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£45.00
The Snow Carol - Harper, P
The Snow Carol (For Choir and Brass Band/Pianoforte) is an original melody, although the words have been adapted from the German song Snow Falls Softly at Night. Some of the harmonies of the carol have been borrowed from Gustav Holst and his celebrated setting of In the Bleak Midwinter. The upper band play muted in a minimalist style likr flurrying snow. None of the parts are technically difficult and most are repetitive, although players will have to count carefully and play with tight rhythm.
In Stock: Estimated dispatch 1-3 working days
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£77.00General Series Brass Band Journal, Numbers 2269 - 2272, August 2026
2269: Intrada - Christians Awake (Stephen Gibson)This intrada heralds the happy morning when Christians celebrate the birth of Jesus. Fanfares surround the traditional Christmas Day hymn, Christians Awake (C.C. 20), where we are encouraged to 'awake, salute the happy morn'. Written in a processional style, this music was composed as a concert opener to be performed in a large church setting.2270: Jesus loves me (Stanley Kelley)Jesus loves me! (S.A.S.B. 807) is a song many church-goers learn as children. While written for children, its message is for everyone. John 15:9 says, 'As the Father has loved me, so have I loved you.'2271: Prelude on 'Deep Harmony' (Geoffrey Nobes)This piece was written for the Blendworth Band of Hampshire. The hymn tune, by Handel Parker, is one of the most beautiful and iconic melodies ever written, with lovely harmony supporting the rise and fall of a simple but perfect melodic line.2272: To the hills (Paul Sharman)The inspiration for this arrangement came during a walking holiday in the Lake District. Looking towards the hills brought to mind the words of Psalm 121 and Ernest Rance's setting of that passage, I Lift Up My Eyes (S.A.S.B. 208), with its lovely tune Ochills. This arrangement was written shortly after the composer's return home.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 550 - 553, February 2026
550: March - Century of celebration (Stephen Smith)This march follows a traditional pattern and should be accessible for most bands. It was written for the 100th anniversary of Camp Gifford in Loon Lake, Washington, therefore included are well-known songs with references to water as the camp is located on the shores of Deer Lake.551: Going Home (Alan Williams)Richard Jukes' song I'm a soldier bound for Glory (S.A.S.B. 856) displays the confidence of someone with a steadfast faith who is certain that by loving and serving their God they will be accepted into his Kingdom. This assurance results in a joyful song of testimony. Whilst not a direct setting of the five verses, the dance-like rhythm of this cha-cha should reflect the positive and encouraging nature of the lyrics and be full of joy and spirit.552: Whosoever will may come (Noel Jones)This is a two-verse arrangement of the song Whosoever will may come (S.A.S.B. 405), with words written by William John McAlonan and music composed by Alfred Braine. This song is included in the Invitation and Challenge section of the song book. The arrangement should be played in a spirited style.553: March - Sing a praise of celebration (Marcus Venables)This music was written at the request of the Singapore Central Corps Band, who asked that the work be based on two specific meaningful melodies. The first is To the Glory and Praise of God by Robert Redhead, a tune rooted in corporate worship and joyful proclamation, calling God's people to lift their voices in thanksgiving. The other is Home, a beloved Singaporean song that speaks of belonging.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2261 - 2264, December 2025
2261: March - Win the world (Paul Sharman)This march was written at the request of Staff Bandmaster Ken Waterworth for the Melbourne Staff Band's visit to South Africa in 2018. It features the tunes We shall win (T.B. 455) and Storm the forts of darkness (T.B. 844) - the latter chosen for its similarity to the Australian national anthem in its opening two bars.2262: Festival March - Alleluia! (Kevin Larsson)Both hymns used in this march, This is my Father's world (S.A.S.B. 66) and All creatures of our God and King (S.A.S.B. 2), bought the composer comfort as he began to grapple with the ramifications of the global pandemic in 2020. Both songs talk about God's sovereignty over nature, revealing himself to us through the beauty and majesty of our world.2263: Prayer gently lifts me (Ty Watson)This is a simple arrangement of the chorus Prayer gently lifts me (S.A.S.B. 783). The piece was written to precede the opening prayer in a band programme.2264: What a Saviour! (Steven Ponsford)This devotional music explores the events of Good Friday, dramatically reminding us of words associated with familiar Easter hymns tunes.
