Results
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£30.00Leviathan - Paul Denegri
Leviathan began its evolution as a workshop work inspired by the poem written by Heathcote Williams entitled; Whale Nation. At the time of this workshop the tentet brass repertoire existed of extremely well written original or arranged works of a lighter nature but there was a shortage of works with a greater emotional depth and edge, hence Leviathan's early conception as an atmospheric and emotive work. The workshop piece explored whale sound and song and was a 25-minute work in two parts. After many years of the workshop sketches sitting dormant the new work Leviathan is a much shorter and concise work. It contains only one of the original melodic themes of the workshop work. Leviathan is driven and underpinned by melodic and rhythmic elements. It is a programmed work following the awe inspiring majestic might and beauty of whales through to a hunt scene, the chase and the ultimate demise of earth's largest mammal.
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£47.00Dragons' Rise - Matthew Hall
Dragons' Rise was commissioned by the Tredegar Town Band in July 2008 for their CD recording Spirit of the Valleys, to represent the band beginning their resurrection from a difficult time in the bands history back through to becoming on of the best bands in the world. It was premiered by the Tredegar Town Band at the National Eisteddfod contest in Cardiff in August 2008, performed live on national television, where the band were victorious.Dragons' Rise was the first piece composed by Matthew as the bands new composer-in-residence. Subsequent pieces have included Legends of Cyfarthfa and Nightingale Dances, both winners of the Cyril Beere award for Best New Composition at Brass in Concert, The Smile and Activate.
Estimated dispatch 5-7 working days
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£34.95Boundless Spirit (Brass Band - Score and Parts)
This medley contains highlights from music the composer wrote for the opening event of Boundless, The Salvation Army's International Congress held at London's O2 Arena in 2015. The work features original melodies but also recognisable tunes with a global flavour; Moscow (T.B. 198), Europe (T.B. 367), Calabar (T.B. 362), They shall come from the east (T.B. 887), The world for God (T.B. 876) and Happy Song (T.B. 644) which calls to mind the words 'There's salvation for the world'. The objective of the piece is to celebrate the diversity of The Salvation Army around the world through a variety of music styles.
Estimated dispatch 7-14 working days
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£34.95Trusting Faith (Euphonium Solo with Brass Band - Score and Parts)
This piece is based on the melody Faith is the victory (T.B. 128) and throughout the solo we follow a person's journey of faith. In the first movement, the bold and confident opening depicts a seemingly strong and certain faith, although perhaps a little naive and immature. The music suggests that if we are certain enough, then we will see our prayers immediately answered and will witness miracles. But what happens when we don't see those miracles happen, or our prayers seem unanswered? Doubt creeps in and the music quickly becomes a full struggle continuing through to the end of the moment.What do you do when you faith amounts to something other than what you thought it to be? The beginning of the second movement reflects this questions and starts hesitantly and full of doubt. Soon, a new melody is introduced, Trusting as the moments fly (T.B. 263). The words of the chorus remind us that true faith should bot be affected by fears or disappointments, that our trust in God should remain. Realising that a faith that holds firm, though being tested over time, becoming deeper and stronger, is a liberating truth. We no longer need to struggle in our strength alone, but can lean on God instead.When we lean on God, reset in his care, and feel. safe in his hands, then faith has really become our victory. We will then become strong disciples who can meet life's various challenges without wavering or being afraid. This is depicted in the final movement of the solo when both melodies, whose messages complement each other, are woven together in an explosive finale.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2230 - 2233, April 2023
2230: Prelude on 'Ascalon' (Geoffrey Nobes)This prelude was written for the Band of the Free Evangelical Church of Geisweid in Germany. The beautiful hymn tune Ascalon is heard in two complete statement, a free-flowing lyrical section followed by a contrasting section using the phrases of the melody to build to a full final working of the hymn.2231: Salt and light (Mark Feltwell)This original work follows the journey of someone who is finding their way through faith. Using inspiration from Shine, Jesus, Shine and Matthew 5:14, the journey ends with a triumphant fanfare.2232: Hymn Tune Arrangement - Esher (Dudley Bright)A two verse setting of the well know benediction, God be in my head.2233: Song Arrangement - The heart of worship (David Mills)The song The heart of worship (S.A.S.B. 635) speaks of the need to worship without any barriers or obstacles.
