Results
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£53.50You'll Never Walk Alone (Brass Band - Score and Parts) - Hammerstein & Rodgers - Foster, Larry
This great football anthem (don't be put off if you are not a Liverpool supporter!) was originally featured in the Rogers and Hammerstein musical Carousel, however it was made famous worldwide when it was sung against the background of the Eiffel Tower to close the 1998 World Cup. It can now be performed by your band, with or without football scarves, to end your concert on a winning note.Duration: 3:20
Estimated dispatch 7-14 working days
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£47.50You'll Never Walk Alone (Brass Band - Score and Parts) - Hammerstein & Rodgers - Oud, Thijs
This great football anthem, made famous worldwide when sung against the background of the Eiffel Tower to close the 1998 World Cup, can now be played and enjoyed by your brass band. An ideal piece to close any concert with.Duration: 2:10
Estimated dispatch 7-14 working days
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£54.99
Amarillo (Brass Band - Score and Parts)
(Is This the Way to) Amarillo was first recorded in 1971 by Tony Christie, and was a great hit throughout Europe. In 2005, the re-release of the original Tony Christie version, promoted by the comedian Peter Kaye, was Britain's best-selling single. The catchy melody of the chorus is also widely sung by sports fans and in 2006 it was played at the Football World Cup Final in Berlin. Stefan Schwalgin's expert arrangement will certainly spice up any concert. 03:34
Estimated dispatch 7-14 working days
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Bad Moon Rising - John Fogerty - Len Jenkins
"Bad Moon Rising" is a song written by John Fogerty and performed by Creedence Clearwater Revival. It was the lead single from their album Green River and was released in April 1969, four months before the album. It reached No. 1 on the UK Singles Chart for three weeks in September 1969 and has been recorded by at least 20 different artists, in styles ranging from folk to reggae to psychedelic rock. The last line of the chorus, "there's a bad moon on the rise", is sometimes misheard as "there's a bathroom on the right" and Fogerty occasionally sings the misheard lyric in concert. The song has become notably popular in Argentina as a football chant and in the 2014 FIFA World Cup, a modified version, titled "Brasil, decime que se siente" ("Brazil, Tell Me How It Feels") was sung with Spanish lyrics that taunted Brazil, their traditional rival. It went viral and became very popular (in Argentina).
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£37.50
Brass Monkey's Occasions - Gavin Somerset
Never be caught out again on a concert with this selection that caters for just about every occasion. Your training band will be prepared to perform anything from a Fanfare to the National Anthem and even 'He's A Jolly Good Fellow'. The music included in this publication is used all over the world, all year around. "Land Of Hope & Glory" is also included, in the same key as the popular senior band arrangement (by J. Ord Hume) so your training band can join in with the senor band in a proms concert finale. This release puts well-known, often requested tunes in one publication letting your training band shine, whatever the occasion. Music included isaAFANFARENATIONAL ANTHEM (God Save The Queen/King)ROYAL NAVY HYMN (Melita)HARVEST HYMN (St. George's Windsor)ONWARD CHRISTIAN SOLDIERS (St. Gertrude)DANNY BOY (Londonderry Air)HE'S A JOLLY GOOD FELLOWF.A. CUP THEME (Eventide)LAND OF HOPE & GLORY (Pomp & Circumstance March No.1)
In stock: Estimated dispatch 1-3 days
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£30.00Symphonic Music (score only) - Paul Huber
Set work for the Spring Festival, Senior Cup 2019.
Estimated dispatch 7-14 working days
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£29.95Unity Series Band Journal February 2013 Numbers 402 - 405
No.402 Procession and praise (Andrew Mackereth)Written for an event at Belfast Citadel in November 2011, the tunes included were chosen by the youthful participants themselves!No.403 Suite - Learn, love and Live (Martin Cordner)Written for one of the bands at the 2011 Belfast Temple Music School, the three movements of this suite feature the songs 'Come Fill my cup', 'Such love' and 'Running over' respectively.No.404 Trombone Solo - You can't stop God (Kevin Larsson)Kevin Larsson has take one of his father's tunes and arranged it in the style of a Cuban bolero with the instruction that it is played at 100 beats per minute, or slower!No.405 March - The King's people (Trevor Davis)This march was written for the 125th anniversary of Loughborough Corps and is based on the song 'Come, people of the risen King' which was a particular favourite of the corps.
Estimated dispatch 7-14 working days
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£44.95Judd: Life Abundant
Life Abundant is a cornet solo written as a musical biography of the search of soul to find the meaning of life. The music begins with the dawning of life, then the abundant joy of childhood ('My cup is full and running over'), followed by the uncertainty of the youth who longs to say 'I want to live right' but doesn't know how. The answer comes in a meditative setting of the composer's own song 'One life to live, O may I live for Thee', after which the music confidently builds to a climax which expresses the joy of abundant life found in Jesus.
