Results
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£37.95The Torchbearer (Symphonic Variations on a Theme by Eric Ball) (Brass Band - Score only) - Graham, Peter
2015 National Championships Regionals - Championship Section. The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) Variation 3 (a vivace featuring C as an ostinato) is followed by variation 4 (the central andante e sciolto molto for solo cornet). The work culminates in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation. Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. There has been no less sincere in the composers' efforts to pay musical tribute to the 20th century's most influential composer of brass band music. Duration: 12:30
Estimated dispatch 7-14 working days
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£29.99Nimrod from The Enigma Variations By Edward Elgar arr. Joseph Knight
This arrangement has been taken from the original Enigma Variations and adapted for brass band. It has been arranged so that any band can perform it regardless of section. It is time signatured in both 6/4 and 3/2 to aid the band in it's learning. It is offered with full parts and score.
Estimated dispatch 5-9 working days
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£74.95Diversions (Variations on a Swiss Folk Song) (Brass Band - Score and Parts) - Sparke, Philip
Suitable for 2nd Section Bands and aboveIncludes: 1. Vivo scherzando, 2. Subito meno mosso, 3. Lento expressivo, 4. Vivace.Recorded on Polyphonic QPRL204D Family Portrait, Point of Ayr Colliery Band
Estimated dispatch 7-14 working days
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£37.95
Diversions (Variations on a Swiss Folk Song) (Brass Band - Score only) - Sparke, Philip
Suitable for 2nd Section BandsIncludes: 1. Vivo scherzando, 2. Subito meno mosso, 3. Lento expressivo, 4. Vivace.Recorded on Polyphonic QPRL204D Family Portrait, Point of Ayr Colliery Band
Estimated dispatch 7-14 working days
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£25.00
ST ANDREW'S VARIATIONS (Brass Band Extra Score) - Fernie, Alan
Brass Band Extra Score only. National Brass Band Championships of Great Britain Area Test Piece 2017 - Fourth Section. French Open Championships 2007. Contains:Theme - AndanteVariation 1 - Alla MarciaVariation 2 - GentlyVariation 3 - AdagiettoVariation 4 - Alla Marcia - sempre marcatoVariation 5 - AndantinoVariation 6 - Con Moto sempre rubatoVariation 7 - AllegrettoVariation 8 - Lento moderatoFinale - Allegro giocoso
Estimated dispatch 7-14 working days
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£55.00
ST ANDREW'S VARIATIONS (Brass Band Set - Score and Parts) - Fernie, Alan
Brass Band Set and Score. National Brass Band Championships of Great Britain Area Test Piece 2017 - Fourth Section. French Open Championships 2007. Contains:Theme - AndanteVariation 1 - Alla MarciaVariation 2 - GentlyVariation 3 - AdagiettoVariation 4 - Alla Marcia - sempre marcatoVariation 5 - AndantinoVariation 6 - Con Moto sempre rubatoVariation 7 - AllegrettoVariation 8 - Lento moderatoFinale - Allegro giocoso
Estimated dispatch 7-14 working days
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£54.20Variations in Blue (Trombone Trio with Brass Band - Score and Parts) - Broadbent, Derek M.
Duration: 4.00
Estimated dispatch 7-14 working days
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£89.95Revelation (Score and Parts)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£44.95Revelation (Score Only)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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