Results
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£119.95Genesis (Sinfonia quasi una Fantasia) (Brass Band - Score and Parts) - Ellerby, Martin
One of the composer's most personal works, Genesis is cast in three independent movements but played in close (attacca) proximity to each other. Part One: Out of Darkness... quotes the German chorale Nun Danket (Now thank we all our God) text by Martin Rinkart (1586-1649) and the music by Johann Cruger (1598-1662) in a symbolic, somewhat cynical, style. Part Two: Les Chansons du Monde... (the songs of the earth or earth-songs) is composed with full attention to solo, duo and other combinations of instruments consistently in a cantabile style. Part Three: Into Light... concentrates on rhythmic agility and dance like qualities in a most exuberant fashion, bringing the work to a very positive conclusion. Duration: 14.45
Estimated dispatch 7-14 working days
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£49.95
Genesis (Sinfonia quasi una Fantasia) (Brass Band - Score only) - Ellerby, Martin
One of the composer's most personal works, Genesis is cast in three independent movements but played in close (attacca) proximity to each other. Part One: Out of Darkness... quotes the German chorale Nun Danket (Now thank we all our God) text by Martin Rinkart (1586-1649) and the music by Johann Cruger (1598-1662) in a symbolic, somewhat cynical, style. Part Two: Les Chansons du Monde... (the songs of the earth or earth-songs) is composed with full attention to solo, duo and other combinations of instruments consistently in a cantabile style. Part Three: Into Light... concentrates on rhythmic agility and dance like qualities in a most exuberant fashion, bringing the work to a very positive conclusion. Duration: 14.45
Estimated dispatch 7-14 working days
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£74.95Between the Moon and Mexico (Brass Band - Score and Parts) - Sparke, Philip
Between the Moon and Mexico was composed for the 1998 Finals of the National Brass Band Championships of Great Britain. The first performance took place at the Royal Albert Hall, London, on the 17th of October.The title has no hidden meaning and was chosen preciesly because it would not predetermine the style or form of the work. The composer wanted to see what sort of piece would emerge if the only influence was what had already been written. The result is a sort of musical collage in which various musical collage in which various musical elements, ranging from two or three notes to complete melodies, assume importance by virtue of their context. In a way, the piece grew out of itself.Duration: 16.30
Estimated dispatch 7-14 working days
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£37.95
Between the Moon and Mexico (Brass Band - Score only) - Sparke, Philip
Between the Moon and Mexico was composed for the 1998 Finals of the National Brass Band Championships of Great Britain. The first performance took place at the Royal Albert Hall, London, on the 17th of October.The title has no hidden meaning and was chosen preciesly because it would not predetermine the style or form of the work. The composer wanted to see what sort of piece would emerge if the only influence was what had already been written. The result is a sort of musical collage in which various musical collage in which various musical elements, ranging from two or three notes to complete melodies, assume importance by virtue of their context. In a way, the piece grew out of itself.Duration: 16.30
Estimated dispatch 7-14 working days
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£29.50
Celebration - Lawrence Killian
Celebration for Brass Band is a suite of music in three movements.The piece's overall aim is to provide both the players and the audience with a positively uplifting and fun musical showcase. The listener is taken on a journey through the various moods and feelings associated with three types of celebration: birthday, anniversary, and jubilee. The music is generally light in character, a subtle blend of the familiar and not-so-familiar, with a few 'cheesy bits' to make you smile in between.The first movement is 'Birthday Treat', a light-hearted look at the fun and games surrounding a birthday party for any age. Opportunity is given within the music for the players and audience to join in and echo the sounds of a live party with exclamations of: "Happy Birthday!", "Congratulations!", "Well done!".The second movement in the suite is 'Anniversary', a touching musical tableau recalling memories of bygone days.The final movement, 'Jubilee', is precisely that. Full of jubilation, energy, and carnival, the music will engage the listener from the start. Listen out for musical snippets recalling the musical moods heard earlier in the first two movements.
