Results
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£44.99Korobeiniki - Russian Traditional
ABOUT THIS PIECE: "Korobeiniki" is a nineteenth-century Russian folk song that tells the story of a meeting between a peddler and a girl, describing their haggling over goods in a veiled metaphor for courtship. Outside of Russia, "Korobeiniki" is widely known as the Tetris theme (titled "A-Type" in the game), from its appearance in Nintendo's 1989 version of the game. One of our most popular arrangements, this piece is high-paced and features all the usual trappings associated with this musical style - fireworks to start, a slow, melancholy iteration of the melody, an unruly accelerando, and all finished with a loud shout ('Oi!') from the band! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 (choose your tempo wisely!) LISTEN: DURATION: c. 3-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£35.00
Land of the Living Skies - Peter Meechan
From the composer:aCommissioned by tuba virtuoso Patrick Sheridan, Land of the Living Skies is inspired by the love of photography shared by both Patrick and I.After moving from the UK to Saskatchewan, Canada, there were many changes, but perhaps the most striking of all were the skyscapes that my new home produced; stunning sunsets, incredible views of the Milky Way, amazing moonlit landscapes, and - of course - the Northern Lights.This piece was the last I wrote before moving away from Saskatchewan and. given that the Province calls itself the aLand of the Living Skiesa, it seemed only fitting to name the work after its amazing skies that had provided a lifetimeas worth of inspiration.The piece is dedicated to Patrick Sheridan, an amazing tubist, musician, educator and friend.aPete Meechan, January 2018
Estimated dispatch 12-14 working days
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Bernie's Song - Miller/Leiber/Stoller ver.Mulligan, arr.John Dankworth - Len Jenkins
Bernie's Tune is a 1953 jazz standard with music written by Bernie Miller and lyrics by Jerry Leiber and Mike Stoller. It was popularised through a recording by the quartet of the American saxophonist and composer Gerry Mulligan, and the tune was a popular choice for musicians jamming at the time. Information about the composer is scarce. All that people really know of him is that he was a piano player from Washington DC. Gerry Mulligan's version was subsequently arranged by the late, legendary John Dankworth and this arrangement for brass band has been faithfully based on it to evoke the atmosphere of that golden era.
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£33.62March - Helping Hands (Rob Bushnell) Brass Band
Helping Hands was written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). The piece is loosely programmatic in nature: The introductio is fanfare-like, announcing the date of the next Whit Friday Contests and the bands' anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. The second section (bars 35 to 52) sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section (bars 53 to 69) represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day. The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece. March-card sized parts included, with alternatives for horns in F and lower brass in bass clef. To view a rolling score video of the piece please visit www.youtube.com/watch?v=diqDoe0XpcA PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - https://satradecentral.org Difficulty Level: 3rd Section + Length: 3.50 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Drums
In Stock: Estimated dispatch 1-3 working days
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£63.51Temperamental (Brass Band) Fendall Hill
This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/zpNxITUqXZU Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£37.35Gothique Fantasy - On a theme by Boellmann (Brass Band Score) Andrew Wainwright
This magnificent work was commissioned by The Illinois Brass Band for the 2024 North American Brass Band Championships. It is also the title track of the 2026 CD by Black Dyke Band, featuring the music of Andrew Wainwright. Please note this PDF download is for the full score. The full set can be purchased here. Based on Leon Boellmann's epic organ work Suite Gothique, the 3rd movement of which is entitled Priere a Notre-Dame (A Prayer for Notre Dame), it pays tribute to the nearly 700-year-old Notre-Dame de Paris after the fire which did so much damage to this iconic building. Notre-Dame stands out for its three pipe organs (one historic) and its immense church bells, which are referenced at various times in Gothique Fantasy. Two of the other movements from Boellmann's work also provide inspiration for the piece, firstly the Introduction - Choral, and the famous Toccata, snippets of which appear at various times in the piece. Gothique Fantasy opens with the Choral, a solo offstage cornet sounding the opening statement. A quintet, stood to the side of the stage, takes up the Choral, while the rest of the band enters on held muted notes, creating a sustained effect evoking