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£54.99
Matrimony - Gilbert O'Sullivan - Roland Kernen
Gilbert O'Sullivan rose to fame in the 1970s. Dressed in his cap and golfing trousers he sat at the piano and sang charming and cheerful songs. Roland Kernen has produced this arrangement of Matrimony - one of Gilbert O'Sullivan's most popular hits.
Estimated dispatch 5-14 working days
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£87.40Gangnam Style - Sang Park - Ted Parson
Estimated dispatch 5-14 working days
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£127.30Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 5-14 working days
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£40.00Nightingale Dances - Matthew Hall
Matthew Hall Nightingale DancesNightingale Dances opens with a mellophonium-esque ensemble sound of 5 flugel horns, 3 tenor horns and trombones inspired by the Manhattan Transfer version of A Nightingale Sang in Berkeley Square, leading into a fast quickstep section for full band.Solo flugel horn takes the lead into the paso-doble middle section of the piece before the original opening to A Nightingale Sang in Berkeley Square becomes the main focus in the euphonium and baritone.A big build up into the final kit-led Hollywood-style show dance section with a half tempo feel ends the work with a real thumping ending to any contest or concert performance.Matthew Hall Nightingale Dances
Estimated dispatch 5-7 working days
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£33.66Je te veux (Brass Band) Satie arr. Rob Bushnell
Je te veux, or I Want You, is a valse chantee (sung waltz) by the French composer Erik Satie, with lyrics by Henry Pacory. It was written for Paulette Darty, who first sang it in 1903 at La Scala, Paris, with Satie accompanying. There are various versions that Satie produced, the original for piano and voice, a version for brass 'orchestra', for full orchestra (where a trio section was added), and a version for solo piano (but including the new trio section). This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass, and is of the longer version (with the trio section). As a result, it lends itself to being performed in a various of ways, with the ensemble has the option of selecting the part of it compound ternary form to play: (A-B-A)(C-D-C)(A-B-A). A recording of the original composition can be found here: www.youtube.com/watch?v=FA3JJdmwJU8 Difficulty Level: 4th Section + Duration: 4 or 5 minutes (depending on tempo and without any cuts) PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Auxiliary Percussion (Glockenspiel, Cymbal & Triangle)
In Stock: Estimated dispatch 1-3 working days
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£44.95A LONDON CELEBRATION - Peter Graham
A kaleidoscopic tour of London in music, featuring ANightingale Sang in Berkeley Square, London Pride, British Grenadiers
Estimated dispatch 3-7 working days
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£30.00Black Bottom Stomp - Jelly Roll Morton
Ferdinand Joseph LaMothe, professionally known as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer who started his career in New Orleans, Louisiana. Widely recognised as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues" was the first published jazz composition in 1915. Morton is also notable for writing such standards as "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say". Notorious for his arrogance and self-promotion, Morton claimed to have invented jazz outright in 1902, much to the derision of fellow musicians and the critics. At the age of fourteen, Morton began working as a piano player in a brothel (or, as it was referred to back then, a sporting house). In that atmosphere, he often sang smutty lyrics and took the nickname "Jelly Roll". While working there, he was living with his religious, church-going great-grandmother; who he convinced that he worked as a night watchman in a barrel factory. After Morton's grandmother found out that he was playing jazz in a local brothel, she kicked him out of her house and told him that "devil music" would surely bring about his downfall. Born in downtown New Orleans, Louisiana, his exact birth date differs depending to whichever source you want to believe; his half-sisters claimed he was born in September 1885, but his World War 1 draft card showed September 1884 and his California death certificate listed his birth as September 1889. He died in 1941 in Los Angeles.
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You're My World - Umberto Bindi, Gino Paoli, Carl Sigman - Len Jenkins
"You're My World" is a ballad originally recorded in 1963 as "Il Mio Mondo" ("My World") by Umberto Bindi, who co-wrote the Italian-language version with Gino Paoli. Although the original Italian version was not a hit, even in Italy, the song came to the attention of UK record producer George Martin, who commissioned an English version to be recorded by his protegee Cilla Black. The English lyrics were written by Carl Sigman. Cilla's recording at Abbey Road Studios was made with Johnny Pearson conducting his orchestra and The Breakaways providing background vocals. Her road manager and future husband Bobby Willis also sang on the track. "You're My World" reached No. 1 in Britain on the chart dated 30 May 1964 and remained there for a total of four weeks, one week more than Cilla's preceding single "Anyone Who Had A Heart" (Also available as a Brass arrangement from Wobbleco Music). Although Cilla returned to the UK Top Ten eight times, "You're My World" was her final No. 1 hit. Two quite different arrangements are available; one for Full Brass Band and one for Brass Quintet with optional Glockenspiel. Both attempt to retain the style of the original recording.
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£44.95Powerhouse (Brass Band - Score and Parts)
Spirit divine, come as of old. So begins the song by Brindley Boon (S.A.S.B. 311), and that phrase becomes the message of this piece, and an important motif in the music. It appears at the very beginning of the work and recurs at important points during the piece. The theme of the need for spiritual power is further underlined by the use of the hymns Show your power (S.A.S.B. 365), Wonder-working power (S.A.S.B. 451) and the very old chorus Send a new touch of power on my soul, Lord (S.A.S.B. 785).The composer first heard Boon's song Spirit Divine when it was sung by Parkhead Songsters in the Sunday morning meeting at his home Corps of Greenock Citadel. They were visiting for the weekend from Glasgow, and were conducted by Songster Leader Walter Chalmers, himself a beautiful lyric tenor soloist. They sang it in a moving fashion, unaccompanied, and such was the impact that, at the conclusion, many people went to the mercy seat. It made a huge impression on the young composer. It was the first time that Downie discovered the enormous power of music in worship. It also serves as a reminder to us all that young people of a tender age are very capable of grasping deeply significant events happening around them. This music was written for the 2020 UK Territorial Youth Band course.
Estimated dispatch 7-14 working days
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£54.95Songs of World War II (Brass Band - Score and Parts)
A Medley of Popular Songs (1939-1945)Includes:In the MoodA Nightingale Sang in Berkeley SquareWe're Gonna Hang Out the Washing on the Siegfried LineRun, Rabbit, Run!Kiss Me Goodnight, Sergeant MajorI'll Be Seeing You
Estimated dispatch 7-14 working days
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