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£40.00
Hedwig's Theme (Score & Parts) - John Williams
Hedwig's Theme, from Harry Potter and the Philosopher's Stone, is probably the most recognisable of all the themes from John Williams' score to the Harry Potter films. The music has been arranged for brass band by Andrew Duncan. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 5 minutes
In stock: Estimated dispatch 1-3 days
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£40.00
I'll Be There For You (Score & Parts) - The Rembrandts
A brass band arrangement by Andrew Duncan of The Rembrandt's I'll Be There For You, the celebrated theme tune for the ever-popular TV Sitcom, Friends. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 4 minutes
In stock: Estimated dispatch 1-3 days
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£55.00
A Phantom Menace Suite - John Williams
Andrew Duncan has brought together three key themes from the first two Star Wars prequels, Star Wars: The Phantom Menace and Star Wars: Attack of the Clones, in A Phanto, providing an exciting addition to any concert.Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd SectionDuration: 6 minutes
In stock: Estimated dispatch 1-3 days
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£40.00
Scooby Doo (Where Are You?) (Score & Parts) - Ben Raleigh
A classic arrangement of the theme tune to the 1960s cartoon Scooby Doo (Where Are You?), arranged for brass band by Andrew Duncan. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 5 minutes
In stock: Estimated dispatch 1-3 days
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£91.00
Three Folk Song Settings for Band (Bra) - Andrew Boysen Jr. - Mike Kilmartin
Estimated dispatch 10-14 days
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£20.00Canzona XIII
DescriptionCanzona XIII, also known as Canzon Septimi Octavi Toni a 12, was first published in 1597 as part of a collection entitled 'Symphoniae Sacrae' - this collection was a mixture of instrumental and choral pieces, and also included the famous Sonata Pian'e Forte, probably his best known work.Gabrieli was born in Venice sometime between 1554 and 1557 and studied with the renowned Dutch composer Orlando di Lassus. He also studied with his uncle, Andrea Gabrieli, and eventually succeeded him as the organist and composer at St Mark's Basilica in Venice. Already renowned as a musical centre, Venice became a magnet for composers wishing to study with Gabrieli after 'Symphoniae Sacrae' was published.Like many of his works, this Canzona was written to take advantage of the unique layout of St Mark's, which had galleries on three sides where the musicians could be placed to create novel spatial effects - utterly new and exciting for sixteenth century listeners. Canzona XIII has three different antiphonal 'choirs' and in this arrangement the band is split into three groups to reflect Gabrieli's innovative idea. Ideally the three groups should be clearly separated so the the antiphonal effect comes across clearly, although this will of course depend on the performance space. On no account should the band remain in its normal seated formation!As Gabrieli didn't have any percussionists (and percussion was widely thought inappropriate for music performed in church anyway) there are no percussion parts in this music.This arrangement was first performed by the Coppull and Standish Band conducted by Andrew Baker in 2009.You can follow a preview of the score while listening to an audio export of the music below!
Estimated dispatch 7-14 working days
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