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  • £18.50

    Canzon XV (1615) - Gabrieli: Eric Crees Performing Edition

    Exchanging the familiar antiphonal effects for skilful counterpoint, this canzona manages to successfully combine both grandeur and extreme virtuosity for the principal players of each of the two choirs.Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 10-14 days
  • £18.50

    Canzon duodecimi toni ?? 10 no 1 (1597) - Gabrieli: Eric Crees Performing Edition

    In florid and stunning counterpoint throughout, the one near rhythmic unison towards the middle comes as a real shock. A work showing extraordinary technique. Dur 2'45"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 10-14 days
  • £18.50

    Canzon duodecimi toni ?? 10 no 2 (1597) - Gabrieli: Eric Crees Performing Edition

    A work which clearly looks towards the baroque concerto grosso with its repeated ritornello and its virtuoso writing for two soloists.Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 10-14 days
  • £18.50

    Canzon duodecimi toni ?? 10 no 3 (1597) - Gabrieli: Eric Crees Performing Edition

    Another major key for two five-part choirs beginning with stately counter- point. The lower second choir takes on a more subdued role before a triple time section and a grand ending. Dur 2'45"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 10-14 days
  • £18.50

    Canzon in echo duodecimi toni ?? 10 (1597) - Gabrieli: Eric Crees Performing Edition

    Following a grand opening tutti for the two equal choirs of five voices, Gabrieli crafts an ingenious work where every aspect of echo effect is explored.Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 10-14 days
  • £18.50

    Canzon primi toni ?? 10 (1597) - Gabrieli: Eric Crees Performing Edition

    The predominant feature in this one-choir work is solemn counterpoint, largely in the soprano and alto register.Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 10-14 days
  • £34.95

    Al Sharq - Daniel Hall

    Al Sharq (pronounced al-sha-rak) was commissioned by Tredegar Town Band as part of their programme for the 2014 Brass in Concert Championships at the Sage, Gateshead.The piece is an exciting and exotic concert work for brass band, which is heavily influenced by the genres 'Third Stream' and 'Arabic'. The composition is highly rhythmical and percussion heavy, which makes use of 'Tam-tam vibrato' - a technique which was invented by the composer especially for this composition.There are plenty of opportunities for the musicians to try something different, such as the aleatoric harmonic framework at the opening of the composition, shouting, 'hi-fiving', special choreography and even playing a didgeridoo!Al Sharq is a technically demanding piece which exploits the talents of all sections of the ensemble, especially the principal solo cornet, who starts the piece with an atmospheric cadenza. All of this makes Al Sharq a powerful and entertaining experience for both performer and listener.

    Estimated delivery 12-14 days
  • £59.95

    Carols for Band

    Designed to be playable by any combination from quartet to full brass band, wind band or orchestra, the arrangements in this book will provide a practical solution to all your carolling needs. Parts are divided strictly into Soprano, Alto, Tenor and Bass so that any suitable instrumentation will sound well, provided that an equal balance of players per 'voice' is maintained. The carols are printed in alphabetical order, so they are easy to find, and comprehensively indexed under both first line and name of tune.Aimed primarily at brass and wind bands, and in an effort to keep top E flat as the highest note for singing, the keys that have been chosen are mainly on the flat side. String parts are provided so that instrumentation is comprehensive, but it may be found easier to raise some of the keys when a predominantly string ensemble is used. This can be done without actual transposition and is a common trick among organists: for example a piece in G flat or D flat can be played in G or D merely by changing the key signature and altering the accidentals.Dynamics have not been used and are at the discretion of the conductor.The score and all of the parts are available seperately and standard brass and wind band sets (25 parts in each) can be ordered at a cheaper rate. These sets do not contain the Score, Timpani or Percussion parts.