Estimated dispatch 7-14 working days
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£29.95Lead, Kindly Light (Brass Band - Score and Parts)
This beautiful hymn is one of trust and faith, building in confidence 'till the night is gone.' This arrangement follows that line of confidence. The melody begins unaccompanied, which is to say 'alone', and the eventual accompanying voices enter sombrely. Instead of a traditional final cadence, the 'leading of the light' continues, using the first four notes of the hymn as a motif that leads to a second, more positive statement of the melody, underscored by a walking motion. The positivity grows and lasts through a final grand statement of the hymn. A short meditative coda follows, and the arrangement ends with a solo note of reflection.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 478 - 481, June 2019
478: March - Seize the day (Andrew Mair)This march features the tunes God's love is wonderful (T.B. 130) and Everybody should know, and makes reference to Rescue the perishing (T.B. 808) and the chorus Able to save (T.B. 538)479: Jingle bells jazz! (Richard Phillips)The familiar strains of Jingle Bells (C.C. 121) have featured in Salvation Army music countless times over the years (perhaps more than any other non-religious song), whether as the main theme, countermelody, or as a derived frament or motif. This is an attractive laid-back jazz setting of the tune.480: Poor, wayfarin' stranger (Thomas Mack)This arrangement of the Spiritual depicts a poor wayfarin' stranger's journey through life using a minor key and a slow walking style.481: Selection - No crib for a bed (Charles Craig)This simple setting reminds us that, amidst the joy and exuberance that often accompanies the Christmas season, Jesus' birth was a very humble event.
Estimated dispatch 7-14 working days
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£34.95Seascapes (Brass Band - Score Only)
Seascapes was commissioned for the National Brass Band Championships of Great Britain in 1988.Seascapes takes its inspiration from the poem 'Cargos' by John Masefield. In the first movement, a gentle lyric theme, set against a pulsating background is contrasted with a dance. The dance reaches its climax and the music concludes with a quiet theme. The second movement has something of the nature of a sarabande, with a central section, which is a little lighter but retains a Spanish flavour. The composer adds a whimsical thought of his own that there may also have been a party of monks aboard. A variety of ingredients blend in the third movement: the coaster engines, the sea, some jovial shanty-music and the storm element through which the coaster steadily chugs.Suitable for Championship Section bands.
Estimated dispatch 7-14 working days
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£69.95Seascapes (Brass Band - Score and Parts)
Seascapes was commissioned for the National Brass Band Championships of Great Britain in 1988.Seascapes takes its inspiration from the poem 'Cargos' by John Masefield. In the first movement, a gentle lyric theme, set against a pulsating background is contrasted with a dance. The dance reaches its climax and the music concludes with a quiet theme. The second movement has something of the nature of a sarabande, with a central section, which is a little lighter but retains a Spanish flavour. The composer adds a whimsical thought of his own that there may also have been a party of monks aboard. A variety of ingredients blend in the third movement: the coaster engines, the sea, some jovial shanty-music and the storm element through which the coaster steadily chugs.Suitable for Championship Section bands.
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal March 2012 Numbers 1223-1226
No.1223 March - Joyful News (Ray Steadman-Allen)the composer freeli admits that it was probably 'doodling' on the piano that prompted this march! The title is linked to one of the incorporated tunes, 'My bonnie lies over the ocean' which, in The Salvation Army, is linked to the words, 'God's love is as high as the heavens'. In style, the march has a light swing feel.No.1224 Song Setting - Ask the Saviour (Michael Davis)A setting of the well-known melody, 'Yield not to temptation'.No.1225 Song Arrangement - Jesus Came! (Howard Davis)An arrangement of an old Salvation Army song, 'Jesus came with peace to me, His strong arm was stretched to me, Then my burden took from me - My Saviour'.No.1226 Processional - Shine on us (James Wright adapted by Andrew Mackereth)This bolero-style setting of Michael W Smith's anthem was originally made for s wedding at Sheffield Citadel. It was subsequently adapted for use at the Belfast Temple Music School when players entered the arena in groups, through several entrances, playing from memory.
Estimated dispatch 7-14 working days
