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£145.50
3 Movements for Brass Band - Oskar Abel Valand Halvorsen
3 Movements for Brass Band is written with the intent to explore concise, but intention-lled musical forms. Even though each movement is a clearly dened part, there are still many similarities and unifying elements throughout. One of them can be characerized as a focus on musical initiatives that perpetually intensies the interplay between them. Furthermore, nearly all chords and melodic gestures in all the movements are based on the same three-note cell (e.g. Eb-F-Ab) in constant transposing versions. This structure of threes also nds expression in the rhythmical elements (e.g. in the lightly syncopated gures in the opening of the second movement). Lastly, there is also a signal in snare drum and whip, that ends each movement.
Estimated dispatch 5-14 working days
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£47.50
I Just Can't Wait To Be King - Elton John - Philip Harper
The showstopper 'I Just Can't Wait To Be King' from The Lion King is still relevant after almost thirty years, especially now that British Prince Charles, following seven decades of waiting, was finally crowned King Charles III in 2023. All in all, this was reason enough for Philip Harper to write a dazzling brass band arrangement of this song that is perfectly suitable as a concert encore.
Estimated dispatch 5-14 working days
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£55.20
Tribute to IMMS NL - Harrie Janssen
A classical march in the style of Henk van Lijnschooten in honour of IMMS Netherlands. "The International Military Music Society". A brilliant composition by Harrie Janssen that once again shows that there are still plenty of possibilities within the traditional march form to create a surprising whole.
Estimated dispatch 5-14 working days
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£115.60
Griffenfeldt - 0 - John Philip Hannevik
Here we present "Griffenfeldt, a folk-dance in the style of a Norwegian reinlender.This arrangement can be used as the first item in a concert, or after an interval.The musicians can come on stage as they join in. That is why two of the measures are notated "repeat till ready", here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted.Be sure to play with a bouncy but singing style, not with short and harsh articulations.Do the trills on the beat, but these can also be omitted if it makes it too difficult.To bring out the folk music style a little extra, you can ask the musicians to play on the "backbeat", i.e. emphasize the last half of each quarter-note.In addition, the music will really come to life if all "solo" places are done standing up.The musician Anon Egeland tells this story:This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.
Estimated dispatch 5-14 working days
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£137.99
A Gabrieli Fantasy - Bert Appermont
In this five-movement work, Bert Appermont explores the possibilities that three choruses within a brass band have to offer. For this, he used the Canzon a 12 in echo by Giovanni Gabrieli, which he also used in 2018 for a double chorus trombone octet of the same name. There's a lot to be enjoyed in this fantasy, with its range of motifs, melodic cells and chords plus counterpoint techniques like the canon and imitations. An atmospheric piece of music that presents variation in sound and in stage arrangement as well!
Estimated dispatch 5-14 working days
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£72.99
English Dances, Set 1, Op. 27: No. 1 - Sir Malcolm Arnold - Ray Farr
English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ak's Slavonic Dances and Bartok's Romanian Folk Dances. The premiere took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.
Estimated dispatch 5-14 working days
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£137.99
Metamorphosis - Jan de Haan
The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme. Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three isthe so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.
Estimated dispatch 5-14 working days
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£119.99
Chain - Piet Swerts
Chain was composed between June and August 2000 as the test piece for the 2002 European Brass Band Championship. The composer's idea was to compose a one-movement piece - a work that starts mysteriously and develops in various directions. As his basic material, he chose a figure that is the abbreviation of the European Brass Band Championship: EBBC. This figure is developed in a chain of figures which gradually lead to the climax of the piece.
Estimated dispatch 5-14 working days
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£55.00
The TV Detectives - Nigel Hess
The TV Detectives brings together five of Nigel Hess's best-known television themes, all originally written for small-screen sleuths in whodunnits that have been enjoyed by TV audiences worldwide. The themes stand aloneas imaginitive and challenging pieces that will stretch wind ensembles and delight audiences. This is a continuous suite arranged for wind band.
Estimated dispatch 5-14 working days
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£85.00
Another world's hell - Simon Dobson
Another World's Hell was commissioned in versions for brass, wind and fanfare bands by the Socit Cantonale des Musiques Vaudoises and the Association Cantonale des MusiquesNeuchteloises for the 2013 Swiss Cantonales festivals. It is inspired by a passage in Aldous Huxley's classic 1932 science-fiction novel Brave New World, which describes in unusually close detail themusic that is being played at a dance. This is Dobson's interpretation of the imagined 'future music' that Huxley dreamed of. Brass Band Grade 5Duration: 13 minutes
Estimated dispatch 5-14 working days