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  • £154.99

    Spiriti - Thomas Doss

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

    Estimated dispatch 5-14 working days

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  • £84.99

    Utopia - Jacob de Haan

    Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself, after the Greek language, meaning "Nowhereland" and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However, Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brasssection remind of Wagner's music.

    Estimated dispatch 5-14 working days

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  • £84.99

    Utopia (Brass Band - Score and Parts) - De Haan, Jacob

    Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself, after the Greek language, meaning Nowhereland and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However, Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brass section remind of Wagner's music.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £33.00

    When a Knight Won His Spurs - Traditional - Thomas, B

    Many people of a certain age will be familiar with When a Knight won his Spurs. A God-fearing Knight battling fearsome dragons and ogres really sticks in the memory, along with the fabulous folk tune.Prefaced by a mysterious opening derived from the melody itself, the tune appears a further three times, linked by a glittering fanfare. The folk feel of the original tune has been retained, and the piece drives along using a dual 3/4 - 6/8 time signature. The first statement of the tune is a conventional harmonisation; the second statement uses more colourful harmonies, and the triumphal final statement follows a dramatic upward key change. Three minutes in length makes it an ideal opener.2nd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £154.99

    Spiriti (Brass Band - Score and Parts)

    A Bach chorale stands at the centre of this work (F?r deinen Thron tret? ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ. 17:00

    Estimated dispatch 7-14 working days

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  • £115.60

    In Charge - Concert March - Jerker Johansson

    In Charge was commissioned by the Home Guard Band of Eksjo to honour Thomas Samuelsson, whose efforts with the orchestra have been of great significance. He was a driving person within Swedish military music and furthermore project manager for Eksjo International Tattoo. Thomas worked at Eksjo Energy and the title of this work hints both to his occupation and his administrative leadership in the band. The first part of this concert march concentrates a lot on syncopation, while the second part is more robust with a traditional and lyrical trio part. In Charge was premiered by the Home Guard Band of Eksjo on the 22th of December 2018, conducted by Maria Sandberg.

    Estimated dispatch 5-14 working days

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  • £34.95

    Sprites & Flares - Christopher Bond

    Sprites & Flares (2015), refers to the uncertain activities of sprites (upper atmospheric lightening) and solar flares (solar activity from the sun which cannot penetrate the earth's atmosphere) and uses these two ideas as a basis for the kind of musical material heard within the work - dramatic, swirling motifs, often of a virtuosic nature. The work's dramatic opening ensures the first thirty seconds are high in energy and full of impact. Following this, the music dies down and presents an ethereal atmospheric section, perhaps reflecting the calm before the storm. Before long, the music takes a turn for dramatic, fast, virtuosic playing, all reflecting the theme of the work, and indeed remains in this style through to the close, gaining momentum and becoming ever- more triumphant as the work reaches its close. A huge ending is heard, full of excitement and drama, but more importantly grandeur and rich harmonic-chords. The work was commissioned by and written for Leyland Band and its conductor, Thomas Wyss, as the finale to its 2015 Brass in Concert programme, premiered at The Sage, Gateshead, on 15th November 2015.

    Publisher Closed for Holidays. Estimated Dispatch 22nd August
  • £34.95

    Sprites and Flares (Brass Band - Score and Parts)

    Sprites and Flares (2015), refers to the uncertain activities of sprites (upper atmospheric lightening) and solar flares (solar activity from the sun which cannot penetrate the earth's atmosphere) and uses these two ideas as a basis for the kind of musical material heard within the work - dramatic, swirling motifs, often of a virtuosic nature.The work's dramatic opening ensures the first thirty seconds are high in energy and full of impact. Following this, the music dies down and presents an ethereal atmospheric section, perhaps reflecting the calm before the storm. Before long, the music takes a turn for dramatic, fast, virtuosic playing, all reflecting the theme of the work, and indeed remains in this style through to the close, gaining momentum and becoming ever- more triumphant as the work reaches its close. A huge ending is heard, full of excitement and drama, but more importantly grandeur and rich harmonic-chords.The work was commissioned by and written for Leyland Band and its conductor, Thomas Wyss, as the finale to its 2015 Brass in Concert programme, premiered at The Sage, Gateshead, on 15th November 2015.

    Estimated dispatch 7-14 working days
  • £70.00

    A Tallis Anthem - Geert Jan Kroon

    A Tallis Anthem is based on If Ye Love Me by Thomas Tallis (1505-1585). He was one of the first who set English words to the Rites of the Church of England. If Ye Love Me is a classic example of the new English anthems: mainly homophonic, but with brief moments of imitation. The opening is a triumphant version of the first homophonic phrases of the song, interrupted by a calm melody build with material from a motive from the original. The anthem is played by a quartet placed in front of the band or of stage for efect. This is followed by a more modern anthem leading to a triumphant finale.

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  • £55.00

    EPISODES FOR BRASS (Brass Band - Score and Parts) - Churcher, Gareth

    Despite the title's inference, the work's form is not episodic, but more a depiction of various episodes in the life of the composer, who penned it for his wedding to capture the excitement and majesty of the day. The piece is in three movements: Fanfare and Bells of Celebration, Solenne (dedicated to the late Shaun Thomas), and Finale, which starts with a wake-up call, followed by a fanfare for cornets and trombones.

    Estimated dispatch 7-14 working days