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  • £82.95

    EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score and Parts) - Sparke, Philip

    This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium's range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

    Estimated dispatch 7-14 working days
  • £44.95

    EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score only) - Sparke, Philip

    This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium's range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

    Estimated dispatch 7-14 working days
  • £37.95

    FLOWER DUET from 'Lakme' (Delibes/Sparke) (Cornet Duet/Brass Band) - Delibes, Leo - Sparke, Philip

    Duet for 2 B flat Cornets (or E flat Soprano and B flat Cornets) & Brass Band

    Estimated dispatch 7-14 working days
  • £44.95

    PARTITA (Sparke) (Brass Band - Score only) - Sparke, Philip

    Suitable for Championship Section bands

    Estimated dispatch 7-14 working days
  • £72.99

    Letter from Home (Brass Band - Score and Parts) - Sparke, Philip

    In Letter from Home Philip Sparke portrays the many feelings and emotions that a letter from home can evoke. This intimate works opens with a gentle melody, which gradually becomes more confused as new emotions are introduced. Finally resignation sets in, but a sense of peace and balance is restored with the final chorale. In this emotional work Philip Sparke truly captures the highs and lows of being away from home.Duration: 7:15

    Estimated dispatch 7-14 working days

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  • £57.50

    A Norwegian Hymn (Brass Band - Score and Parts) - Fiske, Axel - Sparke, Philip

    British composer Philip Sparke was asked to write this arrangement of Hymn to Frei for the Norwegian Brass Band Frei Hornmusikk . Sparke had already used part of this hymn by a composer well-known in the home region of the band in The Saga of Haakon the Good. In A Norwegian Hymn, three verses of the tune can be heard: the first is performed by various soloists, followed by a quieter second verse, before the third verse brings the piece to a triumphal close. A beautiful piece, which is also excellent to use to work on musicality with bands in lower divisions.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £91.99

    Three Klezmer Miniatures (Brass Band - Score and Parts) - Sparke, Philip

    Three Klezmer Miniatures is Philip Sparke's third work based on traditional Jewish klezmer melodies, after Shalom! and A Klezmer Karnival. Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', had performed at celebrations, particularly weddings, since the early Middle Ages. In Three Klezmer Miniatures Philip Sparke used the traditional tunes Sham Harei Golan Nigun Shel Yossi, Tumbalalaika, and Hava Nagila.Duration: 7:30

    Estimated dispatch 7-14 working days

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  • £57.50

    A Quiet Moment (Brass Band - Score and Parts) - Sparke, Philip

    A Quiet Moment was written in memory of James Philip Krofta, a highly respected American conductor who died in the year 2006. This calm, wilful composition of Philip Sparke is equally at home on the concert platform as in the contest arena or at significant remembrance events when a quiet moment is required.Duration: 4:30

    Estimated dispatch 7-14 working days

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  • £53.50

    Heritage (Brass Band - Score and Parts) - Sparke, Philip

    Philip Sparke wrote Heritage as a grand concert march in the tradition of Elgar and Walton. After a brief introduction, the march's long main theme is presented: first in subdued tones, then taken up by the full band, adding a tenor counter melody. The following bridge passage leads to a change of key and the traditional trio section. A repeat of previous motifs leads to a return of the main theme, followed by a short closing coda.Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £104.99

    Lakeland Variations (Brass Band - Score and Parts) - Sparke, Philip

    Composer Philip Sparke used the region of Seeland, located in the north-west part of Switzerland, with its three lakes (Morat, Neuchatel and Bienne) as the starting point for his Lakeland Variations. The work comprises an introduction and five variations based on motifs contained in the opening bars. The three lakes are represented by the three notes of the opening timpani solo, the intervals of which, a quarter and a second (together with a cornet figure), form the basis of all the following variations.Duration: 10:30

    Estimated dispatch 7-14 working days

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