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  • £25.50

    An American Tail Overture - James Horner - Gavin Somerset

    An American Tail Suite Composed By James Horner For the first time ever, the music from Steven Spielberg's animated story has been arranged into a full suite for brass band. With hits like "Somewhere Out There", "Dreams to Dream" and "Way Out West" all included in the suite, the music of James Horner can set emotions rolling, there is something for everyone to enjoy. With the whole concert suite lasting around 10 minutes, there are optional cuts written when if played, can cut the suite down to 6 minutes, as well as cutting out some difficult parts for lower section bands. With Wild West themes and train journey rides (and lets not forget the spoken lyrics!), this really is musical entertainment at its best

    In stock: Estimated delivery 1-2 days
  • £19.50

    Brass Monkey's American Tour - Gavin Somerset

    It is well known that our learners learn much quicker if they can recognise the music that they are playing. The 'Brass Monkey's American Tour' ensures that your ensemble, whatever its size, will have fun and learn, whilst playing these well-known American classics. Melodies are passed around the band (with appropriate doubling up on parts) to ensure that every player has a chance to shine and contribute to the music. This selection is the perfect choice for teaching and performing.OH SUZANNAYANKEE DOODLE DANDYHOME ON THE RANGEWHEN JOHNNY COMES MARCHING HOME

    In stock: Estimated delivery 1-2 days
  • £19.50

    Nutcracker March - Tchaikovsky - Geoff Colmer

    First performed in 1882, the Nutcracker Suite (which included this march) was a huge success and became highly popular. The march features in the ballet when the children march around the tree on Christmas eve, filled with excitement and anticipation of the next morning. Some great lip slurs for the Solo Cornets whilst Basses have moving staccato quavers to keep them occupied.

    In stock: Estimated delivery 1-2 days

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  • £25.00 £25.00
    Buy from Peter Meechan Music

    Cantus (on E.D.) - Peter Meechan

    From Leanne Stamp:"As musicians,I think we really identify ourselves and our existence on being musicians. And we collect these teachings and bondsalong our path. But whendoes it happen? When does that moment happen that someone becomes an integral part of the fabric that makes you who you are? Or when can you pinpointthe momentthat you realize that a person was essential in your path? I don’t think we know. And all too many times it isn’t until someone is gone that we truly reflect and try to figure it out.When Ed De'Ath joined our band (Las Vegas Brass Band) he hadn’t played in over 20 years. He heard the brass band and decided he wanted to go back to playing, and within a few weeks became a member of LVBB.He had grown up playing in Canada, where his father was a brass musician too, and Ed was quite an accomplished young euphonium player competing in competitions and playing in Salvation Army bands.But life happened and it lead him away from playing.Even though I was in LVBB a few years before Edjoined, he quickly became an essential part of what makes that group a family. I spent the better part of a decade playing in the same section as him and then about 5 years sitting next to him on either side.Ed always took a sincere interest in myplaying. Praising the good and giving constructive criticism for improvement. For about two years almost every otherSaturdaywasspent playing duets at his house.I left to study at the RNCM in Manchester, UK, before returning to Las Vegas.My first rehearsal back from the RNCM Ed looked at me said, “here you go kiddo, you’ve earned this solo seat”.There was no ego. Only the wish for me to reach my potential. It was always so apparent with Ed the love he shared for the younger musicians and his desire for them to succeed.Ed lit up the room with his enthusiasm and love for music – he just truly loved being there. That special quality that makes a band a family...he knew and treasured that.And although Ed wasn’t my teacher per say, he was an integral part of my fabric.The way Ed left was sudden. He had been fighting bladder cancer in and off for quite a while but things were looking up. Tests were clear. And then a very aggressive pancreatic cancer stole him very quickly, almost without warning.And I will never forget how I felt getting that call. We decided to have rehearsal that night. And for one reason. Because Ed would’ve wanted us to.I will always be grateful to Ed. Grateful that I got tolearn things from him, receive advice, enjoy his company, and feel his love – part of him is with me whenever I play."

