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  • £34.95

    AL SHARQ (An Arabic-Jazz Fusion) (Brass Band) - Hall, Daniel

    Al Sharq (pronounced al-sha-rak) was commissioned by Tredegar Town Band as part of their programme for the 2014 Brass in Concert Championships at the Sage, Gateshead.The piece is an exciting and exotic concert work for brass band, which is heavily influenced by the genres 'Third Stream' and 'Arabic'. The composition is highly rhythmical and percussion heavy, which makes use of 'Tam-tam vibrato' - a technique which was invented by the composer especially for this composition.There are plenty of opportunities for the musicians to try something different, such as the aleatoric harmonic framework at the opening of the composition, shouting, 'hi-fiving', special choreography and even playing a didgeridoo!Al Sharq is a technically demanding piece which exploits the talents of all sections of the ensemble, especially the principal solo cornet, who starts the piece with an atmospheric cadenza. All of this makes Al Sharq a powerful and entertaining experience for both performer and listener.Grade: Advanced Duration:4:17

    Estimated dispatch 7-14 working days
  • £69.99

    Berceuse (Brass Quartet with Brass Band - Score and Parts) - Olsen, Ole - Brevik, Tom

    Ole Olsen (4 July 1850 - 4 November 1927) was a Norwegian organist, composer, conductor and military musician. Originally written for piano, this lovely, tender lullaby has been arranged by Tom Brevik for brass band and four solo instruments: Cornet, Flugel, Tenor Horn and Euphonium.Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £15.00

    HYMN TO BAROSSA (Brass Band Parts) - Scott, Andy

    Brass Band parts only. Scored for brass band (without percussion), 'Hymn to Barossa' is a re-scoring by the composer of the hymn section from 'Battle of Barossa'. This new arrangement is a melancholy and melodic hymn that mid-piece features a poignant cornet solo. 'Hymn to Barossa' gradually builds, but deliberately only so far, and is a statement of controlled emotions. Dur: 2:30

    Estimated dispatch 7-14 working days

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  • £10.00

    HYMN TO BAROSSA (Brass Band Score) - Scott, Andy

    Brass Band score only. Scored for brass band (without percussion), 'Hymn to Barossa' is a re-scoring by the composer of the hymn section from 'Battle of Barossa'. This new arrangement is a melancholy and melodic hymn that mid-piece features a poignant cornet solo. 'Hymn to Barossa' gradually builds, but deliberately only so far, and is a statement of controlled emotions. Dur: 2:30

    Estimated dispatch 7-14 working days

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  • £59.95

    Concerto Grosso (Brass Quartet with Brass Band - Score and Parts) - Gregson, Edward

    Concerto Grosso was commissioned in 1972 by the Scottish Amateur Music Association for the National Youth Brass Band of Scotland.I took as my starting point the 18th century concerto grosso form with its element of contrast between small and large instrumental forces. The concertino (solo) group consists of cornet, horn, trombone and euphonium. The work is cast in one continuous movement (the old concerto grosso was often in three or more). The single movement is cast in the arch-like version of the ritornello form which was the mainstay of the baroque concerto. There are three main episodes which alternate with the ritornello and these exploit slow lyrical melodies as well as more rhythmically charged music. The final coda contrasts the ritornello material with the concertino group's own material, bringing the work to a resounding conclusion.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £79.95

    The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward

    A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £39.95

    The Plantagenets (Brass Band - Score only) - Gregson, Edward

    A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £45.00

    Barcelona - Vocal Duet or Cornet & Euphonium - Brass Band Sheet Music Full Score & Parts - LMAM054

    Any purchases from this site cannot be made please click on the link (PURCHASE PDF - Sheet Music Direct or Sheet Music Plus) above. Do not click on "Add to cart" or buy with Shop button.Any purchases from this site cannot be made please click on the link (PURCHASE PDF - Sheet Music Direct or Sheet Music Plus) above. Do not click on "Add to cart" or buy with Shop button.COMPOSER: Mike Moran & Freddie MercuryARRANGER: David Beal"Barcelona" is a single released by Queen vocalist Freddie Mercury and operatic soprano Montserrat Caballe. A part of their collaborative album Barcelona, it also appeared on Queen's Greatest Hits III. The song reflects Mercury's love of opera with his high notes and Caballe's operatic vocals, backed by a full orchestra. Originally released in 1987, it was one of the biggest hits of Mercury's solo career, reaching number eight in the UK singles chart. After Mercury's death in 1991, it was featured at the 1992 Summer Olympics. The single was re-issued on 20 July 1992, after which the track climbed even higher, peaking at number two in the UK, the Netherlands and New Zealand. In 2004, BBC Radio 2 listed Barcelona at number 41 in its Sold On Song Top 100.Scored here for British Brass Band.Any purchases from this site cannot be made please click on the link above

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Centennial Prelude (Georgia French) - Brass Band Sheet Music Full Score & Parts - LM675

    COMPOSER: Georgia FrenchComposed for the ODBBA Centenary Concert and performed at the concert on 11th June 2023A brand new composition from the pen of Georgia French and makes a great opener for your next concert. A carillion of cornets open the piece leading to a mix of trombone and tenor horn providing the tune with a delightful overlay from solo cornet.Fanfares and effects appear from all sections leading a to a brilliant ff endingLM675 - ISMN - 9790570006892

    In Stock: Estimated dispatch 3-5 working days
  • £24.95