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£29.50
Hopelessly Devoted To You - John Farrar - Gavin Somerset
With Grease celebrating its 40th anniversary this year, this new Soprano Solo comes at the perfect time. The song was written by John Farrar, as the contractually agreed vocal solo for Olivia Newton-John to perform in the film. With simple accompaniments and a song well-known by audiences of all ages, this title is the perfect choice for Soprano players looking to combine their lyrical playing with power in the top register (highest note top C). A must have in the repertoire for soprano cornet soloists. **An alternate lower soloist part is also provided with this publication. FREE SOLOIST PART: CLICK HEREFREE ALTERNATE SOLOST PART: CLICK HERE To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£24.50
T'Imperatorius - Mike Lyons
A march composed especially for the "TMP March Composition" where it reached within the top 5 of the voters and judging panel. The march starts with an introduction the percussion. Then follows a standard march format - Intro, Bass solo, Trio, and D.C al Fine.
In Stock: Estimated dispatch 1-3 working days
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£29.50
Brass Monkey's Soloists - Martin Geovess
The main goal of any training band is to eventually see the players progress through the ranks and ultimately, be placed within the senior band. This latest instalment of the Brass Monkeys series, aims to bring that goal much closer and boost the confidence of the learners. The 'Brass Monkey's Soloists' publication features four specially composed works which allows the young soloists to perform a feature piece with accompaniment from the senior band. There is no bigger confidence boost than playing up alongside the 'big band'. The specially tailored solo parts are written at an advanced training band level, whilst the senior band parts will keep them busy as they aid the future generations to come. This publication features...THE OLD 'F' AND 'C' - (Solo for Cornet / Flugel)LAZY DAYS - (Solo for Trombone)DANNI'S SONG - (Solo for Tenor Horn)THE SHOWMAN - (Solo for Euphonium / Baritone / Xylophone)
In Stock: Estimated dispatch 1-3 working days
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£55.00
Triumph Series Brass Band Journal, Numbers 1351 - 1354, July 2023
1351: The anointed King (Marcus Venables)This piece was originally written as a massed band item for the Ontario Central-East Divisional Music Day in 2019. The updated version includes two songs, King of kings, majesty (S.A.S.B. 376) and O worship the King (S.A.S.B. 52) to a rhythmic setting of the tune Laudate Dominum (T.B. 481). Both songs present the contrasting characteristics of God; the powerful King and gentle, loving Saviour.1352: A suite of English Christmas carols (Kenneth Downie)This suite is the result of a request for a piece of music featuring exclusively English Christmas carols.The first movement features The holly and the ivy (C.C. 87). In sharp contrast, the second movement calls for a broad, sensitive, song-like approach. Using The cherry tree carol (C.C. 85), a much slower tempo than is normally applied to encourage the listener to see this beautiful tune in a new light. The rumbustious arrival of the finale is based on I saw three ships come sailing in (C.C. 44) with the festive mood prevailing until the end.1353: Nothing but thy blood (Norman Bearcroft)This two-verse setting of Richard Slater's much-loved hymn Nothing but thy blood (S.A.S.B. 769) appears straight-forward in nature, but requires a careful sense of the musical line across all parts.1354: Meditation - Reflections on Advent (Andrew Blyth)Two well-known carols, Away in a manger (C.C. 12) and Silent Night! (C.C. 77) are featured alongside original material. The piece attempts to convey a sense of reflection and meditation on the wonderful and awe-inspiring Advent story.
Estimated dispatch 7-14 working days
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£38.95
Unity Series Band Journal - Numbers 494 - 497, June 2021
494: March - The angels' song (Alan Williams)This imposing and energetic march is a welcome addition to the Christmas concert repertoire.495: Christmas Rocks! (Mark Feltwell)This exciting work takes the form of a mini-overture and is an ideal opening for Christmas concerts. It features four well-known carols: Unto us a boy is born (C.C. 97); Three kings' march (C.C. 96); While shepherds watched (C.C. 105); Hark! the herald angels sing (C.C. 38).496: Meditation on 'Beechwood' (Kenneth Downie)This wistful arrangement of the hymn tune brings a spirit of wonder at God's love for us.497: Marching in the light (Ralph Pearce)A march in all but name, this piece is based on the popular South African traditional hymn We are marching in the light of God (S.A.S.B. 903) with references to Come, join our army, to battle we go (S.A.S.B. 949).
