of energy and joy that drives all the way through the piece. The style is light and jazz-inflected and owes much to the compositional idiom of Goff Richards, the guru of entertaining band music.Duration: 5.00
Estimated dispatch 7-14 working days
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£34.95The Southern Cross (Brass Band - Score and Parts) - Bowen, Brian
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£17.50
The Southern Cross (Brass Band - Score only) - Bowen, Brian
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£95.00Variations on a Theme of Michael Tippett (Brass Band - Score and Parts) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
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