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  • £110.00

    Red Lines (Bra) - Stijn Aertgeerts

    Red Lines was commissioned by the Swiss Army Brass Band and their conductor Philipp Werlen. The title is a reference to their very distinctive black uniforms with Red vertical lines. Switzerland is a country with a tremendously rich brass band culture and have some of the best bands in the world. The individual level of musicians is also of incredibly high quality. The work begins very bombastically with continuous 8th notes. This immediately sets the drive for the entire first movement where the low brass can also show off huge sounds several times. It culminates in a grand tutti before the music calms down in the second movement where the euphonium can show its solistic qualities and the band can show a big difference in dynamics and sound. The final movement is driven by the drums and timpani that provide a solid boost to keep moving the thematic material forward in the band and through the percussion solo a big build-up to a glorious finale.

    Estimated dispatch 7-14 working days
  • £90.00

    Pillars of Brass - Brass Band - LM946

    COMPOSER: Terry VosbeinFanfares, pretty melodies, powerful climaxes, gorgeous textures, and showy solos.This three movement composition is an ideal showcase for an advanced band.The movements are each 4-5 minutes long and can be performed independently.I. A Fanfare and a DittyAfter both the fanfare and the ditty are presented, a type of development follows.It soon drifts into more ambiguous and profound sounds before bringing the fanfare back.II. A BluesNot a blues in traditional form, but a blues in feeling.Bluesy solos and a yearning quality, that eventually builds into a screamed prayer.III. A Wild and Happy RideImagine the drives of Jack Kerouac, or John Steinbeckor William Least Heat-Moon.An adventure on wheels across hundreds of miles, maybe thousands.Playing time approx. 13' 30"

    In Stock: Estimated dispatch 3-5 working days
  • £76.00

    Old Market Square - Joris Bolhaar

    In the second part of the two-piece work Metropolis of the East is the Old Market, the centre point of the city of Enschede in the Netherlands. Elements such as the Great Church, the monument to the city fire of 1862, and historical events such as the textile strike can be heard in this piece, as well as the sounds of the many al-fresco cafes, the theatre Concordia, and the many festivals. This piece is coupled with The Cotton Phoenix (Alex Poelman) but functions well as a stand-alone work.

    Estimated dispatch 10-14 working days

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  • £119.00

    The Phoenix - Paul Hertel

    This nice composition, commissioned by the Swiss Army Brass Band was arranged for symphonic band at Johann Mosenbichler's request. The legendary bird called 'Phoenix' rises from its ashes as a symbol of optimism and vitality. From a choral with Southeastern European characteristics develops an impressive middle part resulting in a stretto with a compelling finale. Because of its splendid brilliant sounds, this composition is appreciated by musicians of all ages.

    Estimated dispatch 10-14 working days

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  • £119.00

    Decennium - Eric Swiggers

    'Decennium' was composed in 2003 as a commission by the municipality of Berheze for its tenth anniversary. The composition describes the history of this town in the Province of Brabant, consisting of 6 different villages: Heesch, Heeswijk, Dinther, Nistelrode, Loosbroek and Vorstenbosch. The composition starts with a slow introduction, Adagio Misterioso, suggesting the atmosphere in long-ago days when the area consisted mainly of swamps, meres and low woods. (The word 'Bern' is a synonym of 'Born' meaning source or water, whereas 'Hese' is derived from 'Haisjo' meaning brushwood ). Above the dark sounds we hear far away trumpet signals announcing the Middle Ages. After a piercing crescendo, we hear the full sound of festive trumpets. A medieval dance, as was to be heard in the Heeswijk castle, follows. This dance gets a more and more stirring character and finally turns into a merry popular dance ending with a burst of laughter reproduced by descending scales with the muted trombones and trumpets. A slow transition with a quotation from a Gregorian plainsong (Domine Deus) and church bell ringing, referring to the Abbey of Berne, brings us to a romantic Larghetto. This part describes the quiet rural life in a beautiful natural surrounding. The last dying note contrasts with the threatening ostinato, referring to the rise of the industrialization, which provoked quite some resistance with the local people. Once more we hear the 'Domine Deus' but much more powerful this time. When the resistance calms down, the work concludes with an Alla Marcia. The first notes of the main theme could be heard all through the composition and now we hear the complete main theme again. The new town is born. A festive conclusion refers both to the tenth anniversary and the optimism and confidence as to the future.

    Estimated dispatch 10-14 working days

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  • £53.00

    Queens and Bees - Erik Waerts

    Here we have a stirring march with an obvious Scottish influence. Though the orchestration is rather simple, this march with its melodic trio sounds great. It can be used as a parade march, but will also be most efficient to play in or simply performed as a concert march.

    Estimated dispatch 10-14 working days

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  • £25.00

    ...and the winter moon rises

    Description...and the winter moon riseswas inspired by a winter's evening car journey across the Pennines from Manchester to Huddersfield, through the brass band heartland of Saddleworth. There was recent snow on the ground, and the sun had just set. A bright clear moon was rising into a sky coloured with orange from the setting sun, and the moonlight made all the snow and ice sparkle.The work is the fourth movement of a larger 5 movement suite entitled "North!", but can be (and has been) performed in isolation. This work was a finalist in the 2012 Ohio Brass Arts Festival composition competition.Performance NotesThe percussion parts should be playable by three players; the "arco" parts of the vibraphone parts should be played by drawing a cello or double bass bow up the side of the bar. Motors should be left off throughout.Three of the brass players are asked to double on triangles for the first part of the piece; ideally these should be of different sizes giving clearly different sounds. The easiest solution is to tie a triangle to the music stand, rather than try to hold it and then swap instruments later in the piece.Click below to watch a playback preview of the score!

    Estimated dispatch 7-14 working days
  • £24.95

    Bilitis - Frances Lai - Simon Kerwin

    Francis Lai is one of France's leading film music composers. His musical styles are very varied, ranging from contemporary jazz to classical. He is one of the pioneers in the creation of synthesiser sounds, samples, and the use of 'computer'...

    Estimated dispatch 5-7 working days
  • £49.95

    Blaze - Phil Lawrence

    Cornet/trumpet sounds have been changing for some years; they are becoming heavier, more robust, slower vibratos. The dynamic level now pushed out by your average solo cornet is 30% more than it was some 35/40 years ago. This, is mainly...

    Estimated dispatch 5-7 working days
  • £29.95

    Seaside Rendezvous - Freddie Mercury - Iain McKnight

    There was no greater showman in the world of rock than Freddie Mercury and, for many, no greater group than Queen. The release in 2018 of the film Bohemian Rhapsody brought the sounds of Queen to a new generation as...

    Estimated dispatch 5-7 working days