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  • £37.95

    No Matter What (Score and Parts) - Andrew Lloyd Webber arr. Ray Farr

    The biggest hit song from the Lloyd Webber/Jim Steinman musical Whistle Down The Wind which was reset in the American south. A massive success for the boy band Boyzone and popular everywhere, the music transfers to the brass band sonority with ease. Ideal for summer concerts.

    Estimated dispatch 5-7 working days
  • £42.95

    Two Ceremonial Fanfares (Score and Parts) - James Curnow

    Two short fanfares for brass band by the well-known American composer James Curnow.

    Estimated dispatch 5-7 working days
  • £40.00

    Trittico (Score only) - James Curnow

    Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988. A trittico is a tripych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation. The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself. The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement. The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation. The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aeleatoric passage - a variation within a variation allowing half the band to make their own variaitions in a cachophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm. Duration: 13:30

    Estimated dispatch 5-7 working days
  • £50.00

    Trittico (Parts only) - James Curnow

    Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988. A trittico is a tripych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation. The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself. The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement. The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation. The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aeleatoric passage - a variation within a variation allowing half the band to make their own variaitions in a cachophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm. Duration: 13:30

    Estimated dispatch 5-7 working days
  • £29.95

    Judd: The Roll Call

    This march derives its title from the American hymn When the roll is called up yonder which is used as a bass solo. British expatriate William Broughton became a master of the American street march, the trio and break-up strain of this march being unmistakeably American and reminiscent of the golden age of American band music under Sousa, King and Fillmore.

    Estimated dispatch 7-14 working days
  • £44.95

    Festiva Brazilia

    Using a variety of Latin American musical influences the piece opens with a bass riff that is to be the prominent feature in this work. Accompanied with lively Latin American Samba Percussion section the work is reminiscent of the music heard at the world famous Rio Carnival. There are lots of Latin 'Riffs' and 'Licks' throughout the piece that keep returning in true samba style. This is a real fun piece to perform and the performing notes below act as a guide to getting the most out of this performance.Performing Notes:There are opportunities for soloists within the piece, particularly Solo Cornet, Soprano and Bongo's.When the Cornet and Soprano soloist play their solo part they have an instruction to stand out at the front to perform. It is at the players and conductors discretion where they would like to stand for their solo line.Obviously the Drum Kit soloist is restricted to their current positioning within the band. However, the other percussionists are quite at liberty to come out to the front of the band to perform their solo at rehearsal figure P at the conductors discretion.NB - At the 5th bar of figure P there is an optional repeat section. Performers can repeat this section over and over to extend the percussion feature. Or even add more players from the band to play percussion. If you do not wish to use this opportunity then dismiss the repeat so that there is a 16 bar section between figure P and figure R.There are also a variety of cameo roles for other soloists and musical sections during the piece. Other players and sections can stand to perform various motifs during the piece again at the conductor's discretion.Festiva Brazilia was composed for performers to have fun and enjoy performing the piece as much as possible. Just like the many Samba festivals around Brazil.

    Estimated dispatch 7-14 working days
  • £40.00

    La Fiesta (Score and Parts)

    Chick Corea is an American pianist and composer of Sicilian and Spanish descent, whose long career in jazz music continues to this day. A member of Miles Davis's band in the 1960s, he formed his own band Return to Forever in the 1970s before establishing himself as one of the greats of modern jazz.La Fiesta was composed in 1972 and included on Return to Forever's debut album. The music is in one-in-a-bar waltz time and switches between Latin carnival-style and jazz waltz, with stand-up solos for cornet, baritone and tenor horn. This arrangement was performed as part of the Cory Band's winning Brass in Concertprogramme in 2012.

    Estimated dispatch 7-14 working days
  • £44.95

    Judd: Trailblazers

    This overture draws its inspiration from the story of the first Household Troops Band. It tells the story of the 1887 band, the subsequent lull of nearly a hundred years and the re-awakening of the Troops phenomenon in 1985. It was originally written in 1995 and featured prominently by the band on its North American tour of 2002. Given the history of the Household Troops Band, it is fitting that this composition is preoccupied with marching. It begins with a marching song played by a solitary muted cornet, symbolic not only of the call to bandsmen to join the evangelical effort but also a muso-dramatic device to indicate the steady increase in members and technical ability! The music quickly develops into stirring versions of 'A robe of white' and 'Storm the forts of darkness' with two early day Salvation Army tunes crucially adding to the narrative; 'Marching on in the light of God' and 'Soldiers of our God, arise!' The second section is a reflective setting of the Herbert Booth song, 'The penitent's plea'. This song serves to represent the many people who were 'saved' during those early day campaigns. The expressive music transports the listener through a period of uncertainty and angst until finally reaching the song, 'There is a message, a simple message, and it's a message for us all'. The final section deals first with the emergence from the annals of history with the muted cornet figure again before, symbolically, the present day band bursts forth with an emphatic statement of 'Would you be free from your burden of sin? There's power in the blood'. The stirring climax represents a fitting tribute to those gallant pioneering musicians and their equally impressive and dedicated contemporaries.

    Estimated dispatch 7-14 working days
  • £24.95

    Judd: Mid all the Traffic

    This beautiful arrangement marries the words of John Oxenham to the American traditional melody 'Shenandoah'. Perfect for the reflective or quieter section of any band programme.

    Estimated dispatch 7-14 working days
  • £44.95

    Judd: O, The Blessed Lord

    Originally written as a brass sextet, based on the American Spiritual 'Oh dem golden slippers', and eventually published for full band in 1973. It is hard to believe that this highly original and technically difficult composition could have first been conceived as long ago as 1938.

    Estimated dispatch 7-14 working days