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£77.00General Series Brass Band Journal, Numbers 2234 - 2237, August 2023
2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.
Estimated dispatch 7-14 working days
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£19.95Ave Maria (Brass Band - Score and Parts)
The great 19th century Austrian composer, Anton Bruckner is most famous for his nine published symphonies and his sacred music (for organ and for voices). This motet, for unaccompanied voices, was written for Linz Cathedral where Bruckner became organist in 1855. Although this arrangement for brass band is far removed from the original, it is felt that the beauty of the music will come over in a new way.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 550 - 553, February 2026
550: March - Century of celebration (Stephen Smith)This march follows a traditional pattern and should be accessible for most bands. It was written for the 100th anniversary of Camp Gifford in Loon Lake, Washington, therefore included are well-known songs with references to water as the camp is located on the shores of Deer Lake.551: Going Home (Alan Williams)Richard Jukes' song I'm a soldier bound for Glory (S.A.S.B. 856) displays the confidence of someone with a steadfast faith who is certain that by loving and serving their God they will be accepted into his Kingdom. This assurance results in a joyful song of testimony. Whilst not a direct setting of the five verses, the dance-like rhythm of this cha-cha should reflect the positive and encouraging nature of the lyrics and be full of joy and spirit.552: Whosoever will may come (Noel Jones)This is a two-verse arrangement of the song Whosoever will may come (S.A.S.B. 405), with words written by William John McAlonan and music composed by Alfred Braine. This song is included in the Invitation and Challenge section of the song book. The arrangement should be played in a spirited style.553: March - Sing a praise of celebration (Marcus Venables)This music was written at the request of the Singapore Central Corps Band, who asked that the work be based on two specific meaningful melodies. The first is To the Glory and Praise of God by Robert Redhead, a tune rooted in corporate worship and joyful proclamation, calling God's people to lift their voices in thanksgiving. The other is Home, a beloved Singaporean song that speaks of belonging.
Estimated dispatch 7-14 working days
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£29.95Lead, Kindly Light (Brass Band - Score and Parts)
This beautiful hymn is one of trust and faith, building in confidence 'till the night is gone.' This arrangement follows that line of confidence. The melody begins unaccompanied, which is to say 'alone', and the eventual accompanying voices enter sombrely. Instead of a traditional final cadence, the 'leading of the light' continues, using the first four notes of the hymn as a motif that leads to a second, more positive statement of the melody, underscored by a walking motion. The positivity grows and lasts through a final grand statement of the hymn. A short meditative coda follows, and the arrangement ends with a solo note of reflection.
Estimated dispatch 7-14 working days
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£34.95The Puffing Devil (Vocal Solo)
For Children's Choir and Brass BandThe Puffing Devil (2013) was commissioned by Camborne Trevithick Day Committee on the occasion of Camborne's 30th Trevithick Day celebration. The premiere performance of the work, written for brass band and children's choir, saw a massed performance by six brass bands and children from nine local schools. With the intention of being an educational work as well as a musical work, The Puffing Devil reflects the story of Richard Trevithick both in the lyrics and the musical material. A mysterious opening sees running semiquavers in the euphoniums as the flugel horn introduces the work with a solo, before the entry of the horns playing rhythmic quavers. The addition of the voices at the outset is for effect - working with the instruments to create the sound of a steam engine gathering pace simply to the words 'Trevithick'. Once a steady tempo is reached, themes are introduced and sung by the choir, where the vocal writing is a very simple singular-melody; easy for any primary school aged children to learn. An ending of grandeur in a majestic nature is presented, to create a big finish to a feel-good educational work.
Estimated dispatch 7-14 working days
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£59.99A Forest Symphony (Brass Band - Score and Parts)
A Forest Symphony was commissioned for the 2007 Voices in the Forest Festival, with the support of Creative Partnerships, the Forest of Dean. The first performance was given the Lydbrook Band. A Forest Symphony explores the hidden and magical world of the forest; secrets that may only be seen the animals who live there, or by fortunate ramblers who stray from the beaten path. Suitable for 1st Section Bands and above. Duration: 12.00
Estimated dispatch 7-14 working days
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£34.95Judd: Joyous Carillon
This music takes the form of a double trio (cornets and trombones) with full brass band accompaniment and is based on the composer's own Christmas song for female voices, 'Carol of the Bells'.
Estimated dispatch 7-14 working days
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£14.95Instrumental Album No.25 - Cornet Solos
Includes: The glorious fountain; Heavenly rejoicings; The joyful pilgrim; All through the night; Wondrous Love; Cheerful Voices; The golden stair; EnduranceInstrumentation: Cornet with Piano Accompaniment
Estimated dispatch 7-14 working days
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£76.99Animal Kingdom - William Vean
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing inswing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition.
Estimated dispatch 5-14 working days
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£105.20Pineapple Punch - Haakon Esplo
Pineapple Punch, a lively, fun and lively piece of music with challenges for all instrumental groups. You have a great opportunity to work with both rhythm, articulation and understanding of style.Pineapple Punch is entertaining and suitable for any concert.The piece has a light Latin touch and is fun to play for the musicians. The first voices provide a challenge, while the lower voices are simpler in rhythm and range.
Estimated dispatch 5-14 working days
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