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£27.50

INTRADA (score & parts) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£11.50

AFRICAN MARKET (score) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£37.50

TRADEWIND (score & parts) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£27.50

INVENTION (score & parts) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£27.50

WESTBOUND (score & parts) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£11.50

HUAPANGO EXPRESS (score) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£37.50

AFRICAN MARKET (score & parts) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£42.50

HUAPANGO EXPRESS (score & parts) - McKenzie, Jock

There is a link to a you tube video. Also contains parts for orchestral brass.
In Stock: Estimated dispatch 1-3 working days
£30.00

A Short Ride in a Brass Machine

DescriptionA Short Ride in a Brass Machine was written in 2006 to mark the 140th anniversary of the Brighouse and Rastrick Band and first performed in the Central Methodist Church in Brighouse by Brighouse and Rastrick conducted by James Gourlay. The title refers to the orchestral composition A Short Ride in A Fast Machine by the American composer John Adams which provided some of the inspiration for the work. The music is a simple celebratory prelude consisting of two main ideas, an expansive melody full of open fifths (giving the music a slightly "American" feel) and a short fanfare figure. After these are both heard for the first time a brief development of the fanfare material leads to a broader, warm harmonisation of the opening melody and the pulse relaxes a little before tension builds to a reiteration of the fanfare and a final triumphant version of the opening theme.Performance Notes:Percussion instruments required are 4 Timpani, Snare Drum, Bass Drum, 3 Tom-toms, 3 Wood Blocks, Suspended Cymbal, Clash Cymbals, Tubular Bells, Glockenspiel, Tam-tam.Soprano, repiano, 2nd solo cornet, 2nd and 3rd cornets will require metal straight mutes; 2nd and 3rd cornets will require harmon mutes with the tubes removed (indicated by 'TR').Duration approximately 3'30"Follow the score in the preview video below!
Estimated dispatch 7-14 working days
£30.00

Deus in Adjutorium

DescriptionMonteverdi's Vespro della Beata Vergine (Vespers for the Blessed Virgin) is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope, style and scoring, and has a duration of around 90 minutes. Published in Venice with a dedication to Pope Paul V dated 1 September 1610 as Sanctissimae Virgini Missa senis vocibus ac Vesperae pluribus decantandae, cum nonnullis sacris concentibus, ad Sacella sive Principum Cubicula accommodata ("Mass for the Most Holy Virgin for six voices, and Vespers for several voices with some sacred songs, suitable for chapels and ducal chambers"), it is mercifully regularly shortened to Monteverdi's Vespers of 1610.Monteverdi was born and spent the first part of his working life in Cremona before moving to Mantua (where he composed the Vespers) and finally attaining one of the top jobs in Italian renaissance music as Maestro di Capella at the Basilica di San Marco in Venice. He is most famous for his vocal music, notably his madrigals and the earliest surviving opera, Orfeo.Performance notes:The opening "versicle" on euphonium should be declamatory, in a recitative style - i.e. in free tempo and not conducted. Ideally the player should stand for this.Where practical, the soprano and 1st & 2nd solo cornets should stand to the left of the band, and the repiano and 3rd & 4th solo cornets to the right. If three percussionists are available, the third player should double the Percussion 2 part, and in that event it is often effcetive to have the 2nd and 3rd percussion players stand to the left and right of the band with the cornets.Watch a preview video of the score below:
Estimated dispatch 7-14 working days