the harmonies spreading across the vast cathedral. Colossal organ-like sounds announce themselves as the full band takes on the theme. A lively Animato follows. Here there are continued references to the Choral, while the famous Toccata motif starts to appear. A Misterioso section ensues, which leads into a poignant Prayer for Notre Dame featuring a euphonium duet, where the music reflects upon the devasting fire and centuries of history and artefacts that were lost. A lone euphonium the sounds, representing the remaining remnants of the cathedral. A chaotic and rhythmic Presto, based on the Toccata, then follows and tests the technique of the band from top to bottom, whilst moving through various time signatures, the pulse lacking any sense of stability. A return to the Choral theme leads into a further reflective section, this time featuring the secondary theme from the Toccata with a flugel and solo horn duet. Next the music arrives at an aleatory section (Senza Misura), which depicts the remnants of the fire, followed by the grand cathedral emerging out of the ashes. Various motifs from earlier in the piece are heard across the band. At this point, various parts enter at different times on the conductor's signal, before building towards a 6/8 Presto. Here the music gathers momentum as it leads to a Grandioso finale featuring the Choral in all its glory. However, to conclude the work, the final strains of the Toccata sound, bringing the work to a glorious conclusion as Notre-Dame rises again! To view a video of The Illinois Brass Band performing the work please visit www.youtube.com/watch?v=xG3JB6Ye5aU Duration: 15.00 minutes approx. Difficulty Level: Championship Section Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£74.72Gothique Fantasy - On a theme by Boellmann (Brass Band) Andrew Wainwright
This magnificent work was commissioned by The Illinois Brass Band for the 2024 North American Brass Band Championships. It is also the title track of the 2026 CD by Black Dyke Band, featuring the music of Andrew Wainwright. Based on Leon Boellmann's epic organ work Suite Gothique, the 3rd movement of which is entitled Priere a Notre-Dame (A Prayer for Notre Dame), it pays tribute to the nearly 700-year-old Notre-Dame de Paris after the fire which did so much damage to this iconic building. Notre-Dame stands out for its three pipe organs (one historic) and its immense church bells, which are referenced at various times in Gothique Fantasy. Two of the other movements from Boellmann's work also provide inspiration for the piece, firstly the Introduction - Choral, and the famous Toccata, snippets of which appear at various times in the piece. Gothique Fantasy opens with the Choral, a solo offstage cornet sounding the opening statement. A quintet, stood to the side of the stage, takes up the Choral, while the rest of the band enters on held muted notes, creating a sustained effect evoking the harmonies spreading across the vast cathedral. Colossal organ-like sounds announce themselves as the full band takes on the theme. A lively Animato follows. Here there are continued references to the Choral, while the famous Toccata motif starts to appear. A Misterioso section ensues, which leads into a poignant Prayer for Notre Dame featuring a euphonium duet, where the music reflects upon the devasting fire and centuries of history and artefacts that were lost. A lone euphonium the sounds, representing the remaining remnants of the cathedral. A chaotic and rhythmic Presto, based on the Toccata, then follows and tests the technique of the band from top to bottom, whilst moving through various time signatures, the pulse lacking any sense of stability. A return to the Choral theme leads into a further reflective section, this time featuring the secondary theme from the Toccata with a flugel and solo horn duet. Next the music arrives at an aleatory section (Senza Misura), which depicts the remnants of the fire, followed by the grand cathedral emerging out of the ashes. Various motifs from earlier in the piece are heard across the band. At this point, various parts enter at different times on the conductor's signal, before building towards a 6/8 Presto. Here the music gathers momentum as it leads to a Grandioso finale featuring the Choral in all its glory. However, to conclude the work, the final strains of the Toccata sound, bringing the work to a glorious conclusion as Notre-Dame rises again! To view a video of The Illinois Brass Band performing the work please visit www.youtube.com/watch?v=xG3JB6Ye5aU Duration: 15.00 minutes approx. Difficulty Level: Championship Section This PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£15.00Perseverance
