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£30.00Livin' On A Prayer - Brass Band Sheet Music Full Score & Parts - LMAM019 - Richie Sambora, Jon Bon Jovi & Desmond Child - David Beal
COMPOSER: Richie Sambora, Jon Bon Jovi & Desmond ChildARRANGER: David Beal"Livin' on a Prayer" is a song by the American rock band Bon Jovi from their third studio album, Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora and Desmond Child, the single, released in late 1986, performed strongly on both rock and pop radio and its music video was given heavy rotation at MTV, giving the band their first song to reach No. 1 on the Billboard Mainstream Rock chart and their second consecutive No. 1 Billboard Hot 100 hit.Regarded as the band's signature song, "Livin' on a Prayer" has topped fan-voted lists and re-charted around the world decades after its release. In 2013, the song was certified triple platinum for over 3 million digital downloads and has since sold over 13 million worldwide, making it one of the best selling singles of all time.Scored here for British Brass Band.Any purchases from this site cannot be made please click on the link above
In Stock: Estimated dispatch 3-5 working days
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£62.00#RustyOXI - Dean Jones
To crack the code of this title, there are two clues: the last two letters and Roman numerals and the first word is the names of a character. Suffice to say that there is an element of' Hollywood cool'. There is a heavy emphasis on rhythmic syncopation and a 'groove' that will need to be felt. The key is to give the notes their full length (unless stated) and maintain the concept of 'cool sophistication'. Sunglasses for everyone in the band would add to the look!
Estimated dispatch 10-14 working days
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£72.00Hangin' On! - Dean Jones
This swinging composition from the popular composer Dean Jones is a tribute to the much loved 'Light Walk' from Barry Gott. This is a delightful interlude during a heavy concert, and perfect for a summer evening's performance.
Estimated dispatch 10-14 working days
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£67.00
Hard to Say I'm Sorry - Peter Cetera & David Forster - Jan Utbult
"Hard to Say I'm Sorry" is one of the greatest hits by US rock band Chicago. It was the first single record from the "Chicago 16"-album (1982). The song went to no. 1 on the Billboard charts and stayed there for two weeks.Produced by David Foster, the song was given a typical early 80's sound with synthesizers and heavy guitars dominating the sound. The album-version of the song included a part two of the song; "Get Away", a up-tempo song featuring the famous horn-section of the band.
Estimated dispatch 7-14 working days
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£127.30Do Dat Thing - Harry Connick Jr. - Reid Gilje
Harry Connick Jr. is an American pianist, singer, composer and actor from New Orleans. He has released many albums and perform frequently with his own big band. "Do Dat Thing" is a real "feel-good" song composed in New Orleans style. The tempo must not be too fast. A kind of rough, heavy groove is preferred. When staccato is notated, the 8th notes have to be straight. The notations in the Drums-part is optional. From 35, the rhythm in the bass-line is meant as information for the musician. Be aware of the dynamics from the beginning (not too loud) to give it a "lift" at the end of the piece.
Estimated dispatch 5-14 working days
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£105.20Hard to Say I'm Sorry - Peter Cetera - Jan Utbult
"Hard to Say I'm Sorry" is one of the greatest hits by US rock band Chicago. It was the first single record from the "Chicago 16"-album (1982). The song went to no. 1 on the Billboard charts and stayed there for two weeks. Produced by David Foster, the song was given a typical early 80's sound with synthesizers and heavy guitars dominating the sound. The album-version of the song included a part two of the song, "Get Away", a up-tempo song featuring the famous horn-section of the band.
Estimated dispatch 5-14 working days
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£159.99Rush Hour - Etienne Crausaz
Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division.Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter andmore peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry.Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour.
Estimated dispatch 5-14 working days
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£76.99Showtime ! - Sven Van Calster
In this piece, which consists of four contrasting sections in which doubling of parts make it suitable for a wide range of bands. The first part is a kind of musical appetizer which has a heavy disco beat while the second part is a romantic ballad. The third part is inspired by an Irish dance and the last part is a variation of the first part with a spectacular ending. This work makes an ideal challenge for dynamic and young bands.
Estimated dispatch 5-14 working days
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£60.99Orion - Jan Van der Roost
There are all sorts of marches: fast and slow, solemn and energetic, military and civil, procession and funeral. Orion is a so-called 'slow march'. However the moderate tempo does not make a passive or heavy impression. On the contrary, this march contains natural optimism and spontaneity. The persistant 'pulse' gives this majestic march a noble character
Estimated dispatch 5-14 working days
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£109.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expressionof power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 5-14 working days
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