Estimated dispatch 7-14 working days
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£44.95Triumphant (Brass Band - Score and Parts)
Triumphant was written as the opening work for the 2024 Future All-Stars final concert. Based on the well-known hymn Victory in Jesus (S.A.S.B. 464), the piece reimagines the familiar melody and words with energetic drumline-inspired rhythms and driving Bass groove.O victory in Jesus, my Saviour, for ever!He sought me and bought me with his redeeming blood;He loved me ere I knew him, and all my love is due him -He plunged me to victory beneath the cleansing flood.Musically speaking, the rhythmic pulse should remain confident and consistent throughout, with the percussion establishing the groove and the band locking in with precision. Take time to find a tempo that allows the Bass and Percussion parts to remain clear and accurate. A slightly steadier pace will produce a stronger, more convincing groove. However, a slower tempo can result in the band's playing becoming too heavy. Melodic lines should be played on the longer side, allowing phrases to sing over the rhythmic accompaniment that can be more defined and articulated. As the work builds, be patient and disciplined with dynamics, saving the band's fullest sound for the climactic moments, maximising their impact.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1387 - 1391, July 2026
1387: March - Temple Foundations (Stephen Gibson)This march was composed for the Newcastle City Temple Band for the official opening of their new church buildings. It features several musical references (Showers of blessing (T.B. 411), I would be thy holy temple (S.A.S.B. 591), Come, ye thankful people, come (S.A.S.B. 9), All the promises of God are sure (S.A.S.B. 893) and Count your blessings (T.B. 183)), opening with the announcement that 'With timbrel and drum, and with flags they come' (N.S.Y.P. January 1977) to commence worship and witness in a new area of the city.1388: Holy Forever (arr. Marcus Venables)This is an arrangement of the popular worship song, written by Brian Johnson, Chris Tomlin, Jason Ingram, Jenn Johnson and Phil Wickham.1389: Goodness of God (arr. Paul Sharman) This is an arrangement of the well-known worship song, written by Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram and Jenn Johnson.1390: The first Nowell (Noel Jones)This is an arrangement of the beautiful carol The first Nowell (C.C. 86). It commences with the motif 'Born is the King' which which is referenced throughout the work and the finishes with the spirited 'Nowell, Nowell, Nowell, Nowell, Born is the King of Israel'.1391: Gloria a Dios (Ian Clarke)Translated into English, the Spanish phrase 'Gloria a Dios' means 'Glory to God'. The style of this music has its roots in the small musical combinations that entertain the crowds in some Latin American towns and villages (many of which are Spanish speaking, hence the title). Once a melodic idea had taken hold, the chorus Jesus saves me now! (S.A.S.B. 478) seemed to fit perfectly, the words and the music complementing each other in this testament of praise.
Estimated dispatch 7-14 working days
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£59.95Fantasia on an Old Dutch Hymn Tune (Brass Band - Score and Parts)
Kevin Norbury writes:This tune has always been a favourite of mine. It was first published in Holland in 1624 and then appeared in a later collection called David's Psalmen in 1685. In many hymnals it is still known by its original name, Vruechten. In the vast majority of cases, the melody is associated with the lyrics by George Ratcliffe Woodward, an ordained minister of the Church of England, who lived from 1848 to 1934.At no time in this piece do I envisage any heaviness of style. Even in slow movement, whilst predominantly homophonic, the music should flow and be transparent. The music seeks to capture the essence of joy in both the melody and words (S.A.S.B. 234).
