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  • £30.00

    In The Bleak Mid Winter - (Gustav Holst arr. David Beal) - Brass Band Sheet Music Full Score & Parts - LM600 - Gustav HolstĀ 

    COMPOSER: Gustav HolstARRANGER: David BealA fantastic and haunting arrangement of the Gustav Holst tune "In The Bleak Mid Winter". A full band arrangement with solos from Solo Cornet and Flugel, with interjections from Repiano Cornet, 1st Baritone and Euphonium. This arrangement was specially written for The Shepherd Group Brass Band who recorded it for their Christmas CD.This arrangement is available now!Suitable for Youth section bands upwardsCD Available fromhttp://www.shepherdgroupbrassband.co.ukBrass Band Sheet Music Full Score & PartsLM600 - ISMN : 9790570006007

    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    Rock Mood - Brass Band - TSM016 - P. W. Jones

    COMPOSER: P. W. Jones"Rock Mood" has been written with the beginner Band in mind. The arrangement focuses on rhythm and sectional playing.This piece has quavers in pairs or, groups of four which always start on beats one or three. Pitch does not change on any pair but may change on the second pair of a group of four. Staccato and staccatissimo are both used in this composition. Please ensure that the difference is observed by the players and more importantly, play full value notes where no staccato or, staccatissimo is shown."Rock Mood" is a very sectional arrangement with tutti and soli sections. The soli sections may be played soli or if desired, as a solo. There are also cues to assist in flexibility for missing instruments and artistic freedom for the conductor.Some alternate parts (see below) have been included to cater for the different methods and syllabus.

    In Stock: Estimated dispatch 3-5 working days
  • £59.95

    MY STRENGTH, MY TOWER Rhapsodic Variations (Brass Band Set) - Dean Goffin

    This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).

    Estimated dispatch 7-14 working days
  • £29.95

    TO WIN THE WORLD (Cornet and Trombone Double Trio with Brass Band Set) - Stephen Bulla

    This double trio (three cornets and three trombones) was written for the National Capital Band of The Salvation Army in memory of Colonel William Maltby and is based on his own chorus, 'Keep on marching with a fighting faith'. Each solo part is of equal importance so six competent soloists will be required in order to make the piece sparkle!

    Estimated dispatch 7-14 working days
  • £15.99

    A Road Less Travelled By (Brass Band - Study Score) - Sparke, Philip

    A Road Less Travelled By was commissioned by Palangos Orkestras for the Championship Section of the 2020 European Brass Band Championships held in Palanga, Lithuania.The following was written by the composer, Philip Sparke:The title alludes to a poem by American author, Robert Frost, which appeared in his 1916 collection, Mountain Intervals: The Road Not Taken.In common with most of my larger works, this piece in not programmatic, but purely abstract; there is no extrinsic musical story. The choice of title shares my view of how composers can often develop. There can be no 'destination' in a composer's career, but rather a continuing journey to an unknown place. From piece to piece a composer needs to decide his or her next steps, never really knowing where they might lead. As Frost so eloquently describes, these sorts of instinctive decisions guide all our lives.Set in three movements, which play without a break, A Road Less Travelled By opens with a Moto Perpetuo firmly rooted in classical language, form and syntax. A continuous river of semiquavers, veering from melody to accompaniment and back again, adds drive, every and motion. The second movement, Nocturne, is in the form of a free fantasia; solos for vibraphone, flugel horn and euphonium set the stage for a central cornet solo, quietly echoed by the full band. A triumphal climax is reached before the movement dissolves into a Scherzo Finale. Mercurial and quixotic in nature, this third movement starts jovially until trios for trombones and horns darken the atmosphere. A change of mood and meter leads to a reprise of the opening and a return of the cornet melody, this time accompanied by figures derived from the scherzo theme. A brief coda based on earlier material drives the piece to a close.Duration: 15.30

    Estimated dispatch 7-14 working days

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  • £104.99

    Lakeland Variations (Brass Band - Score and Parts) - Sparke, Philip

    Composer Philip Sparke used the region of Seeland, located in the north-west part of Switzerland, with its three lakes (Morat, Neuchatel and Bienne) as the starting point for his Lakeland Variations. The work comprises an introduction and five variations based on motifs contained in the opening bars. The three lakes are represented by the three notes of the opening timpani solo, the intervals of which, a quarter and a second (together with a cornet figure), form the basis of all the following variations.Duration: 10:30

    Estimated dispatch 7-14 working days

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  • £64.00

    Milonga del Angel (Soprano Cornet, Cornet and Trombone Trio with Brass Band - Score and Parts) - Piazzolla, Astor - Olsrud, Sverre Stakston

    This arrangement was made after hearing Astor Piazzolla s 1986 recording of his own work written in 1965. The original instrumentation of bandoneon, violin and string bass is here arranged for three wind soloists with Concert Band. The Soprano Sax is the main soloist (filling the bandoneon role), while the trombone and clarinet shares the violin part as a kind of flirting undertone to the soprano saxophone. It s not possible to make a 100% correct notation of the solo parts, so it s recommended to listen to the record album Zero Hour from 1986 to get the best impression of the work. Enjoy Milonga Del Angel and imagine a small, dark cafe in Buenos Aires!

