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  • £25.00 £25.00
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    Anyone Who Had A Heart - Burt Bacharach and Hal David - Len Jenkins

    "Anyone Who Had A Heart" is a song written by Burt Bacharach (music) and Hal David (lyrics) originally for Dionne Warwick in 1963. However, in the UK, Ireland and New Zealand, the cover version by Cilla Black was, and is still, the best loved. Championed by her friends The Beatles, she began her career as a singer in 1963, and her singles "Anyone Who Had A Heart" and "You're My World" both reached number one in the UK in 1964. From the first line, the song has a certain frisson: "Anyone who ever loved, could look at me, and know that I love you." Sadly, Cilla passed away on 1 August 2015 so this is our tribute to a well-loved lady and singer. Our objective has been to interpret the style of the original performance by Cilla, and whilst the time signatures may not be familiar, experience has shown that these are easier to read and play than the alternative using triplets.

  • £35.00

    FINALE from Francesca da Rimini - Tchaikovsky, P - Mcknight, I

    Tchaikovsky's symphonic poem Francesca da Rimini: Symphonic Fantasy afterDante, Op. 32, was composed in less than three weeks during his visit to Bayreuthin the autumn of 1876.This fantasia presents a symphonic interpretation of the tragic tale of Francescada Rimini, a beauty who was immortalised in Dante's Divine Comedy. Francescada Rimini, a noblewoman, fell in love with her husband's brother. After the loverswere discovered and killed in revenge by the husband, they were condemned toHell for their adulterous passions. Iain McKnight's arrangement of the exciting Finale was first performed by theLeyland Band at the 2011 Brass in Concert and was used to conclude the band'swinning performance.

    In stock: Estimated dispatch 1-3 days

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  • £24.95

    Judd: Just Like Him

    This solo was written at the request of David Daws and recorded by him with The International Staff Band on the CD Glory, Glory. David liked the solo 'Kim' by Allan Street and wanted a solo in similar style. It requires musicianship beyond mere technique and calls for keen interpretive skills. Built around 'He giveth more grace' and an arrangement of 'There is a name I love to hear', there is plenty of scope, in a variety of styles, for the soloist's artistry to show through.

    Estimated dispatch 7-14 working days
  • £34.95

    Judd: Motivation

    The title of this extended march is derived from the song 'Would you know why I love Jesus, Why he is so dear to me? 'Tis because my Blessed Saviour From my sins has ransomed me.'

    Estimated dispatch 7-14 working days
  • £30.00

    Janacek's 'Taras Bulba' - Janacek

    Comments from Tim Paton, the arranger of Janacek's 'Taras Bulba': "I will never forget the day in 1967 when I was introduced to the music of Leos Janacek, a Czech composer born in 1854, who died in 1928. Janacek was little known in Britain until the 1960's, when the conductor Charles Macherras introduced his unique music. I heard a recording of Macherras conducting the Pro Arte Orchestra in a performance of Janacek's "Sinfonietta".It was in 1969 that I first heard Janacek's Symphonic Rhapsody, "Taras Bulba".Janacek's music is exciting, powerful, emotive, impassioned and unpredictable.I have taken the first and third movements of this piece, and adapted them for Brass Band, which was at times extremely difficult, but rewarding. It sometimes took up to an hour to be satisfied that a mere several bars had been reproduced to convey the composer's intentions.The Death of AndriThe Cossaks, under the leadership of Taras Bulba, are fighting against the Poles in the 17th century. Taras's son Andri seeks to rescue his love, a Polish princess, from a city which is being besieged by the Cossaks. Having found her, he throws in his lot with the Poles, but is finally captured by his father, who executes him as a traitor before riding off again to battle.Prophesy and Death of Taras BulbaTaras himself is finally captured and condemned to be nailed to a tree and burned alive. As the flames creep around him, Taras has the satisfaction of seeing histroops escape, and as he dies, sees a vision of his country freed at last.This is incredibly descriptive music. The mood is constantly changing, creating feelings of love and anger, celebration and melancholy, despair and triumph.This Brass Band EditionThe duration of the original symphonic rhapsody, three movements, is approximately 23 minutes. I chose the first and third movements, so the Brass Band edition is approximately 14 minutes. The main reason is twofold: Being realistic about the demands this music would place on the stamina of the brass player; Keeping the piece less than 15 minutes, so that, if desired, it could be used on the contest platform.Two unique qualities of Janacek's music had to be taken into account when preparing this brass band version. His compositional technique was individual, at times not sticking to traditional expectations, in both form and orchestration. I imagined what the genius himself would have said looking at my work, and how to tackle a particular section to emulate his original intentions. This was particularly the case when dealing with high woodwind and violin parts, the use of tremolo in string parts, and the orchestral harp.Percussion: Janacek included timpani, side drum, cymbals, triangle and tubular bells. For reasons stated previously, I have also included xylophone and glockenspiel. I have also added the gong in a couple of places to enhance the dramatic effect of the music.

    Estimated dispatch 7-14 working days
  • £29.95

    Island Whirl

    Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £102.60

    Cherubic Hymn of Ukraine - Yakiv Yatsynevych

    Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brottum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik -

    Estimated dispatch 5-14 working days

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  • £189.95

    'The New Christmas Collection' - Full Set March Card Size

    The new Christmas Collection carol books contain all the traditional Christmas Carols, with some new 'pop' music arrangements included to add more variety to your carolling this year.

     

    * Note, these are not compatible with the New Christmas Praise books.

