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£57.50The Conqueror (Brass Band - Score and Parts) - Sparke, Philip
This fantastic contest march was composed for the Alexander Brass Band from Stavanger, Norway, who wanted a brand new march to play when they took part in the world-renowned Whit Friday March Contest. In the march Philip Sparke has followed the traditional brass band contest march format and it is named as a tribute to Alexander the Great, rather than the Alexander brass band, who were actually named after their local pub!Duration: 3:00
Estimated dispatch 7-14 working days
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£59.99Pioneers of the Lowlands (Brass Band - Score and Parts) - De Haan, Jacob
This concert march is a tribute to the pioneers in the world of brass music in the Lowlands of Netherlands, the original founders of the bands and the people who take the lead in organising the societies and associations in the band movement. Celebrate the joy and friendship of the brass band movement with this truly uplifting march.Duration: 3:00
Estimated dispatch 7-14 working days
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£89.95Revelation (Brass Band - Score and Parts) - Wilby, Philip
Symphony for Double Brass on a theme of Purcell1995 marked the tercentenary of Purcell's death and Revelation was written as a tribute to his music and the ornate and confident spirit of his age.The five major sections are:PrologueVariations on a ground bass IFugueVariations on a ground bass IIEpilogue and ResurrectionDuration: 19.00
Estimated dispatch 7-14 working days
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£44.95Revelation (Brass Band - Score only) - Wilby, Philip
Symphony for Double Brass on a theme of Purcell1995 marked the tercentenary of Purcell's death and Revelation was written as a tribute to his music and the ornate and confident spirit of his age.The five major sections are:PrologueVariations on a ground bass IFugueVariations on a ground bass IIEpilogue and ResurrectionDuration: 19.00
Estimated dispatch 7-14 working days
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£82.95The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£44.95
The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£53.20ASTAIRE! (Brass Band) - Smith, Sandy
A Tribute to Fred Astaire. Grade: medium.
Estimated dispatch 7-14 working days
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£44.95Follow the Flame (from The Torchbearer) (Flugel Horn or Cornet Solo with Brass Band - Score and Parts)
The Torchbearer was commissioned as the test piece for the 2009 National Brass Band Championships of Great Britain and the FABB Open Contest respectively and pays musical tribute to Eric Ball, considered by many to be the 20th century's most influential composer of brass band music. The thematic material is derived from the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers.Follow the Flame is a main theme from the larger work, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation.
Estimated dispatch 7-14 working days
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£26.50
GRANDFATHER'S CLOCK (Euphonium/Brass Band)
Euphonium & Brass Band. Please note: There are no percussion parts in this piece. Recorded on Polyphonic QPRL050D Harry Mortimer - A Tribute in Music
Estimated dispatch 7-14 working days
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£42.95
In Memoriam R.K (Brass Band Set - Score and Parts) - Howarth, Elgar
All England National Brass Band Championship 2007. Recored on Polyphonic QPRL226D Master Brass Volume 18, QPRL056D National Brass Band Championship 1992 played by Black Dyke.Composer's NoteRudolph Kempe, the German conductor, was much admired for this interpretations of late romantic music, particularly Mahler and Strauss. No such music exists in the brass band repertoire and this piece, deliberately written in pastiche style, serves both to fill the gap and as my own small tribute to one of the greatest musicians I have known.
Estimated dispatch 7-14 working days
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