    Estimated dispatch 7-14 working days

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  • £154.99

    A Road Less Travelled By (Brass Band - Score and Parts) - Sparke, Philip

    A Road Less Travelled By was commissioned by Palangos Orkestras for the Championship Section of the 2020 European Brass Band Championships held in Palanga, Lithuania.The following was written by the composer, Philip Sparke:The title alludes to a poem by American author, Robert Frost, which appeared in his 1916 collection, Mountain Intervals: The Road Not Taken.In common with most of my larger works, this piece in not programmatic, but purely abstract; there is no extrinsic musical story. The choice of title shares my view of how composers can often develop. There can be no 'destination' in a composer's career, but rather a continuing journey to an unknown place. From piece to piece a composer needs to decide his or her next steps, never really knowing where they might lead. As Frost so eloquently describes, these sorts of instinctive decisions guide all our lives.Set in three movements, which play without a break, A Road Less Travelled By opens with a Moto Perpetuo firmly rooted in classical language, form and syntax. A continuous river of semiquavers, veering from melody to accompaniment and back again, adds drive, every and motion. The second movement, Nocturne, is in the form of a free fantasia; solos for vibraphone, flugel horn and euphonium set the stage for a central cornet solo, quietly echoed by the full band. A triumphal climax is reached before the movement dissolves into a Scherzo Finale. Mercurial and quixotic in nature, this third movement starts jovially until trios for trombones and horns darken the atmosphere. A change of mood and meter leads to a reprise of the opening and a return of the cornet melody, this time accompanied by figures derived from the scherzo theme. A brief coda based on earlier material drives the piece to a close.Duration: 15.30

    Estimated dispatch 7-14 working days

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  • £36.50

    A Road Less Travelled By (Brass Band - Score only) - Sparke, Philip

    A Road Less Travelled By was commissioned by Palangos Orkestras for the Championship Section of the 2020 European Brass Band Championships held in Palanga, Lithuania.The following was written by the composer, Philip Sparke:The title alludes to a poem by American author, Robert Frost, which appeared in his 1916 collection, Mountain Intervals: The Road Not Taken.In common with most of my larger works, this piece in not programmatic, but purely abstract; there is no extrinsic musical story. The choice of title shares my view of how composers can often develop. There can be no 'destination' in a composer's career, but rather a continuing journey to an unknown place. From piece to piece a composer needs to decide his or her next steps, never really knowing where they might lead. As Frost so eloquently describes, these sorts of instinctive decisions guide all our lives.Set in three movements, which play without a break, A Road Less Travelled By opens with a Moto Perpetuo firmly rooted in classical language, form and syntax. A continuous river of semiquavers, veering from melody to accompaniment and back again, adds drive, every and motion. The second movement, Nocturne, is in the form of a free fantasia; solos for vibraphone, flugel horn and euphonium set the stage for a central cornet solo, quietly echoed by the full band. A triumphal climax is reached before the movement dissolves into a Scherzo Finale. Mercurial and quixotic in nature, this third movement starts jovially until trios for trombones and horns darken the atmosphere. A change of mood and meter leads to a reprise of the opening and a return of the cornet melody, this time accompanied by figures derived from the scherzo theme. A brief coda based on earlier material drives the piece to a close.Duration: 15.30

    Estimated dispatch 7-14 working days

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  • £79.99

    A Midwest Fanfare (Brass Band - Score and Parts) - Sparke, Philip

    A Midwest Fanfare was commissioned by the Brass Band of Battle Creek and premiered by them during their appearance at the Midwest Clinic in Chicago on 20th December 2017 where this fanfare was the opening piece of the entire event. This piece is designed to be played with the cornets split into two teams either side of the band. It opens with the two groups answering each other antiphonally over a repeated figure in the lower band. A calmer central section introduces a euphonium solo which is then taken up by the whole ensemble. This leads back to a repeat of the opening fanfares over a rhythmic accompaniment and a short coda which brings the work to a close.Duration: 4.00

    Estimated dispatch 7-14 working days

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