    Estimated delivery 12-14 days
  • £95.00 £95.00
    Buy from Superbrass

    KirkFeld

    Grant Kirkhope Grant Kirkhope is a BAFTA nominated British composer who has created the soundtrack for video games that have sold in excess of 30 million copies. From “GoldenEye” to “Banjo-Kazooie”, “Viva Pi?ata” to “Donkey Kong”, “Kingdoms of Amalur: Reckoning” to “Civilization: Beyond Earth” and “Perfect Dark” to “Castle of Illusion starring Mickey Mouse”. He has also recently scored the feature film “The King’s Daughter” starring Pierce Brosnan and William Hurt and is currently working on “Yooka Laylee” and “Dropzone”. Grant’s score for “Viva Pi?ata” was nominated by BAFTA in the Original Score category in its 2007 awards. Grant is represented by the prestigious Gorfaine/Schwartz Agency by Cheryl Tiano and Kevin Korn. Grant has a degree in music from the Royal Northern College of Music, Manchester, where he majored in classical trumpet, is a green card holder and now lives in Agoura Hills, LA with his wife and two children. “Ian and I first met when we were around 15 years old. We both played in our county orchestra, the North Yorkshire Schools Symphony Orchestra (I was a trumpet player). I think we hit it off straight away, as we were definitely a couple of cheeky kids, if you know what I mean! We both ended up playing in Rowntree Mackintosh Brass Band for a while too which Ian’s Dad, Trevor conducted. We bumped into each other again when we both went for the Shell/LSO Scholarship. I got to the area finals in Manchester so I was pretty pleased with myself but then I saw Ian and I knew it was all over! Of course Ian went on to win and the rest is history. I saw him again when I was attending the Royal Northern College of Music around 1983 by which time Ian had just got the principal chair at the Halle Orchestra. Then I guess 30 something years went by as we both went about our lives and lost touch. We re-kindled our friendship due to his wife really. She emailed me to say it was Ian’s 50th birthday and she was collecting stories from all his friends over the years. After that we got back in touch and then one day on Facebook I got a message from him in typical dry Yorkshire fashion “now then Grant, I had a listen to your music and I think it’s good, how about writing a piece for me ?” I was a little bit unsure at first but of course I loved Ian’s playing and of course I said yes. Over a Skype call in 2016, he asked me what I thought I’d write. I said since I live in LA I’d like to write a “Hollywood” trombone piece. Imagine if John Williams had written a piece for solo trombone, that’s what I’d like to write - well I’d certainly like to try” – Grant Kirkhope

  • £87.00

    Theme Park Fun! - Wilco Moerman

    In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and (moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set, on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors will be confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challenged to visit a house full of ghosts, creepy figures and other ominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy place quickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park, but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions, it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for the big rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourself as a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train, the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops, corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. This day in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to the exit. Just one look over the shoulder, the amusement park figures are waving at us. Hopefully we will come back again soon!

    Estimated delivery 5-10 days

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  • £103.00

    The Lonesome Knight - Saskia Apon

    The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

    Estimated delivery 5-10 days

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  • £24.95

    Swing the Mountain King - Edvard Grieg

    'In the Hall of the Mountain King' was composed by Grieg as part of the incidental music for Henrik Ibsen's play Peer Gynt. A fantasy story written in verse, Peer Gynt tells of the adventures of the eponymous boy.The sequence in which In the Hall of the Mountain King is used is when Peer sneaks into the Troll Mountain King's castle. The piece is played when Peer attempts to escape from the King. When the trolls spot Peer, they give chase and the music begins to speed up. Peer begins to run, and the music begins to get increasingly louder and faster. Finally, at the end, the King catches Peer Gynt, picks him up and hurls him out the back door of the castle. The piece abruptly finishes on this note.This inventive arrangement from the pen of Simon Kerwin gives Grieg's original masterpiece a full big band treatment!

    Estimated delivery 5-7 days
  • £94.00

    The Power of the Megatsunami - Carl Wittrock

    The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.

    Estimated delivery 5-10 days

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  • £103.00

    The Binding of the Wolf - Torstein Aagaard-Nilsen

    This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. "The Binding of the Wolf" is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story: "...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers of the world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish. When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe..."

    Estimated delivery 5-10 days

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