Results
-
£34.99Millennium Bridge (from New London Pictures) (Brass Band - Score and Parts)
Millennium Bridge describes the pedestrians journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and on to St. Pauls Cathedral with its bells ringing out over the great city. This piece is the first movement of Nigel Hess's New London Pictures, which represents elements of London in the 21st Century. Suitable for Premier Youth/2nd Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
-
£99.95
Sea Pictures (Score and Parts)
An atmospheric and descriptive work, Sea Pictures is in three sections. The quiet but very difficult opening describes the sea at dawn when all is still save for the cries of the early-morning gulls and deep movements of the sea itself. The sun rises a
Estimated dispatch 7-14 working days
-
£57.95
Sea Pictures (Score Only)
An atmospheric and descriptive work, Sea Pictures is in three sections. The quiet but very difficult opening describes the sea at dawn when all is still save for the cries of the early-morning gulls and deep movements of the sea itself. The sun rises a
Estimated dispatch 7-14 working days
-
£40.00London Eye (from New London Pictures) (Brass Band - Score and Parts) - Hess, Nigel - Littlemore, Phillip
London Eye is an incredibly large rotating wheel situated on the South Bank of the River Thames. This movement depicts a 'flight' on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of that view. This piece is the second movement of Nigel Hess's New London Pictures which represents elements of London in the 21st Century. Suitable for Premier Youth/2nd Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
-
£40.00Millennium Bridge (from New London Pictures) (Brass Band - Score and Parts) - Hess, Nigel - Littlemore, Phillip
Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and on to St. Paul's Cathedral with its bells ringing out over the great city. This piece is the first movement of Nigel Hess's New London Pictures, which represents elements of London in the 21st Century. Suitable for Premier Youth/2nd Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
-
£40.00Hymn at Sunrise (Score only) - Ray Steadman-Allen
The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.
Estimated dispatch 5-7 working days
-
£50.00Hymn at Sunrise (Parts only) - Ray Steadman-Allen
The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.
Estimated dispatch 5-7 working days
-
£57.50A Stroll in the Park - Philip Sparke
A Stroll in the Park is a piece in the tradition of "walking" music (such as the Promenade from Mussorgsky's Pictures at an Exhibition or Gershwin's Walking the Dog from Shall we Dance). It strives to describe the joyful benefits of a relaxing walk in a city park on a summer Sunday afternoon and should be played in a relaxed, carefree and laidback manner.
Estimated dispatch 5-14 working days
-
£57.50A Stroll in the Park (Brass Band - Score and Parts) - Sparke, Philip
A Stroll in the Park is a piece in the tradition of "walking" music (such as the Promenade from Mussorgsky's Pictures at an Exhibition or Gershwin's Walking the Dog from Shall we Dance). It strives to describe the joyful benefits of a relaxing walk in a city park on a summer Sunday afternoon and should be played in a relaxed, carefree and laidback manner.Duration: 4:15
Estimated dispatch 7-14 working days
-
£29.95
The Land of the Long White Cloud (Score Only)
Dating from 1979, The Land of the Long White Cloud (Aotearoa) was Philip Sparke's first test-piece. It was commissioned by the New Zealand Brass Band Association for their 1980 National Championships (their centenary year) and set for the European Brass Band Championships, the same year, at the Royal Albert Hall in London. Aotearoa was the name given to New Zealand by its Polynesian settlers whose first sight of the islands was a long, flat cloud lying low over the land. The work has no specific programme although many have seen pictures of the surging ocean in the opening bars. A faster dance-like section leads to a slow, haunting solo for soprano cornet; this is taken up by the whole band before earlier material returns. The dance-like tune is, this time, given a fugal treatment and the opening bars return to close the work.Philip Sparke was born in London and studied composition, trumpet and piano at the Royal College of Music, where he gained an ARCM. It was at the College that his interest in bands arose. He played in the College wind orchestra and also formed a brass band among the students, writing several works for both ensembles.At that time, his first published works appeared - Concert Prelude (brass band) and Gaudium (wind band). A growing interest in his music led to several commissions, his first major one being this featured piece for the Centennial Brass Band Championships in New Zealand - The Land of the Long White Cloud. He has written for brass band championships in New Zealand, Switzerland, Holland, Australia and the UK, including three times for the National Finals at the Royal Albert Hall.In September 2000, he was awarded the Iles Medal of the Worshipful Company of Musicians for his services to brass bands and in 2005 Music of the Spheres won the National Band Association/William D. Revelli Memorial Band Composition Contest. In 2011, he received the BUMA International Brass Award for his contribution to brass music.His conducting and adjudicating activities have taken him to most European countries, Scandinavia, Australia, New Zealand, Japan, Taiwan, South Korea, Canada and the USA. In May 2000, he took the major step of becoming a full-time composer by founding his own publishing company, Anglo Music Press. The company is devoted to publishing his brass band, concert band, fanfare band and instrumental publications as well as recordings dedicated to his latest works.
Estimated dispatch 7-14 working days
View Music