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  • £69.95

    ENGLISH HERITAGE (Brass Band Set) - George Lloyd

    English Heritage was first heard in the pleasant surroundings of Hampstead Heath as part of a Kenwood Lakeside concert given on 2nd July 1988. It was commissioned for English Heritage by Michael Webber, the organiser of Kenwood Concerts for English Heritage and subsequently chosen as the Championship Section test-piece for the National Brass Band Championships of Great Britain 1990. The sense of historic significance inherent in ensuring the preservation of England's fine buildings of the past drew from the composer music which seems to capture the essence of Olde England. This is a musical view of England's heritage concerned not only with pageantry and ceremonial but also catching some of the humour inherent in the English character as well as those quiet reflective moments which have surely fashioned England's past and influenced its present.

    Estimated dispatch 7-14 working days
  • £25.00 £25.00
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    Merry Christmas Polka - Sonny Burke - Len Jenkins

    "Sonny" Burke was an American arranger, composer, Big Band leader and producer who during the 1940s and 1950s worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. In 1955, along with Peggy Lee, he wrote the songs to Disney's Lady and the Tramp.Later he became musical director of Warner Bros. Records / Reprise Records and was responsible for many of Frank Sinatra's albums, and produced Sinatra's recording of "My Way". He was also the bandleader for recordings of leading singers such as Bing Crosby and The Andrews Sisters a highly successful close harmony singing group of the swing and boogie-woogie eras, and it was with them that Merry Christmas Polka became famous.

  • £33.00

    Out of Africa - Barry, J - Barry, D

    The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was - director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. This romantic film is marked by its many breathtaking views of unspoiled African landscapes. John Barry's main title theme masterfully captures the moods and feels of the film. A terrific arrangement by his namesake!4th section +

    In stock: Estimated dispatch 1-3 days

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  • £82.30

    Optimist - John Teigen

    "Optimist" is one of the most well-known songs by Norwegian singer and composer Jahn Teigen. It was written for the Norwegian Eurovision in 1989. It did not win this competition, but is still one of the greatest Norwegian songs from the late 1980's. This arrangement is very close to the original in form, rhythmic- and melodic lines. The repeat at bar 65 may be played as many times as one wish, or it can be omitted.

    Estimated dispatch 5-14 working days

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  • £24.00

    We Wish You a Merry Christmas (Choir with Brass Band - Score and Parts) - Wilkinson, Keith M.

    This traditional carol is arranged for band and chorus with optional bell choir. It was designed - and has been used effectively in this way - as a short encore to a Christmas concert. It is possible to invite the audience to join the final chorus (letter C).The publisher permits the user to copy as many Choir and Bell Choir parts as necessary.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £24.00

    We Wish You a Merry Christmas (Choir with Brass Band - Score and Parts)

    This traditional carol is arranged for band and chorus with optional bell choir. It was designed - and has been used effectively in this way - as a short encore to a Christmas concert. It is possible to invite the audience to join the final chorus (letter C).The publisher permits the user to copy as many Choir and Bell Choir parts as necessary.

    Estimated dispatch 7-14 working days
  • £34.95

    Pound the Streets

    This piece was commissioned for the National Youth Band of Scotland by the Scottish Brass Band Association for the Tartan Heart Festival 2010.The Tartan Heart Festival is a huge musical festival that took place in the picturesque Belladrum Estate in Inverness-shire. It features many famous pop and rock artists including Feeder, Amy MacDonald, The Levellers, Divine Comedy and Badly Drawn Boy to name but a few.Special guests to open the festival were the National Youth Band of Scotland who performed a programme of music that started with this piece Pound The Streets. As they were playing at a rock festival I wanted to compose a piece that didn't follow the more traditional types of concert openers I have written in the past. So instead I opted for a fast paced piece that has a pounding rock rhythm from the drum kit and relentless riffs and ostinati from the brass ensemble.I had lots of fun composing this piece as it is so different to a lot of music I have composed in the past. It gave me the opportunity to incorporate musical styles that I enjoy listening to when I am away from brass bands and to write in a pop/rock style.So the end product is a brass rock piece that has lots of energy, a feel-good factor and is lots of fun to play and listen to. I hope you enjoy, Pound The Streets.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £62.99

    Caprice (Euphonium Solo with Brass Band) Andrew Batterham

    VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £44.00

    Bring Me Sunshine - Christopher Bond

    Bring Me Sunshine was written in 1966 by composer Arthur Kent with lyrics by Sylvia Dee. It was first recorded by The Mills Brothers in 1968 on their album, My Shy Violet. In the UK, the song is synonymous with the popular comedy duo Morecambe & Wise, after it was adopted as their signature tune in their second series for the BBC in 1969. This arrangement, for brass band, is suitable for bands of third section standard and higher.

    Estimated dispatch 5-10 working days
  • £79.95

    Lost Village of Imber, The - Christopher Bond

    The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains. Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order. The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness - a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects - the anvil of the blacksmith; the cowbell of the cattle and the bells of the church. The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life. In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks - sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community - both the centrepiece and pinnacle of a very real story. The work was commissioned by Bratton Silver Band in celebration of the band's 160th Anniversary, with funding from the Arts Council National Lottery Project Grants Fund and the Brass Bands England Norman Jones Trust Fund.

    Estimated dispatch 5-10 working days