Results
-
£48.59Perspectives from Gallipoli (Brass Band) Fendall Hill
This powerful and evocative work by Australian-New Zealand composer Fendall Hill pays tribute to the ANZAC soldiers who passed through Weymouth, Dorset during World War I. Inspired by first-hand accounts, the piece follows the emotional journey of a young soldier - from eager enlistment, through the harrowing Gallipoli campaign, to recovery and reflection in Weymouth. Structured in four movements, the music captures anticipation, fear, fierce resistance, and eventual healing, culminating in a moment of remembrance. The hymn tune Wareham -written by Dorset composer William Knapp - features prominently as a thematic thread, honouring the region's historical connection to the ANZAC legacy. A deeply moving addition to the brass band repertoire, this work is both a musical narrative and a heartfelt gesture of gratitude to the people of Dorset for their care and ongoing commemoration of the ANZACs. To view a performance of the work featuring ANZAC Brass please visit www.youtube.com/watch?v=diz9TRz7rwE Duration: approx. 8.00 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
-
£33.64Menuet (Brass Band) Ravel arr. Rob Bushnell
Le Tombeau de Couperin (The Grave of Couperin) was written by Maurice Ravel between 1914 and 1917, originally a suite of piece for solo piano. Based on what was considered a traditional Baroque suite, Ravel wanted to pay homage to Baroque French keyboard music, whilst retaining his 20th-century chromaticism, making the work neoclassicist. Each movement is dedicated to the memory of a friend of the composer who died fighting in World War I. Ravel produced an orchestral version in 1919, omitting two of the original six movements. The Menuet was written in memory of Jean Dreyfus; Ravel had recuperated at his home. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=jnNwEcBTSmk. Duration: Approx. 4 minutes Difficulty Level: 2nd Section + Duration: 4 minutes (depending on tempo and without any cuts) PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Vibraphone & Glockenspiel
In Stock: Estimated dispatch 1-3 working days
-
£24.95Lest We Forget - Christopher Bond
Lest We Forget is a phrase added as a final line at the end of the Ode of Remembrance, taken from Laurence Binyon's poem For the Fallen, first published in The Times newspaper in September 1914. Providing the title for this work for brass band, the piece aims to combine both the acoustic nature of the brass band medium alongside narrated passages and pre-recorded extracts to provide a moving tribute. The words originally spoken by Prime Minister Herbert Asquith in 1914 can be narrated in performance. However, a free audio download, manipulated to sound like a 1914 radio broadcast is available from Prima Vista. Lest We Forget received its premiere at The Sage, Gateshead, on November 17th 2014, performed by the Grimethorpe Colliery Band, conducted by Robert Childs. The work opened their winning Brass in Concert programme, and has since been performed by bands all over the world as a fitting tribute to the Great War.
Estimated dispatch 10-14 working days
-
£29.95
ROSEHILL (Brass Band Set) - Albert Jakeway
The Salvation Army Assurance Society Band was the first Salvation Army band to take part in the Lord Mayor's Show, in 1928. The Society relocated from London to Reading at the beginning of World War Two and the title of this march is derived from the name of the Reading property. Rosehill is a fine march containing all the drama and pyrotechnics that make it suitable for a Whit Friday type march contest.
Estimated dispatch 7-14 working days
-
£29.95When It Is Peace - Jonathan Bates
DURATION: 5 minutes. DIFFICULTY: 4th+. When it Is Peace was commissioned by Cold Ash Brass as a sombre, reflective featured work for their concet marking the centenary of the end of World War 1. The work was originally composed alongside choir, using text from local poets to the Thatcham area, and this version was later reworked as a stand-alone work for band.
In Stock: Estimated dispatch 1-3 working days
-
£34.95Dear Old Blighty - Dan Price
Commissioned in 2014 by the Flowers Band and premiered at the Cheltenham Music Festival in the same year, Dear Old Blighty is a creative arrangement of songs popular in 1914 and of those released during the World War I period....
Estimated dispatch 5-7 working days
-
£24.50
Codebreakers - Len Jenkins
A great march, dedicated to the memory of those who worked at Bletchley Park, Milton Keynes, England, in World War 2. They were under the brilliant leadership of Alan Turing and were responsible for breaking the secret military codes used by the Enemy Forces (German in particular). The composer, Len Jenkins, lives close to Bletchley Park, went to school even closer, and attended Training Courses actually in 'The Park'. The march has memorable themes and is toe tapping for the audience.
In Stock: Estimated dispatch 1-3 working days
-
£24.50
Hut Six - Len Jenkins
A great march (perfect for contests such as whit Fridays) dedicated to the memory of those who worked at Bletchley Park, Milton Keynes, England, in World War 2. They were under the brilliant leadership of Alan Turing and were responsible for breaking the secret military codes used by the Enemy Forces (German in particular). The composer, Len Jenkins, lives close to Bletchley Park, went to school even closer, and attended Training Courses actually in 'The Park'. The march has memorable themes and is toe tapping for the audience.
In Stock: Estimated dispatch 1-3 working days
-
£45.00Lament (Brass Band - Score and Parts) - Bridge, Frank - Hindmarsh, Paul
The English composer Frank Bridge (1879 - 1941) did not take an active part in the First World War. However, he was devastated by the slaughter on the western and the eastern fronts, especially the loss of so many of his musicians friends and colleagues. Writing in 1963, his former pupil Benjamin Britten confessed that 'a lot of my feelings about the First World War which people seemed to see in the War Requiem came from Bridge. He had written a piano sonata in memory of a friend killed in France and though he didn't encourage me to take a stand for the sake of a stand, he did make me argue and argue and argue. His own pacifism was not aggressive, but typically gentle'.Bridge composed this Lament for string orchestra on 14 June 1915, in memory of Catherine Crompton, who drowned when the Cunard liner Lusitania was torpedoed by a German submarine on 7 May, 1915. According to figures researched by Liverpool historian Kevin Roach (www.lusitania.net), 1201 men, women and children lost their lives out of the 1962 people aboard. Ninety-four children died, including Catherine, her twin brother Paul and four other siblings. Paul Crompton, Snr. (44), a British businessman working in Philadelphia, his wife Gladys (40) and the family nanny were also drowned. How Bridge's dedication came about is uncertain. The music critic Edwin Evans, who knew Bridge well, has written that the Catherine was a young friend. It is also possible that he came across the family photograph which was published in many newspapers in the wake of the tragedy. By that time, Bridge was greatly distressed by the war as a whole. It seems perfectly in keeping with his pacifist leanings and the strength of his reaction, that this poignant and deeply touching 'war memorial' should mourn a child who he did not know, rather than one of the thousands of young men who fell in battle.Through the musical tears of this melancholy lullaby, Bridge may have regarded the death of young Catherine Crompton as symbolic of the loss of so many innocent lives in wartime. His response to this personal tragedy was characteristically spontaneous and utterly sincere. It is one of his most effective miniatures, poignant yet restrained in its lyrical beauty, with a compelling directness and simplicity of construction.This brass band transcription is pitched one tone lower than the original for string orchestra.- Paul HindmarshDuration: 5.00
Estimated dispatch 7-14 working days
-
£26.95Flanders' Poppies (Brass Band - Score and Parts) - Wiffin, Rob
A setting of the well-known Great War poem In Flanders Fields, written during the First World War by Canadian physician Lieutenant Colonel John McCrae (1872-1918). I first set some of the words to music for the Royal British Legion Festival of Remembrance during my time in the RAF but returned to them in 2014, setting the whole poem to mark the centenary of the commencement of the Great War.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
View Music