DescriptionPerseverance was commissioned by Middleton Band to mark their 140th anniversary in 2016, supported using public funding by the National Lottery through Arts Council England, and featured on Middleton Band's CD of the same name.The title is taken from the original name of the 1876 band, the Middleton Perseverance Drum and Fife Band. According to the band's historical records, the Drum and Fife band was formed by six Middleton youngsters eager to learn music but short of funds. Following a whip round, they visited a music shop in Oldham where they purchased a 'one key flute' for six shillings and sixpence, and ('later on') a drum.This determination to make music despite the odds has been a characteristic of the band ever since; at the end of the second world war the band was again down to six players, who rebuilt the 'Middleton Borough Band' back to twenty-six players. After a period of some considerable success throughout the sixties and seventies culminating in winning the National Third Section title in 1983 the band hit hard times again in the late eighties and was down to only four members in 1987 before again being brought back to life. In recent decades the band has built a strong relationship with the East Lancashire Railway, another organisation which has battled sometimes mighty obstacles in its struggle to survive, and has maintained a thriving and successful youth band.The band's will to survive through adversity is reflected in the music, which builds from a sextet of four brass and two percussion players three times, only to fall back to the sextet twice. In the central slow movement the bass drum plays a 'heartbeat' rhythm as the remaining players remember those lost in the war. The relentless pace of the final section culminates in the band triumphing over the adversity which has curtailed the previous two sections. As a former member of Middleton Band (and one of the team that regained the National Third Section title in 2007) it is my pleasure to dedicate this work to the 'Pop and Ale Boys', Middleton Band.You can read more about the piece here.To view the accompanying video by Andy Marshall, designed to precede the piece, clickhereand find out more about the link between the video and the music here.Recording with Score VideoPerformance NotesIn performance the four brass members of the sextet (soprano, solo horn, solo trombone and solo euphonium) should stand at the sides of the band - soprano and horn behind the cornets, trombone and euphonium behind the trombones. Percussion may stand with them at the conductor's discretion, but only if the band has TWO snare drums and TWO concert bass drums available, as these are also needed at the back of the band in the tutti sections. In the second sextet snare drum should be muffled with a heavy cloth OR have the snares turned off (not both).Percussion and mutesPercussion required:snare drum (muffled with a heavy cloth at one point)concert bass drum, kit bass drum, hi-hat, suspended (crash) cymbal2 x tom-tomswood blockclash cymbals3 x timpanitam-tamglockenspielSoprano cornet, repiano and 2nd cornets, flugel and all trombones require metal straight mutes. Soprano, Solo Cornet 3/4, Repiano 2nd and 3rd cornets require cup mutes. Solo Cornet 1/2, Repiano, 2nd and 3rd cornets require harmon mutes.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2254 - 2257, April 2025
2254: Be glorified today (Martin Cordner)Built around Bob Kilpatrick's song In my life, Lord, be glorified today (S.A.S.B. 593), this concert opener was composed for Cambridge Citadel Band (UK and Ireland Territory) at the request of Bandmaster Simon Fisher. The piece pays homage to the city.2255: Driven by mission (Stephen Bulla)Stephen Bulla wrote this piece to commemorate Willis Howell and his wife's retirement from active officership. Bulla references St. Denio (S.A.S.B. 37), Melita (T.B. 442), For your mission and Men of Harlech (T.B. 756), and the assembling of the tunes and all they represent reflects the masterful artistry that always marks Bulla's works.2256: The Lord's my shepherd (Paul Sharman)This arrangement brings together two settings of Psalm 23; the familiar hymn tune Crimond (T.B. 68) and the more recent melody by Stuart Townend (T.B. 863).2257: Cornet Solo - I love you, Lord (Ian Robinson)Laurie Klein's chorus I love you, Lord (S.A.S.B. 369) has been popular for many years with Salvation Army congregations around the world and this work combines unconventional harmonies with sparse scoring to feature the soloist.
Estimated dispatch 7-14 working days
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£37.35The Vow (Brass Band) Andrew Wainwright
VIEW SCORE PDF A majestic processional in the spirit of Elsa's Procession to the Cathedral, this powerful work blends the heartfelt beauty of William Himes' worship song All That I Am with an original theme by Andrew Wainwright. The piece was originally written for the composer's wedding. The piece features expressive interplay between solo lines and rich accompaniment, offering performers a dynamic canvas to shape and build the music. Gradually expanding in depth and intensity, it culminates in a stirring and triumphant conclusion - ideal for sacred ceremonies, concert halls, or moments of solemn celebration. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com To view a video of the Southern Territorial Band performing the work please visit: www.youtube.com/watch?v=h2VUSKHMbho Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days