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£45.00
A Slaidburn Festival Overture - Stoll, B
In 1997, all of the students who were undertakingthe BA Band Studies Course atAccrington & Rossendale College, werecommissed by the Slaidburn Band to composea suitable piece of music to mark itscentenary in 1998.As a result, Beverley Ann Stoll wrote theoverture as a tribute to both WilliamRimmer and Joseph Hodgson. The overturebriefly features the musical themes ofthe March "Slaidburn" and the unaffectedpoignant harmonies of the hymn tune"Burn Fell".Youth Band
In Stock: Estimated dispatch 1-3 working days
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£45.00
Antz - Gregson-Williams & Powell - Phillips, L
Every Ant has his day. The musical score to the Dreamworks Antz movie is a quirky fusion of styles which perfectly complements the eccentric nature of the story. The Colony describes life, work and chaos in Ant City, whereas Z's Theme is a mellow, yet whimsical jazz theme representing the neurotic main character, brilliantly voiced by Woody Allen. A superb addition to your library.3rd section +
In Stock: Estimated dispatch 1-3 working days
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£45.00
Clans Collide - Harper, P
An antiphonal piece pitting two teams against each other in a musical battle led by soprano cornet on one side, and trombone on the other. The music is duel-like and virtuosic and blood will be spilled!Championship sectionDuration 4 mins
In Stock: Estimated dispatch 1-3 working days
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£45.00
Copacabana (at the Copa) - Manilow, Sussman & Feldman - Harper, P
Copacabana (at the copa) tells the story of Lola and Tony who worked at 'the hottest spot north of Havanna' Released in 1978 by Barry Manilow it went on to be a worldwide hit before being expanded into a full length musical.
In Stock: Estimated dispatch 1-3 working days
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£45.00
Elemental - Harper, P
The opening number in Cory Band's 2015 'Four Elements' themed Brass in Concert programme, this piece sets out a mysterious introduction transporting us back to the time of the Greek Philosophers, after which it presents short musical depictions of Fire, Air, Water and Earth. Designed to start your concert with a bang.Championship SectionDuration 4 minsListen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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£40.00
It's Not Where You Start - Coleman, C - Broadbent, D
Cy Coleman, Tony awards for his Broadway musicals. Seesaw opened on Broadway in 1973, ran for 296 performances and went on to win a Tony Award for best musical. It's Not Where You Start (It's Where you Finish) was one of the big hits of the show. A real jazzy addition to your library.4th section +
In Stock: Estimated dispatch 1-3 working days
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£42.00
Have Yourself a Merry Little Christmas - Blane, R & Martin, H - Griffiths, D
This cherished song first appeared in the 1944 MGM musical Meet me in St Louis, when Judy Garland's character sung the song to her five-year old sister to cheer her up. This new arrangement is a sumptuous slow jazz trombone solo, as played by Chris Thomas on Cory's latest Christmas CD4th section +Duration 4 mins
In Stock: Estimated dispatch 1-3 working days
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£40.00
Where is Love ? - Bart, L - Barry, D
'Where is Love?' is a song from the British musical "Oliver!" and the 1968 film of the same name.Sung by the main character this beautiful piece is sure to be a hit with audiences.
In Stock: Estimated dispatch 1-3 working days
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£40.00
As Long as He Needs Me - Bart, L - Barry, D
Written for the character Nancy in the 1960 Musical 'Oliver!' this ballad describes her love for Bill Sykes despite his brutal treatment of her. Famous worldwide it is an instantly recognisable and well loved.
In Stock: Estimated dispatch 1-3 working days
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£43.99The Divine Right (Brass Band - Score only) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
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