Results
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£127.30Do Dat Thing - Harry Connick Jr. - Reid Gilje
Harry Connick Jr. is an American pianist, singer, composer and actor from New Orleans. He has released many albums and perform frequently with his own big band. "Do Dat Thing" is a real "feel-good" song composed in New Orleans style. The tempo must not be too fast. A kind of rough, heavy groove is preferred. When staccato is notated, the 8th notes have to be straight. The notations in the Drums-part is optional. From 35, the rhythm in the bass-line is meant as information for the musician. Be aware of the dynamics from the beginning (not too loud) to give it a "lift" at the end of the piece.
Estimated dispatch 5-14 working days
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£159.99Rush Hour - Etienne Crausaz
Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division.Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter andmore peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry.Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour.
Estimated dispatch 5-14 working days
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£54.99Four Old Dances - Jan Van der Roost
These four dances are written in a kind of neo renaissance style. Because of the fact that little technical demands are required from its performing artists, these dances are mainly meant for beginning groups, youth ensembles and also for bands in all kinds of small strengths. Jan Van der Roost originally had pedagogical intentions with this piece.
Estimated dispatch 5-14 working days
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£69.99Fanitullen - O. Olsen - Tom Brevik
Fanitullen is a lively, beautiful 'Sl?tt', i.e. an old Norwegian melody which is played on a traditional 'Hardingfele' (Hardanger fiddle).Because of its violent rhythm and exciting character, playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore, Fanitullen could be regarded as a kind of Rock'n Roll from the 18th century.Tom Brevik's adaptation is based on a composition for piano by Ole Olsen (1850-1927) Fanitullen is een levendige, mooie 'Sl?tt', een oude Noorse melodie die gespeeld word op een traditionele 'Hardingfele' (Hardanger viool).Door de heftigeritmiek en het opzwepende karakter, werd het spelen van een Fanitullen gedurende lange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock'n Roll van de 18e eeuw gezien kunnen worden.De bewerking van Tom Brevik is gebaseerd op een compositie voor piano van Ole Olsen (1850-1927)
Estimated dispatch 5-14 working days
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£76.99Match-Rhythm - Jan Bosveld
Match-Rhythm was the compulsory work for the B-division during the European Brass Band Championships of 2005 taking place in Groningen. It is a rhythmical (Rhythm) oriented opening work in which the bands have the opportunity to present themselves during the indisputable competitive character (Match) of these championships. To achieve the high standard required is intensive preparation alone not sufficient. The bands increase their level op performance during the customary try-out concerts so that a kind of competitive rhythm (Match) is acquired.
Estimated dispatch 5-14 working days
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£44.95The Present Age (Brass Band - Score and Parts) - Condon, Leslie
The present age' is almost a stock term familiar to Salvationists, stemming from the much-used verse - 'To serve the pres ent age .... ', which has expressed a purpose throughout Salvation Army history. It is, however , the present age of the late 1960's and 70's which claims the composer 's attention in this attempt to express in music the background against which the modem young Christian has to work. One pictures him with all the dash and impetuosity of youth setting out to 'turn the world upside down'. We here share with him reactions of his hearers, disappointments within himself, and a series of cameos depicting what kind of a world it is that he has pledged to win for Christ.
Estimated dispatch 7-14 working days
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£22.50
The Present Age (Brass Band - Score only) - Condon, Leslie
The present age' is almost a stock term familiar to Salvationists, stemming from the much-used verse - 'To serve the pres ent age .... ', which has expressed a purpose throughout Salvation Army history. It is, however , the present age of the late 1960's and 70's which claims the composer 's attention in this attempt to express in music the background against which the modem young Christian has to work. One pictures him with all the dash and impetuosity of youth setting out to 'turn the world upside down'. We here share with him reactions of his hearers, disappointments within himself, and a series of cameos depicting what kind of a world it is that he has pledged to win for Christ.
Estimated dispatch 7-14 working days
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£54.99Four Old Dances (Brass Band - Score and Parts) - Van der Roost, Jan
These four dances are written in a kind of neo renaissance style. Because of the fact that little technical demands are required from its performing artists, these dances are mainly meant for beginning groups, youth ensembles and also for bands in all kinds of small strengths. Jan Van der Roost originally had pedagogical intentions with this piece.Duration: 5:45
Estimated dispatch 7-14 working days
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£159.99RUSH HOUR (Brass Band) - Crausaz, Etienne
Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division. Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter and more peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry. Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour. Duration: 13:45
Estimated dispatch 7-14 working days
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£29.95Judd: Paean
Commissioned by the Swiss Christian Brass Band Association in celebration of their 150th anniversary, the title 'Paean' means a shout of thanksgiving and praise. It is also the composer's personal expression of gratitude to God following major surgery. Although 'Paean' includes three fairly contemporary Christian songs, it is not intended to be played in any kind of rock or jazz style. The idiom is quite firmly rooted in brass band tradition. The opening fanfare-like section begins in celebratory mood before becoming more contemplative through the song 'Father God, I wonder'. A change of tempo heralds the statement of the thematically significant song 'Hosanna' before immediately moving to 'Faithful God'. Following a fugato the music retraces its steps to a triumphant restatement of the opening music.
Estimated dispatch 7-14 working days
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