    Full list of works in The Christmas Collection:-

    • A child this day is born
    • A Christmas lullaby
    • A great and mighty wonder
    • All I want for Christmas is you
    • All my heart this night rejoices
    • Angels, from the realms of Glory (Come and worship)
    • Angels, from the realms of Glory (Iris)
    • Angels we have heard on high
    • A starry night
    • As with gladness men of old
    • Auld lang syne
    • A virgin most pure
    • Away in a manger (The manger scene)
    • Away in a manger (Traditional)
    • A winter’s tale
    • Bethlehem
    • Brightest and best (Spean)
    • Brightest and best (Traditional)
    • Calypso Carol
    • Carol for the Nativity
    • Carol of the bells
    • Carol of the drum
    • Child of Mary
    • Christians Awake!
    • Christ is born (Il est né)
    • Christ was born on Christmas Day
    • Come and join the celebration
    • Come, children, come quickly
    • Coventry Carol
    • Deck the hall
    • Ding dong! merrily on high
    • Do you hear what I hear?
    • Frosty the snowman
    • Gabriel’s Message
    • Gaudete
    • Glory in the highest
    • Glory in the highest Heaven
    • God of God, the uncreated
    • God rest you merry, gentlemen
    • Good Christian men, rejoice
    • Good King Wenceslas
    • Go, tell it on the mountain!
    • Happy Christmas (War is over)
    • Hark the glad sound!
    • Hark! the herald angels sing
    • Have yourself a merry little Christmas
    • Here we come a-wassailing
    • How far is it to Bethlehem?
    • Huron Carol
    • Infant Holy
    • In the bleak midwinter (Cranham)
    • In the bleak midwinter (Darke)
    • I saw mommy kissing Santa Claus
    • I saw three ships come sailing in
    • It came upon a midnight clear (Traditional)
    • It came upon a midnight clear (Willis)
    • It’s beginning to look a lot like Christmas
    • It’s the most wonderful time of the year
    • I wish it could be Christmas everyday
    • I wonder as I wander
    • Jesus, good above all other
    • Jingle Bells
    • Jingle bell rock
    • Joy to the world!
    • Last Christmas
    • Let it snow!
    • Little baby Jesus
    • Little children, wake and listen
    • Little Donkey
    • Little Jesus, sweetly sleep
    • Lo! he comes with clouds descending
    • Long, long ago
    • Love came down at Christmas
    • Mary’s boy child
    • Mary’s Child
    • Masters in this hall
    • Merry Christmas everyone
    • Mistletoe and wine
    • Noel
    • O Christmas tree
    • O come, all ye faithful
    • O come, Immanuel
    • O Heaven-sent King
    • O holy night!
    • O little town of Bethlehem (Christmas Carol)
    • O little town of Bethlehem (Forest Green)
    • O little town of Bethlehem (St Louis)
    • Once in royal David’s city
    • Past three o’clock
    • Patapan
    • Personent Hodie
    • Praise ye the Lord
    • Ring the bells
    • Rise up, shepherd!
    • Rockin’ around the Christmas tree
    • Rudolph, the red-nosed reindeer
    • Sans day carol
    • Santa Claus is comin’ to town
    • Saviour’s Day
    • See, amid the winter’s snow
    • Silent Night!
    • Sleigh Ride
    • Softly the night is sleeping
    • So here it is, merry Christmas
    • Stars are shining
    • Still, still, still
    • Stop the cavalry
    • Sussex Carol
    • Sweet chiming bells
    • Sweet chiming Christmas bells
    • The candle song
    • The cherry tree carol
    • The Christmas song
    • The first Nowell
    • The holly and the ivy
    • The infant King
    • The light has come
    • The shepherds’ farewell
    • The stable door
    • The star in the east
    • The twelve days of Christmas
    • The virgin Mary had a baby boy
    • They all were looking for a king
    • Thou didst leave thy throne
    • Three kings’ march
    • Unto us a boy is born
    • Walking in the air
    • We gather round the manger-bed
    • We three kings of Orient are
    • We wish you a merry Christmas
    • What child is this?
    • When a child is born
    • When Santa got stuck up the chimney
    • Whence is that goodly fragrance flowing?
    • When wise men came seeking
    • While shepherds watched (Cranbrook)
    • While shepherds watched (Handel)
    • While shepherds watched (Winchester Old)
    • White Christmas
    • Who is he?
    • Winter Wonderland
    • Worldwide Christmas message
    • Zither Carol
    • A starry night
    • Christmas Joy
    • Christmas Praise
    • Coventry Carol
    • Infant Holy
    • Mid-winter
    • Rudolph, the red-nosed reindeer
    • The everlasting light
    • To celebrate his birth
    • Yuletide Rag

    Estimated dispatch 7-14 working days
  • £38.95

    Unity Series Band Journal - Numbers 490 - 493, February 2021

    490: March - Resounding Praise (David Rowsell)This march features the chorus God is so good and the song Praise him! Praise him! Jesus our blessd Redeemer (S.A.S.B. 231)491: I want to live right (arr. Simon Gash)A fun setting of this popular song, the chorus I want to live right originally derives from a West Indian melody.492: Remember God is love (Ruben Schmidt)An uplifting arrangement of the Sunday School chorus When you see a rainbow, remember God is love, based on the English folk song Early One Morning.493: March - Temple 1 (Wycliffe Kortin)Featuring the songs They'll sing a welcome home (S.A.S.B. 534) and Christ the Lord is risen today (S.A.S.B. 218), this march was written for the Nairobi Central Corps' inauguration as a Temple, making it the first Salvation Army Temple in East Africa.

    Estimated dispatch 7-14 working days
  • £69.95

    Transformation (Brass Band - Score and Parts) - Downie, Kenneth

    I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.

    Estimated dispatch 7-14 working days