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  • £46.20
  • £49.20
  • £46.20

    ADESTE FIDELES (Brass Band) - Wade, John F. - Fernie, Alan

    O Come All Ye Faithful. Grade: Easy/Medium.

    Estimated delivery 12-14 days

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  • £49.20

    ADESTE FIDELES (Choir with Brass Band) - Wade, John F. - Lorriman, Howard

    O Come All Ye Faithful. Grade: Easy.

    Estimated delivery 12-14 days

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  • £28.95
  • £24.95

    Crugybar - Cornet Solo (Brass Band - Score and Parts) - Downie, Kenneth

    The traditional Welsh tune of Crugybar is most commonly associated with words by Howell Elvet Lewis which appear in the Baptist Hymn Book of 1962; 'The light of the morning is breaking, the shadows are passing away'. The Salvation Army Song Book of 1986 lists two further hymns that can be sung to the tune; 'I stand all bewildered with wonder and gaze on the ocean of love' ( W F Crafts) and 'When Jesus from Calvary called me, unfolding its meaning to me' (Will J Brand). This arrangement was made for Martyn Bryant, the long-serving principal cornetist of Bristol Easton Band of The Salvation Army.

    Estimated delivery 12-14 days
  • £12.50

    Crugybar - Cornet Solo (Brass Band - Score Only) - Downie, Kenneth

    The traditional Welsh tune of Crugybar is most commonly associated with words by Howell Elvet Lewis which appear in the Baptist Hymn Book of 1962; 'The light of the morning is breaking, the shadows are passing away'. The Salvation Army Song Book of 1986 lists two further hymns that can be sung to the tune; 'I stand all bewildered with wonder and gaze on the ocean of love' ( W F Crafts) and 'When Jesus from Calvary called me, unfolding its meaning to me' (Will J Brand). This arrangement was made for Martyn Bryant, the long-serving principal cornetist of Bristol Easton Band of The Salvation Army.

    Estimated delivery 12-14 days
  • £69.95

    HORN CONCERTO (Gregson) (Horn Solo with Brass Band) - Gregson, Edward

    Horn in F/E flat with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson’s music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, B?la Bart?k; an admirable economy of means; and the clarity of his scoring.Each of the Concerto’s three movements displays a different facet of the French Horn’s character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a lighthearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson’s early influences – William Walton, and in particular that composer’s Partita for orchestra.

    Estimated delivery 12-14 days
  • £19.95

    OUR DIRECTOR (Brass Band Marchcard) - Bigelow, F. E.

    Marchcard size.

    Estimated delivery 12-14 days
  • £49.20

    PRELUDE AND SCHERZO (Horn or Euphonium Solo with Brass Band) - Lorriman, Howard

    Eb/F Horn or Euphonium/Baritone Solo. Grade: Medium.

    Estimated delivery 12-14 days