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  • £64.99

    Rhythm Studies for Band - James Curnow

    Eight carefully crafted mini-compositions that begin with simple time signatures and rhythms and work up to mixed meters and complex rhythms. The exercises are musically rewarding and fun to play, and will give your students the practice they need to develop rhythmic accuracy.

    Estimated dispatch 5-14 working days
  • £64.99

    Rhythm Studies for Band (Brass Band - Score and Parts) - Curnow, James

    Eight carefully crafted mini-compositions that begin with simple time signatures and rhythms and work up to mixed meters and complex rhythms. The exercises are musically rewarding and fun to play, and will give your students the practice they need to develop rhythmic accuracy.

    Estimated dispatch 7-14 working days
  • £64.99

    Rhythm Builders for Developing Bands - James Curnow

    Your program will definitely improve with this set of 14 studies designed to aid in the teaching and development of good rhythmic reading abilities! These carefully crafted musical mini-compositions begin with simple time signatures and rhythms and work to more complex rhythms and meters. Musically rewarding, these pieces are meant to be studied on a daily basis, and will help your students develop basic rhythmic skills.

    Estimated dispatch 5-14 working days
  • £64.99

    Rhythm Builders for Developing Bands (Brass Band - Score and Parts) - Curnow, James

    Your program will definitely improve with this set of 14 studies designed to aid in the teaching and development of good rhythmic reading abilities! These carefully crafted musical mini-compositions begin with simple time signatures and rhythms and work to more complex rhythms and meters. Musically rewarding, these pieces are meant to be studied on a daily basis, and will help your students develop basic rhythmic skills.

    Estimated dispatch 7-14 working days
  • £89.95

    Four Etudes (Brass Band - Score and Parts) - Gregson, Edward

    This work was written during August and September 2016. In it, I wanted primarily to explore the elements of timbre, rhythm, texture and colour. The first three tudes (or studies) are based on a set of piano pieces I composed in 1982, whilst the last, the longest of the set, was composed specially. My reference point was the Four tudes for orchestra of 1928 by Stravinsky, a work I have always admired, and of which the first three also happen to be based on a set of earlier pieces, in his case for string quartet, with the last being a re-arrangement of a work for pianola. I have also borrowed the titles he gave to the individual studies as they seemed to fit the mood of my pieces.However, the exception is the final study, where instead of the exuberant mood of his colourful portrayal of Madrid, mine was influenced by the terrible human tragedy that was unfolding in Aleppo at the time I was writing it, and thus reflects the violence and barbarism of those events; yet towards the end it does offer a glimmer of hope for humanity with a return to the Canticle (Song) of the first study, and concludes quietly with the chords and bells that began the work. The titles of the tudes are Canticle, Dance, Excentrique, and Aleppo. Like Stravinsky's, the set is relatively short, lasting around 8 minutes.The Four tudes were commissioned by Black Dyke Band and were written specially for the recording marking the conclusion of my year as Composer-in-Residence. The concert premiere will be given by Black Dyke Band, conducted by the composer, at the RNCM Festival of Brass in January 2017.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £37.95

    Four Etudes (Brass Band - Score only) - Gregson, Edward

    This work was written during August and September 2016. In it, I wanted primarily to explore the elements of timbre, rhythm, texture and colour. The first three tudes (or studies) are based on a set of piano pieces I composed in 1982, whilst the last, the longest of the set, was composed specially. My reference point was the Four tudes for orchestra of 1928 by Stravinsky, a work I have always admired, and of which the first three also happen to be based on a set of earlier pieces, in his case for string quartet, with the last being a re-arrangement of a work for pianola. I have also borrowed the titles he gave to the individual studies as they seemed to fit the mood of my pieces.However, the exception is the final study, where instead of the exuberant mood of his colourful portrayal of Madrid, mine was influenced by the terrible human tragedy that was unfolding in Aleppo at the time I was writing it, and thus reflects the violence and barbarism of those events; yet towards the end it does offer a glimmer of hope for humanity with a return to the Canticle (Song) of the first study, and concludes quietly with the chords and bells that began the work. The titles of the tudes are Canticle, Dance, Excentrique, and Aleppo. Like Stravinsky's, the set is relatively short, lasting around 8 minutes.The Four tudes were commissioned by Black Dyke Band and were written specially for the recording marking the conclusion of my year as Composer-in-Residence. The concert premiere will be given by Black Dyke Band, conducted by the composer, at the RNCM Festival of Brass in January 2017.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £40.00

    FAtes - Claude Debussy arr. Phillip Littlemore

    Debussy's Nocturnes are a set of three orchestral pieces inspired by three paintings by the American James McNeill Whistler from the 1870s. These three paintings, also entitled Nocturnes, were studies in light and shade offering an impression of landscapes and objects. The second movement, Fetes (Festivals) offers a dancing, vibrating rhythm with sudden flashes of ight. There is also a procession, described by Debussy as a dazzling fantastic vision, which passes through the festive scene and becomes merged in it (letter J in the score). However the background remains the same driving dance-like work.Debussy wrote the Nocturnes between 1897 and 1899 and the first two movements, the first being Clouds, received their premiere in Paris in 1900. The first performance met with a cool critical reception and Debussy made many revisions thereafter to all three movements.Duration: 6'00"Difficulty: 2nd section and above

    Estimated dispatch 5-7 working days