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£44.95
The Present Age (Brass Band - Score and Parts) - Condon, Leslie
The present age' is almost a stock term familiar to Salvationists, stemming from the much-used verse - 'To serve the pres ent age .... ', which has expressed a purpose throughout Salvation Army history. It is, however , the present age of the late 1960's and 70's which claims the composer 's attention in this attempt to express in music the background against which the modem young Christian has to work. One pictures him with all the dash and impetuosity of youth setting out to 'turn the world upside down'. We here share with him reactions of his hearers, disappointments within himself, and a series of cameos depicting what kind of a world it is that he has pledged to win for Christ.
Estimated dispatch 7-14 working days
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£22.50
The Present Age (Brass Band - Score only) - Condon, Leslie
The present age' is almost a stock term familiar to Salvationists, stemming from the much-used verse - 'To serve the pres ent age .... ', which has expressed a purpose throughout Salvation Army history. It is, however , the present age of the late 1960's and 70's which claims the composer 's attention in this attempt to express in music the background against which the modem young Christian has to work. One pictures him with all the dash and impetuosity of youth setting out to 'turn the world upside down'. We here share with him reactions of his hearers, disappointments within himself, and a series of cameos depicting what kind of a world it is that he has pledged to win for Christ.
Estimated dispatch 7-14 working days
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£80.17Blaenwern Diversions (Brass Band) Karl Whelan
Commissioned by Micah Dominic Parsons, Blaenwern Diversions is based on the well loved hymn, Love Divine. The composer writes: 'Originally intended to be a set of variations, I found myself wandering around the notes of the hymn tune at the piano and found that the variations almost took on a life of their own resulting in what we have here - diversions. There are 8 diversions in total; the introductory diversion; diversions 1 - 6; and the finale which are divided into three linked movements. Blaenwern Diversions represents my entry into the world of contest works, so even though the piece aims to test the band, it is important that the band enjoy the music within no matter how treacherous!' To view a follow-the-score video please visit www.youtube.com/watch?v=6X5gTMTHkfg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Championship Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£29.95Prayer to St Michael - Jonathan Bates
DURATION: 4'00". DIFFICULTY: Moderate. 'Prayer to Saint Michael' is a solo for Euphonium, composed for the Wantage Band and inspired by the life of a young Johann Sebastian Bach, who following the death of both parents by the age of only 10 moved to live with his older brother - Johann Christoph Bach - who was the church organist at St Michael's Church in Ohrdruf. It was in this church where Bach spent many hours studying and performing, being instructed by Johann Christoff on the clavichord. Within 6 years, the young Bach had been enrolled in the prestigious St Michael's School in Luneberg. . "St. Michael the Archangel, illustrious leader of the heavenly army, . defend us in the battle against principalities and powers, . against the rulers of the world of darkness and the spirit of wickedness in high places. Come to the rescue of mankind, . whom God has made in His own image and likeness, . and purchased from Satan's tyranny at so great a price. The Holy Church venerates you as her patron and guardian. The Lord has entrusted to you the task of leading the souls of the redeemed to heavenly blessedness. Entreat the Lord of peace to cast Satan down under our feet, . so as to keep him from further holding man captive and doing harm to the Church. Carry our prayers up to God's throne, . that the mercy of the Lord may quickly come and lay hold of the beast, . the serpent of old, Satan . and his demons, casting him in chains into the abyss, . so that he can no longer seduce the nations. Amen.". .
In stock: Estimated dispatch 1-3 days
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£29.95
HEROES OF THE COMBAT (Brass Band Set) - Bramwell Coles
Published two years after the end of World War Two, the title of this march projects a dual symbolism of which the composer was so fond, earlier examples being The Flag of Freedom and Victors Acclaimed. The introduction of this march is more extended and subsequent strains demonstrate a trait loved by both Coles and Marshall; the shifting between triple and duple subdivisions of the beat within attractive melodies and accompaniments.
Estimated dispatch 7-14 working days
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£107.95Symphony in Two Movements (Brass Band - Score and Parts) - Gregson, Edward
This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days
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£57.95Symphony in Two Movements (Brass Band - Score only) - Gregson, Edward
This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days
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£29.95
Heroes Of The Combat (Brass Band - Score and Parts) - Coles, Bramwell
Published two years after the end of World War Two, the title of this march projects a dual symbolism of which the composer was so fond, earlier examples being The Flag of Freedom and Victors Acclaimed. The introduction of this march is more extended and subsequent strains demonstrate a trait loved by both Coles and Marshall; the shifting between triple and duple subdivisions of the beat within attractive melodies and accompaniments.
Estimated dispatch 7-14 working days
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£14.95
Heroes Of The Combat (Brass Band - Score only) - Coles, Bramwell
Published two years after the end of World War Two, the title of this march projects a dual symbolism of which the composer was so fond, earlier examples being The Flag of Freedom and Victors Acclaimed. The introduction of this march is more extended and subsequent strains demonstrate a trait loved by both Coles and Marshall; the shifting between triple and duple subdivisions of the beat within attractive melodies and accompaniments.
Estimated dispatch 7-14 working days
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£54.99My Way (Brass Band - Score and Parts) - Oud, Thijs
The evergreen My Way, originally a French chanson (Comme d'Habitude), was written by Jacques Revaux and Gillies Thibault and first released by Claude Francois in 1967. Paul Anka wrote the English lyrics which were used by Frank Sinatra who made it in to the American charts with his world famous interpretation in 1969. Since then the song has been covered by a variety of pop stars, including Elvis Presley. This arrangement is based on the Elvis version and within it the chorus appears in a swinging blues style. This popular song will be ideal for that spectacular ending to your concert.Duration: 3:45
Estimated dispatch 7-14 working days
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