Estimated dispatch 7-14 working days
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£15.08
Finale from Symphony No.3 (Organ Symphony) (Brass Band) Additional Parts
Saint-Saens' magnificent Finale from Symphony No.3 (widely known as the 'Organ Symphony') has here been arranged for brass band with optional organ by Kevin Norbury. It was recorded by The International Staff Band on its CD Manuscripts, although this version has been revised in places. Saint-Saens decided to add the organ and piano to his 3rd symphony as a pragmatic orchestration innovation. The composition of this symphony was probably started in 1885 and a first draft was completed in Prague in 1886. Saint-Saens later recalled its eventful genesis: 'The Symphony in C was three-quarters sketched out when I found it impossible to write the finale. I did not know how to resolve this situation, until one night I suddenly woke up and, in a sort of hallucination, I heard the whole finale, which I hastily wrote down in outline, knowing that if I went back to sleep without having put anything on paper, I would have forgotten it all the next day.' The symphony was first performed under the composer's direction at Saint James's Hall in London on May 19, 1886. This arrangement by Kevin Norbury can both function as a stand-alone brass band piece, and be performed with an organ by omitting the notes found in square brackets in the parts and score. To view a rolling score video please visit www.youtube.com/watch?v=OlUd_FppBY8 PDF download includes additional parts as listed below. Full set including score available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: 8.30 mins. Alternative Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone B.C. 2nd Baritone B.C. 1st Trombone B.C. 2nd Trombone B.C. Euphonium B.C. Tuba 1 B.C. (Bass Eb equivalent) Tuba 2 B.C. (Bass Bb equivalent)
In Stock: Estimated dispatch 1-3 working days
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£7.53
Adoration (Cornet Solo with Brass Band - Additional Parts) Price arr. Wainwright
Florence Price was an American classical composer, pianist, organist and music teacher. She is noted as the first African-American woman to be recognised as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers that had been previously considered lost was found in her abandoned summer home. Amongst these was this delightful work, Adoration, which had been composed in the 1950s for organ. According to IMSLP.org, the piece "failed to meet notice or renewal requirements to secure statutory copyright with no 'restoration' under the GATT amendments" and therefore is in the public domain. A version for violin and piano by Elaine Fine has become popular. This setting for cornet soloist with brass band has been arranged by Andrew Wainwright. It is also available as a Bb solo with piano here. The additional parts included in this download are for low brass in bass clef. The full brass band set is available here. To view a video of Andrew Roe performing the work, please visit: www.youtube.com/watch?v=_7UYlz8Fzxo Difficulty Level: 4th Section + Length: 3.15 minutes Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Included in download: 1st Baritone B.C. 2nd Baritone B.C. 1st Trombone B.C. 2nd Trombone B.C. Euphonium B.C. Tuba B.C. (Eb Bass Part) Tuba B.C. (Bb Bass Part)
In Stock: Estimated dispatch 1-3 working days
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£11.30
Christmas Processional (Brass Band Additional Parts) Trad. arr. Wainwright)
An effective opener to any Christmas concert, based on the French carol, 'Bring a torch, Jeanette, Isabella'. It tells the story of a group of children in medieval Provence, dressed up as shepherds and milkmaids, carrying torches and candles as they proceed to the stable. As they draw closer and their excitement increases, they are constantly reminded by their parents to keep the noise down so that they don't wake up the baby Jesus. The music begins quietly and builds to a majestic conclusion. "If I were still conducting bands regularly, this would certainly be on my list as a Christmas concert opener - it sets the energy and mood most effectively. The scoring is terrific." Paul Hindmarsh, British Bandsman magazine This arrangement also includes optional Organ and Hand bells parts. For a follow-the-score video of Virtuosi GUS Band performing the work, please visit: https://www.youtube.com/watch?v=2GasDfecnyY Sheet music available exclusively from World of Brass - www.worldofbrass.com Includes score and full set of parts. Difficulty Level: 2nd Section + Instrumentation: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone B.C. 2nd Baritone B.C. 1st Trombone B.C. 2nd Trombone B.C. Euphonium B.C. Bass B.C. (Bass Eb Part) Bass B.C. (Bass Bb Part)
In Stock: Estimated dispatch 1-3 working days
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£45.00
Could it be Magic
ABOUT THIS PIECE: It's finally here... Bring the energy and nostalgia of a pop classic to your next programme with this sensational arrangement by Adam D J Taylor of Could It Be Magic. Written by Barry Manilow and Adrienne Anderson, the song draws inspiration from Frdric Chopin's Prelude in C Minor, blending classical influences with a contemporary pop style. First released by Manilow in 1973, the song gained further fame through a dynamic reinterpretation by Take That in the 1990s, making it a favourite across generations. This arrangement captures the dramatic flair and infectious rhythm that have made Could It Be Magic a timeless hit. From its serene opening to its soaring melodies, it's a guaranteed showstopper that will we're sure will have audiences on the edge of their seats. Whether as a thrilling concert feature or a lively encore, this arrangement is sure to be a huge hit with bands and audiences alike. Don't miss the chance to add a touch of magic to your next performance! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: DURATION: c. 5-minutes, 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£55.00
Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days