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  • £44.95

    Sweet Name (Flugel Horn Solo with Brass Band - Score and Parts)

    The music was written at the request of Richard Woodrow of The International Staff Band in 2018. It is a big band setting of William Henry Rudd's melody The Saviour's name (T.B. 119), to which we associate the following words by Frederick Whitfield (S.A.S.B. 94):There is a name I love to hear,I love to sing its worth;It sounds like music in mine ear,The sweetest name on earth.O how I love the Saviour's name!The sweetest name on earth.

    Estimated dispatch 7-14 working days
  • £14.95

    Sweet Nightingale (Baritone and Piano)

    Commissioned by Carole Crompton, this work explores both the lyrical and virtuosic characteristics of the baritone in an engaging musical language.

    Estimated dispatch 7-14 working days
  • £24.95

    Sweet Nightingale - Baritone Solo (Brass Band - Score and Parts)

    Commissioned by Carole Crompton, this work explores both the lyrical and virtuosic characteristics of the baritone in an engaging musical language.

    Estimated dispatch 7-14 working days
  • £29.50

    What Sweeter Music - John Rutter - Stephen Tighe

    John Rutter, born in 1945, has become a favourite amongst all sacred music lovers. His anthems and Christmas pieces all have a rich melodic base, and this piece is no exception. Arranged by Stephen Tighe, this beautiful work, with its typical sweet John Rutter style melody, has become a favourite across the globe during the festive season. For Christmas 2020, we have made backing tracks of this title for you to download. These can be used either for personal playback use, or to create a virtual performance of the piece with your full band. To download the backing track, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

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  • £59.99

    A Lyrical Duet - Bert Appermont

    This attractive composition focuses on the lyrical qualities of two solo instruments: tenor horn and baritone. An expressive theme is initially performed by the baritone; then the tenor horn takes over this melody. A rich dialogue arises, in which the soloists make music in sweet harmony, and then in a 'call-and-response game'. In the B section, the lyricism becomes more virtuosic, and a more playful character comes to light. There is then a gradual build-up to a grand tutti in which the opening theme resounds again. The work ends in a reverie, echoing the dreamy beginning.A Lyrical Duet was commissioned by tenor horn artist, conductor, and teacher Tim De Maeseneer, and is dedicated to him and Katrina Marzella. The work can be heard on Tim's solo CD, Beyond the Paradox, a project that was created in collaboration with Brass Band Willebroek and its conductor Frans Violet.

    Estimated dispatch 5-14 working days

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  • £76.99

    On the Movieset - John Emerson Blackstone

    Glitter and glamour, good-looking people, a lot of Bling Bling and fast cars images like these will cross our minds when we think of the movie world. However, reality proves to be different : as a rule, a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making, and he incorporated them into 'On the Movie Set' . In the first part, 'The Clapboard', a 'director's assistant' is supposed to shout "Quieton the set'" and "Action!", as is done before a real scene is shot. Subsequently, in order to create the right atmosphere, the clacking of a 'Clapboard' should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background, so romantic music is of course heard in the next part, 'Love Scene'. At the end of a long working day 'It's a wrap' is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of 'On the Movie Set'. A red carpet and a glamorous reception should give your audience the feeling they are attending a real 'opening night'!

    Estimated dispatch 5-14 working days

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  • £127.30

    Love? Magic With a Capital M - Frode Rydland

    Imagine an extravagant magic show at Caesar's Palace in Las Vegas. All shows like this feature great superstars as guest artists. For instance, it can be Celine Dion and Josh Groban who enters the stage for a duet...Love... Magic with a capital M is a ballad for an imaginary magic show where the great stars are flugelhorn and trombone.A bit different stage setup, a bit of choreography, a bit of singing and a lot of sweet music!The Choir parts are intended to be sung by the band. But if your concert features a choir, you may add the choir to this performance.This music was written for Norwegian band Eikanger-Bjorsvik Musikklag for their winning program "MAGIC!", performed at the Norwegian equivalent to Brass in Concert, Siddis Brass in 2019.

    Estimated dispatch 5-14 working days
  • £60.99

    The New Covenant - James Curnow

    Throughout The New Covenant the composer seeks to portray through programmatic music the sensitivity, love and understanding of a compassionate Christ and the strength and wisdom of the Son of God who gave Himself to become the new covenant between God and man. This descriptive work creates a word painting by use of fragments from John Newton's beautiful hymn 'How Sweet The Name of Jesus'. An ideal work for any concert but especially for those taking place in Churches or Cathedrals.

    Estimated dispatch 5-14 working days
  • £55.00

    Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024

    1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).

    Estimated dispatch 7-14 working days
  • £50.00

    Triumph Series Band Journal July 2017 Numbers 1287-1290

    March - AFB Celebrations (Steven Ponsford)Originally written for the 15th anniversary of the Aukland Fellowship Band this march abounds in energy. It features the traditional Maori tune 'Hine e Hine' and the ever popular song 'Ill go in the strength of the Lord'.My Jesus I love thee (Kevin Downing)Having written a beautiful and thoughtful setting of this popular tune, this works introduces a new composer to our journals. Kevin Downing is a young American Salvationist and this piece was originally written for the National Capitol and Virginia Divisional Youth Band.Some day (1) (Kenneth Downie)A reflective yet lifting setting of the song as titled by Dr. Kenneth Downie.Trombone Solo Silent Night (2) (David Rowsell)This is a simple setting which should be accessible for most Trombone Soloists to feature within the Christmas season.Christmas Bells (Noel Jones)This collection of carols features 'Sweet chiming Christmas bells, sweet chiming bells' and 'Ding dong merrily on high!'

    Estimated dispatch 7-14 working days