Results
-
£55.00Far Eastern Dream - Paul Voet
The longest trip we make is to the Far East. Japan, China, Tibet,... all countries with an enormous cultural background and history. Percussion is very important here to give a rich dimension to this Japanese 'Black Bamboo' theme. Tam-tam, Chinese cymbals, Tibetan gong and a kododrum (if not possible, large floor tom) together with marimba and glockenspiel are used all the time in a carefulway. A solo cornet presents the main theme that is answered by the whole lower brass section. While this theme develops now and then the sounds of the impressive 'dung' is heard. (dung is the Tibetan very large trumpet-like instrument with loud and very deep sounds) In a quicker tempo Eb bass, euphonium and solo cornet start with the theme and even the counter theme. The whole group joins the party but everything ends very silently with mute.
Estimated dispatch 10-14 working days
-
£64.99Skin and Bones - Philip Sparke
Skin and Bones was commissioned by Brett Baker in memory of trombonist Julian Smith and to mark Garry Reed's 20 years as a member of Black Dyke Band, who gave the premiere in June 2023. After an introduction from the band, the trombones enter with the piece's main theme. A short bridge passage follows and the band then takes up this theme, with the soloists adding a countermelody. A change of key heralds a legato trio tune by the band, which is repeated by the trombones. After this, the drum kit takes centre stage to accompany the soloists in a virtuoso cadenza-like passage with interpolations from the band. This leads to a floridly decorated repeat of the opening theme which brings the work to a close.
Estimated dispatch 5-14 working days
-
£154.60Circius - Torstein Aagaard-Nilsen
The work is important for me because it was my first piece to be performed outside Norway. Black Dyke Band/David King performed it and did a recording of it in 1991. In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) he decribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation Im afraid). The fast sections reflects the mighty winds from the north. In the middle section, I borrowed afolksong-like tune (by C. Elling, a Norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.
Estimated dispatch 5-14 working days
-
£64.99Skin and Bones (Trombone Trio and Drum Kit Feature with Brass Band - Score and Parts) - Sparke, Philip
Skin and Bones was commissioned by Brett Baker in memory of trombonist Julian Smith and to mark Garry Reed's 20 years as a member of Black Dyke Band, who gave the premiere in June 2023. After an introduction from the band, the trombones enter with the piece's main theme. A short bridge passage follows and the band then takes up this theme, with the soloists adding a countermelody. A change of key heralds a legato trio tune by the band, which is repeated by the trombones. After this, the drum kit takes centre stage to accompany the soloists in a virtuoso cadenza-like passage with interpolations from the band. This leads to a floridly decorated repeat of the opening theme which brings the work to a close.Duration: 4.15
Estimated dispatch 7-14 working days
-
£13.95Christmas Collection - CD
1Ring the bellsThe ISB2It's the most wonderful time of the yearBlack Dyke Band3The candle songThe ISB4While shepherds watchedThe ISB5Calypso CarolThe ISB6A winter's taleBlack Dyke Band7Still, still, stillThe ISB8Carol of the bellsBlack Dyke Band9O holy night!The ISB10White ChristmasBlack Dyke Band11I wish it could be Christmas everydayBlack Dyke Band12GaudeteThe ISB13O Christmas treeBlack Dyke Band14Love came down at ChristmasThe ISB15Let it snow!Black Dyke Band16Saviour's DayThe ISB17So here it is, merry ChristmasBlack Dyke Band18Jingle bell rockBlack Dyke Band19Mary's ChildThe ISB20Rockin' around the Christmas treeBlack Dyke Band21In the bleak midwinterThe ISB22Huron CarolThe ISB23Walking in the airBlack Dyke Band24Mary's boy childThe ISB25Stop the cavalryBlack Dyke Band26It's beginning to look a lot like ChristmasBlack Dyke Band27Christ is born (il est ne)The ISB28Little children, wake and listenThe ISB29All I want for Christmas is youBlack Dyke Band30Come and join the celebrationThe ISB31Worldwide Christmas messageBlack Dyke Band32The virgin Mary had a baby boyThe ISB33Merry Christmas everyoneBlack Dyke Band34We wish you a merry ChristmasBlack Dyke Band
Estimated dispatch 7-14 working days
-
£107.95Cornet Concerto (Brass Band - Score and Parts) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction
Estimated dispatch 7-14 working days
-
£49.95Cornet Concerto (Brass Band - Score only) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Duration: 17.00
Estimated dispatch 7-14 working days
-
£95.00A Wartime Sketchbook (Brass Band - Score and Parts) - Walton, William - Hindmarsh, Paul
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
-
£40.00
A Wartime Sketchbook (Brass Band - Score only) - Walton, William - Hindmarsh, Paul
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
-
£79.99Freaks! (Trombone Solo with Brass Band - Score and Parts) - Higgins, Gavin
Freaks! was written for Lisa Sarasini in 2006 and first performed by her with Zone One Brass at the Royal College of Music, London. This tuneful and flamboyant showpiece was inspired by the Tod Browning film of the same name. The 1932 black and white cult classic was banned for many years due to its controversial morality issues and lead characters - real life side show 'freaks'. It is one of the most bizarre things to have ever come out of Hollywood. Gavin Higgins' virtuoso trombone solo is programmatic in style, full of humour with a sinister undercurrent, and is broken into seven short scenes: Introduction; Roll up... See the Freaks; The Amazing Cleopatra - Queen of the Air; Gooble Gobble one of us - The Wedding Party; The Fall of Cleopatra; The Freaks Take Revenge; Cleopatra - The Duck Lady. Suitable for 1st Section Bands and above. Duration: 12.00
Estimated dispatch 7-14 working days
View Music