Results
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£65.00Smoke Sketches - Daniel Hall
Smoke Sketches is Daniel Hall's first original work to be published in the Faber Music Brass Band Series. Daniel is one of the most gifted of the rising generation of composers writing for brass bands. Smoke Sketches was composed at the invitation of Brass Bands England for the Intermediate Section of the 2017 National Youth Brass Band Championships of Great Britain. This colourful, jazzy suite draws inspiration from the ancient art of gazing into smoke from fire to find stories through the act of divination. Into the Blaze suggests someone briskly fire-walking, barefoot, with unexpected sparks fizzling from the ground. A Lonesome Ember capturesthe fleeting life of a small ember, beginning insignificantly and gradually evolving into a larger being before disappearing into ash, while Spark of Light bristles with life and energy. Band Grade 3/4, duration 8 minutes.
Estimated dispatch 5-14 working days
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£107.80Blackbird Special - Davis - Reid Gilje
Blackbird Special" is a song by American band Dirty Dozen Brass Band. The song is an entertainment piece, a good concert opener or encore. When used as a concert opener one may let the different sections of the band enter the stage one by one playing in order of appearance. Percussion section may play their parts ad lib. The most important is the groove of the piece. Please pay attention to strict articulation from bar 17. Be aware of the marcatos at 33. The last note of the slurs at 41 must be not be too short. It's important to hold the note values, especially in bars 49, 51, 53 and 55. From 57 and throughout the piece, the percussion may invite the audience to join forhandclaps. As an extra effect, the Bass Tubas may stand at 57, the Horns at 59, backrow Cornets and Trombones at 61 and Euphonium/Baritone/Solo Cornets at 63. ||||||
Estimated dispatch 5-14 working days
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£66.00Terminal - Gauthier Dupertuis
Terminalby Gauthier Dupertuis is an energetic, danceable work that captures the electric atmosphere of an airport terminal from morning to night. Repetitive rhythmic structures - symbolizing the constant hustle and bustle of an airport - form the connection between a majestic introduction and the central section, which explores a sound world tinged with 80s and 90s pop and funk music.The piece was commissioned by the Swiss National Youth Brass Band for the 2025 session of its B ensemble, also marking the Youth Brass Band 50th anniversary.
Estimated dispatch 5-14 working days
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£49.99Let the Bells Ring! - Robert Buckley
Robert Buckley has taken a rhapsodic approach to this version of the familiar Ukrainian Bell Carol, mixing original ideas along with the well-known melody. Every section of the band gets a chance to shine in this dazzling and skillfully crafted holiday production number, perfect for mature ensembles.
Estimated dispatch 5-14 working days
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£105.20Aspirantoverture - Øystein Sjøvaag Heimdal
This original piece is intended to performed by the youngest musicians. The structure of the overture is traditional A-B-A with a slow section in the middle flanked by two Modearo sections. As the title suggest, the piece is well suited as a concert opener but also for contest use. All parts challenges the young players in many ways, both the wind- and percussionists. Please be aware of the contrasts in dynamics throughout the piece.
Estimated dispatch 5-14 working days
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£60.99Into The Sky - Stephen Bulla
This music is a fanfare prelude that is designed to open concert programs with an impressive display of brass fireworks. It features every section of the band and reflects a modern spin on the style of the great Strauss fanfares for brass from the past.
Estimated dispatch 5-14 working days
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£149.99Redbad - Jan de Haan
Redbad was written for the Championship Section of the Dutch Brass Band Championships - and thus it contains plenty of musical and technical challenges. In this work of seven connected movements we get to know Redbad, who was the King of the Frisians from c. 680 to 719. The composer drew his inspiration from historical information, but also from stories, anecdotes, myths and legends around this figure. The themes within the composition are closely interwoven whereas the music is varied and appealing - from heroic motifs to the melancholy of elegies. Impressive tutti passages alternate with fragments that sound more open and in which various players can take centre stage. To crown it all, the work concludes with a majestic finale.
Estimated dispatch 5-14 working days
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£54.99Shape of You - Matt Conaway
Recorded by Ed Sheeran, this popular hit features a rhythmic pulse and catchy melodies. This energetic version for concert band makes effective use of the percussion section as well as terrific scoring for the entire ensemble.
Estimated dispatch 5-14 working days
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£24.95The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£12.50
The Pilgrim's Prayer (Brass Band - Score only) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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