In Stock: Estimated dispatch 1-3 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1383 - 1386, March 2026
1383: Festival March - Lead On! (Andrew Wainwright)A dynamic march, commissioned by Majors Paul and Dawn McFarland during their appointment as Area Commanders of The Salvation Army's Dallas-Fort Worth Area, premiered at the 2023 Thanksgiving service at the Dallas Adult Rehabilitation Centre. Featuring the classic hymns Storm the forts of darkness (S.A.S.B. 980) and Lead on, O King eternal (S.A.S.B. 964), the piece captures the drive, hope, and mission at the heart of The Salvation Army's work in North Texas.1384: Confession (Kenneth Downie)This arrangement is based on the tune Lord of all (T.B. 440), one of the welcome additions to the 2015 Salvation Army tune book. Introduced to the arranger by Andrew Blyth, whose appreciation for the melody highlighted its gentle charm, the piece is dedicated to Andrew and the Peterborough Citadel Band, where he served as Bandmaster and continues to play.The music pairs the tune with the reflective words of We have not known thee as we ought (S.A.S.B. 630), a hymn often used in worship as a moment of confession and heart-searching before God. Its inclusion encourages both performers and listeners to approach worship with humility and sincerity.Although labelled simply as "German traditional," the tune's graceful simplicity is immediately evident. This arrangement preserves that character while introducing subtle harmonic colour and developing the tune's rising fourth motif as a unifying musical thread. The gentle nature of the melody remains central throughout, with a slightly heightened energy in the fifth phrase carefully drawn out without disrupting the overall serenity. The sharing of thematic material between Cornets and Horns calls for smooth, unobtrusive ensemble playing, allowing the tune's beauty to speak naturally.1385: God in good (Stephen Hull) This arrangement brings together two much'loved melodies: Goodness of God, a favourite from the final years of the arranger's service as Divisional Music Director in the Wisconsin/Upper Michigan Division, and the simple, enduring chorus God is so good. Heard often at summer camps, the song's message stayed with him, eventually inspiring this thoughtful musical pairing that highlights God's unwavering goodness throughout our lives.1386: A march in time (Martin Cordner)Written to celebrate the 130th anniversary of Thetford Corps (UKI Territory), this lively march pays tribute to a legacy of faithful witness, joyful service, and a community moving forward in God's light. Premiered by Cambridge Citadel Band during the anniversary weekend, the piece weaves together three cherished songs: Marching on in the light of God (S.A.S.B. 968), Jesus, precious Saviour (S.A.S.B. 501), and Light up the sunshine in your heart.
Estimated dispatch 7-14 working days
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£89.95Prelude, Toccata and Fugue (Graduation Day) (Score and Parts)
Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends in a virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close.
Estimated dispatch 7-14 working days
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£44.95Prelude, Toccata and Fugue (Graduation Day) (Score Only)
Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends in a virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close.
Estimated dispatch 7-14 working days
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£84.99Voyage with the VOC - William Vean
The Netherlands have been an important trading nation for a long time partly as a result of their geographical situation. One of the first multinationals in The Netherlands was the 'Verenigde Oostindische Compagnie' (VOC). The aim of the VOC was to send ships to Asia in order to buy pepper and spices, and to take over the Portuguese monopoly in this field. The Company was successful. An era of great prosperity resulted, in which the art of painting (Rembrandt van Rijn) as well as science (Constantijn Huygens) flourished alongside a thriving economy. 1. The Sails are set : There is a lot of hustle and bustle on the quay. The crew are preparing fordeparture. Goodbyes are said and once the sails have been hoisted the ship sets out to sea.2. A Visit to the Rajah of Yogyakarta: After a voyage of many months the place of destination is reached. A visit to the Radja, the king of the area around Yokyakarta, follows. The dishes and beverages and the native culture in general are very pleasant after having been on a diet of ship's biscuit and water for such a long time.3. The Holds have been loaded: The holds have been loaded to the brim, and the voyage home can be begin!4. Death sails along: Life at sea is rough. not seldom did a sailor die of a tropical disease or scurvy. After a memorial service, the Captain would speak the words 'One, two, three, in God's name ...' and the body, wrapped in canvas, would be committed to the sea.5. A joyful homecoming: After many months of hardship coming home is perhaps the best part of the entire voyage. The quay is filled with people eager to give the crew a warm welcome.
Estimated dispatch 5-14 working days
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£55.00Coronation Scene. - Modest Mussorgsky
Few operas have had such a remarkable history as Mussorgsky's masterpiece Boris Godunov. It exists in no less than three complete versions by the composer himself, as well as posthumous editions andorchestrations by Rimsky-Korsakov (from which this arrangement is taken), Shostakovich and others.The Coronation Scene is set in the Square of the Moscow Kremlin, between the Cathedral of the Assumption and theCathedral of Archangel Michael, the year is 1598. After being crowned as Tsar, Boris Godunov acknowledges the people's acclamations and the bells of the two cathedrals, as well as many churches within the vicinity, canbeheard ringing out across St Petersburg.Available here are the score and parts for Mussorgsky's Coronation Scene (Boris Godunov), as arranged for Brass Band by Phillip Littlemore.
Estimated dispatch 5-14 working days
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