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  • £87.99

    Second to None - Philip Sparke

    Second to None is a perfectly suitable title for this work, though it actually refers to "Nulli Secundus", the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp's own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

    Estimated dispatch 5-14 working days

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  • £60.99

    Adagio - Tomaso Albinoni - Jacob de Haan

    If you need a beautiful slow interlude for any concert then this is the piece for you. This short work by Italian composer Thomaso Albinoni has a luscious melody that will bring tears to any eyes. For hundreds of years the manuscript of this work had been lost and was only discovered in 1945. Despite this it has become Albinoni's best known work and has topped the classical charts on many occasions. Wonderful figures for the flugel and soprano cornet bring out extra emotion in this arrangement by Jacob de Haan.

    Estimated dispatch 5-14 working days
  • £60.99

    Music for the Youngsters - Patrick Millstone

    An easy suite with short parts for brass and percussion. 1. Entry - festive intrada 2. Choral - question and answer in a solemn choral 3. Tune - attention to articulation 4. Canon - many possibilities 5. Penta - eastern sounds 6. Swinging Out - a swinging encore piece

    Estimated dispatch 5-14 working days

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  • £29.95

    A Little Prayer - Evelyn Glennie - Robert Childs

    Originally composed for solo marimba, this popular version of A Little Prayer was made in 1998 following Evelyn Glennie's collaboration with Black Dyke Band during the recording of their Grammy nominated Reflected in Brass CD. Robert Childs, then principal euphonium with Black Dyke, requested Evelyn's permission to make the arrangement for his son, David. The composer obliged, and Robert presented the score and parts to his son as a seventeenth birthday present. Evelyn Glennie revealed: "When I wrote this chorale for marimba, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life." Having composed the work when she was only 13, Evelyn continued: "As a child I would never have believed that such a short and simple piece of music, would come to grow this much. A little Prayerserves to prove that one should always bet their chips on what they believe in, for nine out of ten it will be worth it!" After twenty years of exclusivity, Prima Vista Musikk is proud to make this beautiful arrangement available to all. A Little Prayer provides the perfect reflective interlude for concert or devotional use by euphonium soloists and bands of all abilities.

    Estimated dispatch 5-14 working days
  • £60.99

    Fanfare and Flourishes - James Curnow

    What a way to open any concert. Fanfare and Flourishes is a spectacular short work that mixes all the pageantry of a military tattoo with the well-known Charpentier (1634-1705) Te Deum, a tune everyone will recognise as the theme tune for the Eurovision Song Contest! A brilliant piece to start a concert with a bang!

    Estimated dispatch 5-14 working days

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  • £60.99

    Nordic Fanfare and Hymn - Jacob de Haan

    As the title suggests, this opening work consists of a fanfare and a hymn. It was written for the opening ceremony of the FIS Nordic World Ski Championships in Oberstdorf (Allgau, Germany) and can be played in four different versions depending on your needs or the players available. You can use a complete version, a short fanfare played just by cornets, trombones and timpani, a double fanfare (extended with tutti-band) or a fanfare version followed by the hymn. Fanfare and Hymn is an extremely practical and versatile ceremonial opening piece.

    Estimated dispatch 5-14 working days
  • £54.99

    Gaillarde - Pierre Attaingnant - Manu Mellaerts

    Galliarde by Pierre Attaignant (1494-1552) is an elegant opening item for those looking for something a little different. It can also be used as a filler or to link two works in a programme.Manu Mellaerts is an authority on the repertoire of this period and has arranged this short, stylish piece while keeping the original renaissance spirit in mind.

    Estimated dispatch 5-14 working days
  • £15.00

    Symphony in Two Movements (Brass Band - Study Score) - Gregson, Edward

    Selected as the Championship Section test piece for the National Brass Band Championships of Great Britain 2025This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00

    Estimated dispatch 7-14 working days
  • £64.99

    Skin and Bones (Trombone Trio and Drum Kit Feature with Brass Band - Score and Parts) - Sparke, Philip

    Skin and Bones was commissioned by Brett Baker in memory of trombonist Julian Smith and to mark Garry Reed's 20 years as a member of Black Dyke Band, who gave the premiere in June 2023. After an introduction from the band, the trombones enter with the piece's main theme. A short bridge passage follows and the band then takes up this theme, with the soloists adding a countermelody. A change of key heralds a legato trio tune by the band, which is repeated by the trombones. After this, the drum kit takes centre stage to accompany the soloists in a virtuoso cadenza-like passage with interpolations from the band. This leads to a floridly decorated repeat of the opening theme which brings the work to a close.Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £26.95

    Heroic Etude (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    Back in the day I always enjoyed playing the well-known trombone works by Alexandre Guilmant and Ferdinand David and I wanted to return to that type of language and writing in a short concert piece. The music is direct in its expression, mostly exciting but sometimes lyrical. The pace of this etude is relentless and requires some deft double tonguing although I stayed away from too many running semiquavers. The last note should ideally be the high D (concert) but a B flat is indicated as a suitable alternative.- Rob WiffinDuration: 3.45

    Estimated dispatch 7-14 working days

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