    Estimated delivery 12-14 days
  • £79.95

    Malcolm Arnold Variations - Score and Parts - Martin Ellerby

    MALCOLM ARNOLD VARIATIONS was commissioned by Philip Biggs and Richard Franklin for the 20th All England Masters International Brass Band Championship held in the Corn Exchange, Cambridge on 25 May 2008. The work is dedicated to Anthony Day, long time carer of Sir Malcolm Arnold in his final years. I first met Malcolm and Anthony in 1990 and remained in constant touch until Malcolm’s passing in 2006. Anthony, of course, remains a friend and plays his own role subliminally in this piece. The work is not based on any of Malcolm Arnold’s own themes, rather it is a portrait of him (and by association Anthony Day) through my eyes and as a result of my friendship with both parties over some 18 years. If there is any theme as such it is the personalities of the players, the protagonist and his carer placed together by my own efforts coloured and influenced by aspects of Arnold’s style and technique without recourse to direct quotation but through allusion and parody. It is of course designed as a brass band test piece but in my eyes is first and foremost a musical challenge. The pyrotechnical elements are there but always secondary to the musical thrust of the work’s structure. I have long beforehand submerged myself in Malcolm Arnold’s music and ultimately delivered this tribute. Music Directors will be advised to acquaint themselves with the composer’s personal music, particularly the film scores, symphonies, concertos and ballets: the solutions towards a successful interpretation of my piece are all in there – and YES, I want, and sanction, this piece to be interpreted, and therein lies the challenge for those of you ‘up front’! The challenge for players is that of virtuosity, ensemble and careful attention to where they are individually in relation to their colleagues – a question of balance, taste and insight. With regard to tempi, as is my usual custom, I have indicated all metronome marks with the prefix circa. I would suggest that the fast music is played at these tempos but that the more rubato moments can be allowed some freedom in expression and fluidity of line. With regard to the type of mutes to be employed – this decision I leave to the discretion of players and conductors. Structurally the work is cast as an Introduction, 20 Variations and a Finale. Some variations are self contained, others run into each other as sequences in the same tempo. In other variations, segments are repeated and developed. I could describe the overall concept as a miniature ballet or a condensed film score – there is much drama and character and the repeated elements assist this in driving the action forward. I have deliberately avoided the more extremely dark qualities of Malcolm’s own music in this, my celebration of this master-composer, as I have always viewed (and evidenced by my previous Masters scores Tristan Encounters and Chivalry) that the Cambridge contest is a ‘sunshine- affair’ and firmly believe that Malcolm Arnold would have had it no other way too!

    Estimated delivery 12-14 days
  • £39.95

    Malcolm Arnold Variations - Score Only - Martin Ellerby

    MALCOLM ARNOLD VARIATIONS was commissioned by Philip Biggs and Richard Franklin for the 20th All England Masters International Brass Band Championship held in the Corn Exchange, Cambridge on 25 May 2008. The work is dedicated to Anthony Day, long time carer of Sir Malcolm Arnold in his final years. I first met Malcolm and Anthony in 1990 and remained in constant touch until Malcolm’s passing in 2006. Anthony, of course, remains a friend and plays his own role subliminally in this piece. The work is not based on any of Malcolm Arnold’s own themes, rather it is a portrait of him (and by association Anthony Day) through my eyes and as a result of my friendship with both parties over some 18 years. If there is any theme as such it is the personalities of the players, the protagonist and his carer placed together by my own efforts coloured and influenced by aspects of Arnold’s style and technique without recourse to direct quotation but through allusion and parody. It is of course designed as a brass band test piece but in my eyes is first and foremost a musical challenge. The pyrotechnical elements are there but always secondary to the musical thrust of the work’s structure. I have long beforehand submerged myself in Malcolm Arnold’s music and ultimately delivered this tribute. Music Directors will be advised to acquaint themselves with the composer’s personal music, particularly the film scores, symphonies, concertos and ballets: the solutions towards a successful interpretation of my piece are all in there – and YES, I want, and sanction, this piece to be interpreted, and therein lies the challenge for those of you ‘up front’! The challenge for players is that of virtuosity, ensemble and careful attention to where they are individually in relation to their colleagues – a question of balance, taste and insight. With regard to tempi, as is my usual custom, I have indicated all metronome marks with the prefix circa. I would suggest that the fast music is played at these tempos but that the more rubato moments can be allowed some freedom in expression and fluidity of line. With regard to the type of mutes to be employed – this decision I leave to the discretion of players and conductors. Structurally the work is cast as an Introduction, 20 Variations and a Finale. Some variations are self contained, others run into each other as sequences in the same tempo. In other variations, segments are repeated and developed. I could describe the overall concept as a miniature ballet or a condensed film score – there is much drama and character and the repeated elements assist this in driving the action forward. I have deliberately avoided the more extremely dark qualities of Malcolm’s own music in this, my celebration of this master-composer, as I have always viewed (and evidenced by my previous Masters scores Tristan Encounters and Chivalry) that the Cambridge contest is a ‘sunshine- affair’ and firmly believe that Malcolm Arnold would have had it no other way too!

    Estimated delivery 12-14 days