Estimated dispatch 7-14 working days
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£44.95Holy Forever (Brass Band - Score and Parts)
The words of Chris Tomlin's popular song, Holy Forever, invite us to join in the Heavenly worship by the faithful voices of those who have gone before us. Across generations, people bow in reverence, while angels continually cry 'holy', bearing witness to a holiness that does not fade or change. Woven together with the historic hymn Holy, holy, holy (S.A.S.B. 31) this music refocuses our attention on God, whose holiness remains, even when our worship is incomplete.The piece moves between complexity and simplicity, rhythmic drive and chorale, uniting styles in a grand and hopeful conclusion that offers praise to God who is holy now and holy forever.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1383 - 1386, March 2026
1383: Festival March - Lead On! (Andrew Wainwright)A dynamic march, commissioned by Majors Paul and Dawn McFarland during their appointment as Area Commanders of The Salvation Army's Dallas-Fort Worth Area, premiered at the 2023 Thanksgiving service at the Dallas Adult Rehabilitation Centre. Featuring the classic hymns Storm the forts of darkness (S.A.S.B. 980) and Lead on, O King eternal (S.A.S.B. 964), the piece captures the drive, hope, and mission at the heart of The Salvation Army's work in North Texas.1384: Confession (Kenneth Downie)This arrangement is based on the tune Lord of all (T.B. 440), one of the welcome additions to the 2015 Salvation Army tune book. Introduced to the arranger by Andrew Blyth, whose appreciation for the melody highlighted its gentle charm, the piece is dedicated to Andrew and the Peterborough Citadel Band, where he served as Bandmaster and continues to play.The music pairs the tune with the reflective words of We have not known thee as we ought (S.A.S.B. 630), a hymn often used in worship as a moment of confession and heart-searching before God. Its inclusion encourages both performers and listeners to approach worship with humility and sincerity.Although labelled simply as "German traditional," the tune's graceful simplicity is immediately evident. This arrangement preserves that character while introducing subtle harmonic colour and developing the tune's rising fourth motif as a unifying musical thread. The gentle nature of the melody remains central throughout, with a slightly heightened energy in the fifth phrase carefully drawn out without disrupting the overall serenity. The sharing of thematic material between Cornets and Horns calls for smooth, unobtrusive ensemble playing, allowing the tune's beauty to speak naturally.1385: God in good (Stephen Hull) This arrangement brings together two much'loved melodies: Goodness of God, a favourite from the final years of the arranger's service as Divisional Music Director in the Wisconsin/Upper Michigan Division, and the simple, enduring chorus God is so good. Heard often at summer camps, the song's message stayed with him, eventually inspiring this thoughtful musical pairing that highlights God's unwavering goodness throughout our lives.1386: A march in time (Martin Cordner)Written to celebrate the 130th anniversary of Thetford Corps (UKI Territory), this lively march pays tribute to a legacy of faithful witness, joyful service, and a community moving forward in God's light. Premiered by Cambridge Citadel Band during the anniversary weekend, the piece weaves together three cherished songs: Marching on in the light of God (S.A.S.B. 968), Jesus, precious Saviour (S.A.S.B. 501), and Light up the sunshine in your heart.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1379 - 1382, November 2025
1379: March - True to the colours (Noel Jones)This march is a reminder of the symbolism of The Salvation Army flag - blue representing God's purity, red for the blood of Christ and yellow for the fire of the Holy Spirit. I love the dear old Army flag, I'll be true and Yellow star and red and blue are three songs featured where writers have been equally inspired and have made declaration of their allegiance to God by service in The Salvation Army.1380: In all its fullness (Alan Williams)This music was written for the East of England Youth Summer School in 2024, where the delegates explored the theme 'Living life in full colour with Jesus' and as such this work is a joyous and fun-filled celebration of all the good things God has provided.1381: Eternal Spring (Nick Simmons-Smith) This simple hymn tune arrangement is based on the tune Martyrdom which is associated with the words 'As pants the heart for cooling streams'. It is a Scottish tune written around 1800 by Hugh Wilson.1382: March Medley - Emblems of service (Stephen Bulla)This march celebrates the occasion of the Coorparoo Corps' reunion (now Carindale Corps, Australia) in 2022. The music itself features a spirited medley: Joy! joy! joy! there is joy in The Salvation Army, What a friend we have in Jesus and Steadily forward march!
Estimated dispatch 7-14 working days
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