Estimated dispatch 7-14 working days
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£27.00Auld Lang Syne (Brass Band - Score and Parts)
It is a tradition in most English-speaking countries to sing this song at the stroke of midnight on New Year's Eve to usher in the New Year. The words are at least partially written by Robert Burns and the words "Auld Lang Syne" literally mean "old long ago" or "the good old days", providing a moment of reflection before moving forwards into the New Year.The tubular bells, although pitched, sound midnight when they enter at bar 10.This arrangement was prepared for Brass Band of the Western Reserve, musical director Keith M Wilkinson, to perform at First Night, Akron, Ohio, December 31st, 2007. The following choreography is suggested:Commence the performance with all the cornets scattered around the auditorium.At the end of bar 18 invite the audience to sing along with the band.At bar 27 the cornets move to stand in front of the other members of the band to lead to the stirring conclusion. Should auld acquaintance be forgot and never brought to mind?Should auld acquaintance be forgot and days of auld lang syne?For auld lang syne, my dear, for auld lang syne,We'll take a cup of kindness yet, for auld lang syne.
Estimated dispatch 7-14 working days
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£45.00strange geometry
Descriptionstrange geometrywas commissioned by Morgan Griffiths and the Hammonds Saltaire Band for their performance at the Brass in Concert Championships of 2015.As a bit of a space/sci-fi geek, as well as a musician, two events during the summer of 2015 had a particular effect on me. The first was the tragic early death in a plane crash of the famous film composer James Horner. Horner's music, particularly in films like 'Star Trek II: The Wrath of Khan', 'Avatar', 'Apollo 13' and even his debut in Roger Corman's 1980 budget film 'Battle Beyond the Stars', defined for a generation the sound of sci-fi at the cinema. Along with John Williams he created the vocabulary for those who wish to express other-worldly wonder in music and his inventive talent will be much missed in an industry where originality has become something of a dirty word in recent years.The second event was the epic flyby of Pluto by the NASA New Horizons spacecraft. There are many reasons to find this mission inspiring - for example, the scientists and engineers behind it created a craft that has travelled at 37,000 mph for nine years and three billion miles to arrive within seventy-two seconds of the predicted time for the flyby. That they achieved this with such accuracy is an outstanding tribute to humanity's ingenuity and insatiable curiosity. However, the most exciting aspect of the mission was the clear, high resolution pictures of this unthinkably remote and inhospitable world beamed back to mission control. The best previous image of Pluto was an indistinct fuzzy blob - suddenly we could see mountains made of ice, glaciers of methane and carbon monoxide and nitrogen fog - features previously unimagined on a world thought to be a slightly dull ball of cold rock. The BBC's venerable astronomy programme 'The Sky at Night' waxed lyrical about these newly discovered features, referring to "the surprising discoveries of mountains and strange geometry on the surface of this cold distant world".I like to think that Horner would have been as inspired as I have been by this real-life science story, and this piece uses some of the vocabulary of the sci-fi movie soundtrack in a tribute to the memory of a great musician and to the inspirational geeks at NASA who have boldly taken us where no-one has gone before.Note: This work comes with a B4 portrait score. Listen to a preview and follow the music below!Performance Notes:The cornet section should play this piece standing up in a roughly semicircular arrangement around the outside of the band facing towards the audience, starting with solo cornets 1&2 to the conductor's left (roughy behind the normal repiano cornet seat) then 2nd cornets, repiano, soprano, 3rd cornets and finishing with solo cornets 3&4 standing roughly behind the normal 2nd trombone seat. If time and logistics permit, the trombones should occupy the first three solo cornet seats, although this is optional. A suggested band layout (with percussion) is given here.Solo cornets 1&2, repiano cornet, 2nd cornets, 3rd cornets, flugel, solo and 1st horn, 1st baritone and euphoniums will require fibre straight mutes - ideally NOT metal ones. Soprano cornet, all solo cornets, 3rd cornets and all trombones will require cup mutes - ideally the cornet mutes should be the adjustable cup type and these should have the cup adjusted quite tight to the bell to give a 'closed' sound. Soprano cornet, solo cornet 3&4 and repiano cornet will require harmon mutes - TE indicates 'Tube Extended', TR indicates 'Tube Removed'. Soprano and repiano cornets will also require metal straight mutes. Vibrato should only be used very sparingly throughout, and never in muted passages.Percussion Requirements:Percussion 1: tubular bells, concert bass drum (not a kit pedal drum), tam tam, clash cymbals, 3 x tom toms, 1 x suspended (clash) cymbal and snare drum.Percussion 2: vibraphone (bowed and with mallets), bass drum and tam tam (shared with perc. 1), additional suspended (clash) cymbal and snare drum.Percussion 3: glockenspiel, 4 x timpani (ideally 23", 25", 28" and 30")Approximate duration 5'50"
Estimated dispatch 7-14 working days
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